
Peas in a Pod
02/13/25 • 57 min
2 Listeners
Host Meg Wolitzer presents three stories about perfect pairs, and what happens if and when they split up. A friendship unravels in “Mrs. Carrington and Mrs. Crane,” by Dorothy Parker, performed by Mia Dillon and Rita Wolf.Writer Toure feels that there ought to be a corresponding ritual to marriage and commitment celebrations, and has created “The Breakup Ceremony,” performed by Maulik Pancholy. And in “Twins,” by Philip Graham, siblings rediscover one another. It’s performed by Michael Tucker.
Host Meg Wolitzer presents three stories about perfect pairs, and what happens if and when they split up. A friendship unravels in “Mrs. Carrington and Mrs. Crane,” by Dorothy Parker, performed by Mia Dillon and Rita Wolf.Writer Toure feels that there ought to be a corresponding ritual to marriage and commitment celebrations, and has created “The Breakup Ceremony,” performed by Maulik Pancholy. And in “Twins,” by Philip Graham, siblings rediscover one another. It’s performed by Michael Tucker.
Previous Episode

A Celebration of Langston Hughes
Host Meg Wolitzer hands off to stage and film actor Teagle F. Bougere, our guest host for a show that celebrates the protean literary master and social activist Langston Hughes (1901-1967). It features three of his most striking works. In “Passing” Hughes reflects on a difficult aspect of the Black experience—the need some felt to “pass” as white. Program host Teagle F. Bougere is the reader. Pauletta Pearson Washington reads the humorous and much anthologized “Thank You, M’am." And Joe Morton performs one of Hughes’ most celebrated works, “The Blues I’m Playing,” which charts the long and complex relationship between a brilliant young Black pianist and her white patron. All three stories reflect Hughes’ explorations of questions of race, identity, and personal destiny.
Next Episode

Friendship!
On this show, host Meg Wolitzer gets friendly, and shares three stories about friendships of all kinds. Kelly Stout’s zinger “Let’s Get Drinks,” offers up the perils of conducting a social life via hyperbolic texts, which are hilariously performed by Jane Curtin and Jane Kaczmarek. Next, “True Friendship,” by Jorge Hernandez, describes a life-long friend who’s almost too good to be—true. The reader is Michael Urie. And three misfits fit together in Anthony Marra’s “The Last Words of Benito Picone,” performed by John Turturro. A brief interview with Turturro follows the story.
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