
Oscars Nomination Reactions for 2023 Films
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01/24/24 • 58 min
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J. McVay and Charles Hinshaw discuss the Oscar nominations for films released in 2023, which were announced yesterday, sharing their reactions on everything from the lack of directing and acting nominations for Greta Gerwig and Margot Robbie, respectively, to the seemingly inevitable sweep by Christopher Nolan's Oppenheimer that is expected when the Academy Awards are handed out on March 10th.
===
Mentioned in the Episode:
Stereoactive Presents: 'The Killer' // a movie discussion /// https://www.stereoactivemedia.com/stereoactive-presents-the-killer-a-movie-discussion/
Stereoactive Presents: ‘Indiana Jones and the Dial of Destiny’ // a movie discussion /// https://www.stereoactivemedia.com/stereoactive-presents-indiana-jones-and-the-dial-of-destiny-a-movie-discussion/
Stereoactive Presents: 'Oppenheimer' // a movie discussion /// https://www.stereoactivemedia.com/stereoactive-presents-oppenheimer-a-movie-discussion/
===
Episode Credits:
Producer/Host: J. McVay
Guests: Charles Hinshaw
Music: Hansdale Hsu
Produced by Stereoactive Media
J. McVay and Charles Hinshaw discuss the Oscar nominations for films released in 2023, which were announced yesterday, sharing their reactions on everything from the lack of directing and acting nominations for Greta Gerwig and Margot Robbie, respectively, to the seemingly inevitable sweep by Christopher Nolan's Oppenheimer that is expected when the Academy Awards are handed out on March 10th.
===
Mentioned in the Episode:
Stereoactive Presents: 'The Killer' // a movie discussion /// https://www.stereoactivemedia.com/stereoactive-presents-the-killer-a-movie-discussion/
Stereoactive Presents: ‘Indiana Jones and the Dial of Destiny’ // a movie discussion /// https://www.stereoactivemedia.com/stereoactive-presents-indiana-jones-and-the-dial-of-destiny-a-movie-discussion/
Stereoactive Presents: 'Oppenheimer' // a movie discussion /// https://www.stereoactivemedia.com/stereoactive-presents-oppenheimer-a-movie-discussion/
===
Episode Credits:
Producer/Host: J. McVay
Guests: Charles Hinshaw
Music: Hansdale Hsu
Produced by Stereoactive Media
Previous Episode

‘The Killer’ // a movie discussion
J. McVay and Charles Hinshaw discuss the latest film directed by David Fincher. The Killer stars Michael Fassbender as the meticulous hitman of the film’s title. Also in the film are Tilda Swinton, Charles Parnell, Sala Baker, Arliss Howard, and Kerry O’Malley.
It's almost a cliche to talk about how filmmakers known as auteurs often make movies that are, in some way, seemingly about themselves. But in a year when Christopher Nolan made a film about a man whose groundbreaking work helped change the landscape of the world arguably for the worse and Wes Anderson made a film about locking a cast of characters into a tightly controlled environment in order to serve a narrative to the outside world, it's perhaps hard to dispute this sometimes does in fact happen. And now, David Fincher has made a film in which a cold, calculating professional must grapple with the resultant fallout from the failure of his usual perfectionist work ethic.
In The Killer, Michael Fassbender stars as the titular character in a performance as precise and intentional as any Fincher has ever directed. And it can hardly be a coincidence that the director chose as his perhaps-avatar an actor whose work bringing an android to life was the best parts of both 2012's Prometheus and 2017's Alien: Covenant.
The film is something of a rarity in its dedication to a mostly subjective point of view, as we experience the thoughts and actions of Fassbender's unnamed character through matter of fact voiceover, as well as sound design and cinematography that often allows us to see and hear the world through his eyes and ears. But for all the access we're given to the killer's interiority, he's still largely inscrutable in many ways. That said, what's compelling about both the character and the film are the small ways in which he reveals himself as human, by either accident or momentary surrender to circumstance. Any small moment of humanity presents as a nearly monumental display in the context of the otherwise methodical procedural the film pretends to be and, as a result, those small moments become incredibly satisfying.
The Killer is now available on Netflix.
===
Mentioned in the episode:
Stereoactive Presents... Fight Club and Mank.
https://www.stereoactivemedia.com/stereoactive-presents-david-fincher/
===
Episode Credits:
Producer/Host: J. McVay
Guests: Charles Hinshaw
Music: Hansdale Hsu
Produced by Stereoactive Media
Next Episode

‘Past Lives’ // a movie discussion
J. McVay and Charles Hinshaw discuss the debut film written and directed by Celine Song. Past Lives stars Greta Lee, Teo Yoo, and John Magaro as the three sides of a romantic triangle that spans decades and continents.
There are thin and thick lines running through every life. These may run through personal situations or society as a whole. Celine Song’s Past Lives explores the intersection of at least a few such lines. There’s the sometimes thin line between the platonic and the romantic, then there are the often thicker lines between times and places that separate moments by decades and people by continents and oceans.
Greta Lee stars as Nora, an immigrant from South Korea to New York City by way of Toronto, who reconnects with an old friend from her youth named Hae Sung – played by Teo Yoo – who was coincidentally already trying to reconnect with her. Their early 2010s Skype calls seem to be drifting toward the romantic side of the aforementioned thin line before they’re paused for a reassessment that never comes and they both continue their lives outside of the bubble they’d constructed for themselves. Eventually, they meet up in person again, but Nora is now married to Arthur, played by John Magaro.
A tension amongst all three ensues that raises questions about the nature of the trio’s internal interpersonal relationships, as well as their identities and how they’ve become the people they are.
The strength of Past Lives comes from the way it deftly flirts with ideas such as fate, culture, ethnicity, and especially through its brief but essential opening scene, projection of self. Each idea or subject is teased in such a way that it naturally unravels in front of your eyes without ever seeming contrived – or, really, to even announce itself. Consequently, you’re already thinking about each idea before you realize you are, just as happens so often in life. The final result is a sublimely crafted story that only improves with subsequent viewings.
===
Episode Credits:
Producer/Host: J. McVay
Guests: Charles Hinshaw
Music: Hansdale Hsu
Produced by Stereoactive Media
Stereoactive Presents - Oscars Nomination Reactions for 2023 Films
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