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Scoring Notes - Christopher Willis, part 1: Scoring “The Personal History of David Copperfield”

Christopher Willis, part 1: Scoring “The Personal History of David Copperfield”

08/22/20 • 35 min

Scoring Notes

Christopher Willis joins us for the first of two episodes. Chris is the composer of the score to the film ”The Personal History of David Copperfield.” On this episode, we talk with Chris about that score and its fresh take on familiar musical ideas to match the aesthetics of the picture. We learn about juxtaposing traditionally notated music with the world of audio samples and the technology that’s used to achieve satisfying results. Chris traces his career with us from his days a pianist, doctoral student, and arrival in Los Angeles to his latest work scoring top movies and television shows. We’ll hear excerpts of the David Copperfield score and go behind the scenes to find out more.

Join us on our next episode for the second part of our discussion as we break down Chris’s music preparation process on a film, from orchestration to copying. Chris even turns the tables, interviewing host Philip Rothman about music engraving and asks him thoughts on the latest developments in the world of music notation software.

More on Scoring Notes: Christopher Willis on scoring “The Personal History of David Copperfield”

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Christopher Willis joins us for the first of two episodes. Chris is the composer of the score to the film ”The Personal History of David Copperfield.” On this episode, we talk with Chris about that score and its fresh take on familiar musical ideas to match the aesthetics of the picture. We learn about juxtaposing traditionally notated music with the world of audio samples and the technology that’s used to achieve satisfying results. Chris traces his career with us from his days a pianist, doctoral student, and arrival in Los Angeles to his latest work scoring top movies and television shows. We’ll hear excerpts of the David Copperfield score and go behind the scenes to find out more.

Join us on our next episode for the second part of our discussion as we break down Chris’s music preparation process on a film, from orchestration to copying. Chris even turns the tables, interviewing host Philip Rothman about music engraving and asks him thoughts on the latest developments in the world of music notation software.

More on Scoring Notes: Christopher Willis on scoring “The Personal History of David Copperfield”

Previous Episode

undefined - Soundslice’s Adrian Holovaty

Soundslice’s Adrian Holovaty

Adrian Holovaty is the founder of Soundslice, a service that syncs audio, video and music notation into a beautiful browser-based player. Adrian started Soundslice as a way to transcribe guitar excerpts for himself, and in the past decade it’s grown into a robust platform for music professionals, teachers, and students to learn any kind of music in a unique way. Adrian talks to us about their philosophy of music notation and how it intersects with both the challenges and opportunities presented by being a web-based service, including what it takes to make music notation interactive and foster an enthusiastic community of users to share and market their creations.

More on Scoring Notes:

NAMM 2018: Soundslice adds an editor, channels, and other new features

NAMM 2017: Soundslice, a web-based music education tool and player

Next Episode

undefined - Christopher Willis, part 2: Music preparation — past, present, and future

Christopher Willis, part 2: Music preparation — past, present, and future

Christopher Willis joins us for the second of two episodes. Chris is the composer of the score to the film “The Personal History of David Copperfield.” If you haven’t yet heard the first part of our conversation, check it out as we talk about the score and its fresh take on familiar musical ideas to match the aesthetics of the picture, and hear excerpts of the music.

On this episode, we break down Chris’s music preparation process on a film, from orchestration to copying. Chris even turns the tables, interviewing host Philip Rothman about the history of music engraving and asks his thoughts on the latest developments in the world of music notation software. We cover established products like Sibelius, iPad readers like forScore and Newzik, and newer entries on the scene like Dorico and StaffPad, and discuss how we can expect to use them on the scoring stage in the future.

More on Scoring Notes: Christopher Willis on scoring “The Personal History of David Copperfield”

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