
Specially Processed
01/18/22 • 39 min
For so many Asian Americans and Pacific Islanders, Spam is a beloved classic food, showing up in everything from musubi to fried rice. But behind that nostalgia is a history of war and colonization, and the inheritance of both favorite foods and hidden traumas. Korean American playwright Jaime Sunwoo’s surreal new play, Specially Processed American Me, takes a close look at Spam’s legacies, and the lost stories of her own family — who’ve migrated twice over two generations, from North Korean to South Korea, then from South Korea to the United States.
While sharing behind-the-scenes previews of the play, Jaime and Cathy talk about the challenges and rewards of interviewing older generations, and how those conversations have helped her process her own identity as an Asian American.
Specially Processed American Me is co-produced by Dixon Place, Ping Chong and Company, and Free Rein Projects. You can learn more about Specially Processed American Me and find tickets to the show (debuting Jan 27 - Feb 19 in New York City) at speciallyprocessed.com.
Resources and Reading- READ: “SON OF SPAMMEAT-PACKING HEIR GEORDIE HORMEL HAMS IT UP IN PHOENIX SOCIETY,” a funny and interesting profile of George A. Hormel II
- LISTEN: “Tater Pie,” sung by the Hormel Girls
- WATCH: Time for Talk - Hormel Girls of the 1950's
- WATCH: South Korea's love affair with Spam
- WATCH: Why SPAM Is So Popular In Guam
- WATCH: ACP Live Presents: Jaime Sunwoo
- Produced by James Boo
- Edited by Julia Shu, with help from Harsha Nahata
- Fact checked by Tiffany Bui and Harsha Nahata
- Sound mix by Timothy Lou Ly
- Self Evident theme music by Dorian Love
- Our Executive Producer is Ken Ikeda
Specially Processed American Me co-produced by Ping Chong and Company and Free Rein Projects (production photos by Toby Tenenbaum
For so many Asian Americans and Pacific Islanders, Spam is a beloved classic food, showing up in everything from musubi to fried rice. But behind that nostalgia is a history of war and colonization, and the inheritance of both favorite foods and hidden traumas. Korean American playwright Jaime Sunwoo’s surreal new play, Specially Processed American Me, takes a close look at Spam’s legacies, and the lost stories of her own family — who’ve migrated twice over two generations, from North Korean to South Korea, then from South Korea to the United States.
While sharing behind-the-scenes previews of the play, Jaime and Cathy talk about the challenges and rewards of interviewing older generations, and how those conversations have helped her process her own identity as an Asian American.
Specially Processed American Me is co-produced by Dixon Place, Ping Chong and Company, and Free Rein Projects. You can learn more about Specially Processed American Me and find tickets to the show (debuting Jan 27 - Feb 19 in New York City) at speciallyprocessed.com.
Resources and Reading- READ: “SON OF SPAMMEAT-PACKING HEIR GEORDIE HORMEL HAMS IT UP IN PHOENIX SOCIETY,” a funny and interesting profile of George A. Hormel II
- LISTEN: “Tater Pie,” sung by the Hormel Girls
- WATCH: Time for Talk - Hormel Girls of the 1950's
- WATCH: South Korea's love affair with Spam
- WATCH: Why SPAM Is So Popular In Guam
- WATCH: ACP Live Presents: Jaime Sunwoo
- Produced by James Boo
- Edited by Julia Shu, with help from Harsha Nahata
- Fact checked by Tiffany Bui and Harsha Nahata
- Sound mix by Timothy Lou Ly
- Self Evident theme music by Dorian Love
- Our Executive Producer is Ken Ikeda
Specially Processed American Me co-produced by Ping Chong and Company and Free Rein Projects (production photos by Toby Tenenbaum
Previous Episode

Bonus: Diaspora DJ Roundtable 2021 Feat. Les Talusan, Arshia Fatima Haq, and Roger Bong
Community Producer Rochelle Kwan (a.k.a. YiuYiu in her DJ life) gathers the DJs who joined her in curating our first annual mixtape — to chat about how we can use music to reconnect our diaspora communities, across generations and borders.
If you haven’t heard the mixtape — which features musical selections by Les Talusan (a.k.a. Les The DJ of OPM Sundays), Arshia Fatima Haq (of Discostan), Roger Bong (of Aloha Got Soul), and YiuYiu (of Manhattan Chinatown) — then you can hear it here, or wherever you get podcasts.
Need more music? Did we miss a favorite track of yours that the world absolutely needs to hear? Then check out our public Spotify playlist (a totally separate, community-sourced playlist that we’re pairing with this mixtape) to hear a bigger range of tunes from Asian and Pacific diaspora cultures — and add your own favorites!
About the DJsLes Talusan a.k.a. Les The DJ (she/they)
Les The DJ aka Les Talusan is a DJ, photographer, curator, teaching artist and organizer whose practice immerses people in the joy of discovery, empowerment, and community. This approach is informed by Les’ own story of resilience, liberation and courage as an immigrant, mother and v/s.
Born and raised in Manila, Philippines, Les fell in love with music at a young age, DJing at local clubs and playing in bands. Les has lived in Washington, DC for over 20 years and continues to expand their talents, performing behind the decks in the U.S. and abroad.
Arshia Fatima Haq - @discostan | @arshiaxfatima
Arshia Fatima Haq (born in Hyderabad, India) works through film, visual art, performance, and sound, in feminist modes outside of the Western model. She is interested in counterachives and speculative narratives, and is currently exploring themes of embodiment, mysticism, indigenous and localized knowledge within the context of Sufism.
She is the founder of Discostan, a collaborative decolonial project and record label working with cultural production from South and West Asia and North Africa. She hosts and produces radio shows on Dublab and NTS, and has produced episodes for KCRW's acclaimed "Lost Notes" podcast series. Her work has been presented nationally and internationally at museums, galleries, nightclubs, and in the streets.
Roger Bong (he/him) - @alohagotsoul | @rogerbong
Roger Bong launched Aloha Got Soul as a blog in 2010 after graduating college with a journalism degree and — more importantly — after hearing DJ Muro's Hawaiian Breaks mix. Roger's love for story, sound and design has turned the blog into an independent record label that champions all genres and generations of music from Hawai‘i. He and his wife run the label from Honolulu.
Rochelle Kwan a.k.a. YiuYiu (she/her) - @rochellehkwan
Rochelle Kwan, also known as YiuYiu, is a cultural organizer, oral history educator, and DJ based on Lenape land in NYC’s Manhattan Chinatown. Bringing together her backgrounds in organizing, history, and music, she trains everyday people to build multigenerational oral history projects and engage with their communities as classrooms. As a cultural archivist, DJ, and dancer, she works to amplify arts and culture as essential to community resilience and foster intergenerational relationships and dance floors.
Rochelle’s also the Community Producer at Self Evident, where she leads our budding oral history program and helps to grow our listening party program through partnership and collaboration.
Credits- Produced by Rochelle Kwan and Julia Shu
- Music curated by Les The DJ (a.k.a. Les Talusan), Arshia Fatima Haq, Roger Bong, and YiuYiu (a.k.a. Rochelle Kwan)
- Edited by James Boo, with help from Sheena Tan
- Fact checked by Alex Chun and Harsha Nahata
- Sound mix by Timothy Lou Ly
- Self Evident theme music by Dorian Love
- Our Executive Producer is Ken Ikeda
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