
Alex Garland, Geoff Barrow & Ben Salisbury (Contains Spoilers)
Explicit content warning
04/13/18 • 73 min
It's another very special Soundtracking this week as we take you to the Everyman Cinema in Hampstead, where director Alex Garland and his composers Geoff Barrow and Ben Salisbury came together for a Q&A following an exclusive screening of Annihilation.
As you may know, the film hasn't had a cinematic release outside the US. You can, however, watch Annihilation on Netflix, and it's well worth your time if you haven't seen it already. Unusually for us, there a couple of spoilers in this episode too, which is all the more reason to check the movie out.
Before Alex joined everyone on stage, Edith caught up with Geoff and Ben in the bar to discuss their other work, specifically on Ex Machina and Ben Wheatley's Free Fire.
Their first score together was for Dredd. At least, it would have been had the studio not decided it wasn't suitable for the film. Thankfully, they shared their efforts anyway under the guise of Drokk. And it's with a spot of Drokk that we began - which basically means you're in for a real treat.
It's another very special Soundtracking this week as we take you to the Everyman Cinema in Hampstead, where director Alex Garland and his composers Geoff Barrow and Ben Salisbury came together for a Q&A following an exclusive screening of Annihilation.
As you may know, the film hasn't had a cinematic release outside the US. You can, however, watch Annihilation on Netflix, and it's well worth your time if you haven't seen it already. Unusually for us, there a couple of spoilers in this episode too, which is all the more reason to check the movie out.
Before Alex joined everyone on stage, Edith caught up with Geoff and Ben in the bar to discuss their other work, specifically on Ex Machina and Ben Wheatley's Free Fire.
Their first score together was for Dredd. At least, it would have been had the studio not decided it wasn't suitable for the film. Thankfully, they shared their efforts anyway under the guise of Drokk. And it's with a spot of Drokk that we began - which basically means you're in for a real treat.
Previous Episode

Director Todd Haynes On The Music Of Wonderstruck, I'm Not There, Carol & Far From Heaven
This week's episode has been a long-time coming. We reckon Edith spoke to director Todd Haynes just before Christmas - after his latest film Wonderstruck received a 3 minute standing ovation at last year's Cannes film festival - and we've been desperate to share our chat ever since.
Well, the moment has come, as Wonderstruck finally gets an official UK release - though you may already have been lucky enough to see it on Amazon.
Based on the bestselling novel by Brian Selznick, who also wrote the screenplay, Wonderstruck intertwines two stories set 50 years apart about children Rose and Ben, both of whom are on quests to find their parents. In a novel twist, Rose's story plays out as a black and white silent movie, which presented various challenges for composer Carter Burwell.
As well of plenty of examples of Carter's score, you'll also hear music from Thom Yorke, David Bowie, Bob Dylan, Billie Holiday and more.
Next Episode

Actor John Simm on Joy Division, New Order, Echo & The Bunnymen, The Stone Roses & More
It's been a while since we had any acting talent on the show, so it gives us great pleasure to welcome the wonderful John Simm to Soundtracking.
John has appeared in many great productions on stage and screen. He is perhaps best known for his roles in Life on Mars as Sam Tyler and Doctor Who as The Master, with recent appearances in Collateral on the BBC and Trauma on ITV.
His films include Wonderland, Human Traffic, and 24 Hour Party People - and we'll obviously be featuring tracks from all of these projects throughout the conversation. He's also an accomplished musician, with plenty more about his exploits on that front featuring too.
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