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Scoring Notes

Scoring Notes

Scoring Notes

We love music notation software and related products and technology, so that’s what we cover here. You’ll find timely news, in-depth coverage about the field, and honest reviews about products you use every day. You’ll learn about the interesting people in our field and find out our opinions on ever-changing developments in the industry.
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Top 10 Scoring Notes Episodes

Goodpods has curated a list of the 10 best Scoring Notes episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to Scoring Notes for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite Scoring Notes episode by adding your comments to the episode page.

Scoring Notes - Newzik’s Raphaël Schumann
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06/20/20 • 46 min

Newzik started in 2015 as a music reader solution for iPad, and since then it has grown into a complete digital solution that serves musicians, publishers, orchestras and opera companies. CEO Raphaël Schumann discusses its recent developments and its bright future after raising €3 million in private investment.

How do you technologically revolutionize the long-established custom and practice of working with printed music that has been evolving for centuries? Cloud sharing, collaboration, and licensing are just some of the areas that Newzik must navigate as it continually innovates, aiming to make a seamless transition for customers to read, share, rent, purchase, and sell sheet music on digital devices.

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Justin Tokke joins us on the show. Justin is the technical lead at the music publisher Carl Fischer, and you may also know him as the founder and admin of Music Engraving Tips, a web site and Facebook group with more than 20,000 members. Justin talks to us about his work in publishing, including everything from learning the ropes printing scores to the intricacies of digital distribution. We uncover the publishing mysteries of licenses, rights, and promotion, and what you should consider when publishing your music. We also learn about the origin of the Music Engraving Tips group and get Justin’s thoughts on where music notation software is headed.

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Scoring Notes - Asked and answered, part 2: In awe of the DAW
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06/03/23 • 62 min

Listeners responded to our “call for calls” with some terrific questions about music notation software, related technology, the business of music preparation, and more.

On this episode, Philip Rothman and David MacDonald take a variety of questions and dispense solicited (and unsolicited) advice. The topic at hand for this part: Using music notation software with — or as — a digital audio workstation (DAW).

The second of a multi-part episode — because we got so many questions that we didn’t have enough time to fit them all into one sitting.

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The release of MuseScore 4 is a major update and quite possibly the most significant one in the open-source application’s history since the release of MuseScore 1.0 in 2011. It includes major improvements to the user interface, layout, engraving, and playback features.

Not coincidentally, this is also the first major version of of MuseScore to be released under the product leadership of Martin Keary, Muse Group’s vice president of software. Coming nearly two years after the last MuseScore update (3.6) and nearly four years after the release of MuseScore 3, Martin said, “I’ve worked on a lot of complex creation software and this is the largest release I’ve ever put out,” including the launch of Paint 3D and a variety of PS3 games.

Martin returns to the Scoring Notes podcast along with Simon Smith, Muse Group’s head of engraving, to talk with Philip Rothman and David MacDonald for a thorough discussion about MuseScore 4’s design and engraving improvements. We go behind the scenes to hear about the decisions, roadblocks, and good fortune that happened along the road to the release of this version of the software.

They discuss their philosophies about creating tools for musicians and how they approached the challenges of modernizing an existing application, all the while keeping both existing and new users in mind. We cover the details of engraving, including ties, beams, note spacing and more. Martin and Simon tell us their favorite “under-the-radar” features in MuseScore 4 and highlight some items that users might not be aware of. Finally, we learn what’s missing in MuseScore and what to expect as they continue to develop the product for MuseScore 5 and beyond.

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For the first time ever, MOLA, An Association of Performance Librarians, devoted an entire day to technology that featured vendor exhibits, presentations, discussions, and meetings. Bookending the day were two panel discussions; one moderated by David MacDonald on the subject of music reader tablet experiences, and one moderated by Philip Rothman with representatives from the music notation software platforms.

We’ll bring Philip’s discussion to you later this summer, but first, we hope you enjoy the discussion that David had to kick off the tech fair, about the real-world challenges and benefits of using tablet readers in orchestral performances. His co-moderator was none other than Mark Fabulich, assistant librarian of the Boston Symphony Orchestra and the co-chair of MOLA’s Technology Committee.

