Subtitle

Steve Jobs' last words were: "Oh wow. Oh wow. Oh wow." Oscar Wilde went with: "Either that wallpaper goes, or I do." (At least, that's how the story goes.) The way most of us part company with language at the end of our lives is more halting and gradual. Even when a dying loved one is unable to speak clearly, other forms of communication often take over: noises, gestures, touch and eye contact.

We have stories in this episode from a hospice nurse, from journalists covering mental health and internet culture, and from language writer Michael Erard who is writing a book about last words and their relationship to first words.

Photo by Duncan C via Flickr/Creative Commons. Music by Dream Cave, Nylonia, Alexandra Woodward, Cobby Costa, August Wilhelmsson, David Celeste, Martin Landstrom, Gavin Luke, Rand Also, Airae, Alan Ellis, Jules Gaia. Read a transcript of this episode here. Subscribe to our newsletter here.

Netflix's lavish new adaptation of Liu Cixin's The Three-Body Problem is the latest 'translation' of one of this century's best, and best-selling, sci-fi novels. In this episode, we track the role of translation—on screen and on the page—in the global rise of Chinese sci-fi. Our guide is reporter and sci-fi aficionada Lydia Emmanouilidou who talks with several people involved in the Chinese literary scene, notably The Three-Body Problem's English translator Ken Liu.

More about Lydia Emmanouilidou here. Music in this episode by Ambre Jaune, Medité, Pearce Roswell and Trabant 33.

Read a transcript of the episode here. And sign up for Subtitle’s newsy, nerdy, fortnightly newsletter here.

In unsettled times, we reach for metaphors. They help us make sense of the nonsensical—or at least that's what we tell ourselves. In this episode, we hear from linguist Elena Semino, editor of a crowd-sourced publication called the Metaphor Menu intended for people with cancer. She assesses the merits of coronavirus metaphors, from battlefield clichés to forest fires to contaminated swimming pools.

Photo by Jo Zimny Photos. Music by Moss Harman, Megan Woffard, Alexandra Woodward, Heath Cantu, Sights of Wonder, Remodal, Sons of Hades, Podington Bear. Read a transcript of this episode here.

A conversation with comedian with Samir Khullar who grew up speaking Punjabi, Hindi, English and French. He does standup in all those languages, sometimes mixing them up. He has toured more than 40 countries, but audiences in his native Québec perhaps see the best of him. That's where he performs a bilingual French/English show called You're Gonna Rire (and now, You're Gonna Rire 2). As a Quebecer/Québécois, Sugar Sammy's comedy exposes the absurdity of language politics while also celebrating multilingualism and difference.

Photo of Sugar Sammy by Charles William Pelletier/Creative Commons. Check out Sugar Sammy's tour dates here.

Music in this episode by Jules Gaia, Josef Falkensköld, Stationary Sign, and August Wilhelmsson. Read a transcript here. Sign up for Subtitle's newsy, nerdy, fortnightly(ish) newsletter here.

Many place names in the United States are borrowed from Native American words. It's often hard to trace the roots. Over time, the original names were often transformed beyond recognition, victims of mangled pronunciation. Suzanne Hogan is our guide to the origins of Missouri, a name rooted in the Chiwere language. Chiwere has been imperiled for generations but kept alive by the Otoe-Missouria Tribe, and by one tribe member in particular: Truman Washington Dailey, a pioneer of North American language revitalization.

Suzanne Hogan is the host of the podcast, A People's History of Kansas City. Read more about this episode here, and more about the Otoe-Missouria Tribe here. A People's History of Kansas City is supported by the Midwest Genealogy Center in Independence, Missouri.

Music in this episode courtesy of the Otoe-Missouria Tribe. Other music by Gunnar Johnsen, Blue Dot Sessions, Medité, and Trabant 33. The photo shows a delegation of the Otoe-Missouria tribe in 1881. (Credit: John K. Hillers / Gilman Collection, Metropolitan Museum Of Art.)

Sign up for Subtitle’s fortnightly newsletter here.