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Stereoactive Movie Club - Ep 3.1 // Round 2 Wrap Up / Round 3 Picks
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Ep 3.1 // Round 2 Wrap Up / Round 3 Picks

07/22/21 • 86 min

Stereoactive Movie Club

It’s the end of Round 2 of the Stereoactive Media Movie Club podcast! We’re revisiting the films we’ve discussed in the last 6 episodes and we’re picking our next round of movies to watch and discuss!

Produced by Stereoactive Media

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It’s the end of Round 2 of the Stereoactive Media Movie Club podcast! We’re revisiting the films we’ve discussed in the last 6 episodes and we’re picking our next round of movies to watch and discuss!

Produced by Stereoactive Media

Previous Episode

undefined - Ep 2.7 // The Godfather

Ep 2.7 // The Godfather

It’s Mia’s 2nd pick: 'The Godfather,’ the 1972 film directed by Francis Ford Coppola. Foundational to modern cinema that’s followed in its footsteps and culturally influential beyond the scope of most movies, it’s often cited as one of the greatest films ever made. In the 2002 Sight & Sound magazine poll – in tandem with its sequel, Part 2 – it was named the 4th greatest movie of all time by critics while the 2 films together were named the 2nd greatest film of all time by directors. And on its own, it was named the 6th greatest film of all time by directors in 1992, then the 7th greatest in 2012.

Produced by Stereoactive Media

Next Episode

undefined - Ep 3.2 // Vertigo

Ep 3.2 // Vertigo

It’s Lora’s 3rd pick: ‘Vertigo,’ the 1958 film directed by Alfred Hitchcock. Considered by an increasing number of people to be the director’s masterpiece, the film relies on an against-type performance by Jimmy Stewart and a complex, multi-faceted performance by Kim Novak. It first appeared on the Sight & Sound magazine poll of the greatest films ever made in 1972, as a runner up. It’s then appeared on the decennial list every time since, moving up to number 7, then number 4, then number 2, before in 2012 being named the greatest film of all time, overtaking Citizen Kane from the spot it had held for 60 years. Meanwhile it was named the 6th greatest film on the directors poll in both 1992 and 2002, then came in at number 7 in 2012.

Produced by Stereoactive Media

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