The distinguished panelists they spoke with were three librarians, each of whom primarily use different reader apps: Julia Pestke of the West German Radio Orchestra, who uses dimusco; Luke Speedy-Hutton of the Melbourne Symphony Orchestra, who uses Newzik; and Signe Marie Steensland of the Norwegian Radio Orchestra, who uses forScore.

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Scoring Notes - Asked and answered, part 3: Back to school
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09/02/23 • 54 min

Listeners responded to our “call for calls” with some terrific questions about music notation software, related technology, the business of music preparation, and more.

On this episode, Philip Rothman and David MacDonald celebrate the beginning of the academic year by answering questions about the music notation software, tools, and services best suited for education. Whether you’re a student, educator, amateur, or professional musician, you’ll learn something about the wide variety of products we cover in response to the many terrific inquiries submitted by the Scoring Notes audience.

The third of a multi-part episode — because we got so many questions that we didn’t have enough time to fit them all into one sitting.

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Scoring Notes - Tricks and treats [encore]
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10/28/23 • 40 min

To celebrate Halloween, we’re looking at scary things we see in the music notation software and score preparation process, and see if we can sweeten the experience with some tricks and treats. Philip Rothman and David MacDonald discuss the spookiness of using the mouse and how you can better become a jack-o-lantern of all trades by focusing more on keyboard commands and other shortcuts in Sibelius, Finale, and Dorico. We also look at a frightening situation that happens when laying out your music and investigate how to fix it. So don’t be afraid — we won’t ghost you as we lead you unscathed out of the haunted house of software skeletons and onto the pumpkin patch to score some tricks and treats.

More on Scoring Notes:

(Re)learning how to use music notation software

Finale:

Sibelius:

Dorico:

Notation Express:

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Christopher Willis joins us for the first of two episodes. Chris is the composer of the score to the film ”The Personal History of David Copperfield.” On this episode, we talk with Chris about that score and its fresh take on familiar musical ideas to match the aesthetics of the picture. We learn about juxtaposing traditionally notated music with the world of audio samples and the technology that’s used to achieve satisfying results. Chris traces his career with us from his days a pianist, doctoral student, and arrival in Los Angeles to his latest work scoring top movies and television shows. We’ll hear excerpts of the David Copperfield score and go behind the scenes to find out more.

Join us on our next episode for the second part of our discussion as we break down Chris’s music preparation process on a film, from orchestration to copying. Chris even turns the tables, interviewing host Philip Rothman about music engraving and asks him thoughts on the latest developments in the world of music notation software.

More on Scoring Notes: Christopher Willis on scoring “The Personal History of David Copperfield”

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Christopher Willis joins us for the second of two episodes. Chris is the composer of the score to the film “The Personal History of David Copperfield.” If you haven’t yet heard the first part of our conversation, check it out as we talk about the score and its fresh take on familiar musical ideas to match the aesthetics of the picture, and hear excerpts of the music.

On this episode, we break down Chris’s music preparation process on a film, from orchestration to copying. Chris even turns the tables, interviewing host Philip Rothman about the history of music engraving and asks his thoughts on the latest developments in the world of music notation software. We cover established products like Sibelius, iPad readers like forScore and Newzik, and newer entries on the scene like Dorico and StaffPad, and discuss how we can expect to use them on the scoring stage in the future.

More on Scoring Notes: Christopher Willis on scoring “The Personal History of David Copperfield”

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Scoring Notes - Nicholas Buc and film score preparation
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06/26/20 • 83 min

Nicholas Buc is a composer, conductor, and arranger whose recent conducting engagements have taken him around the globe conducting live-to-picture concerts featuring the most beloved movie scores of our time. We discuss his career and the many ways that music preparation and technology can provide the score with the Midas touch in those high-stakes performances. Nick helps us avoid the phantom menace of notation pitfalls, giving us all a new hope in our quest for the holy grail of music engraving perfection. Philip Rothman and David MacDonald join Nick as we learn what it’s like to be part of his world.

Read more on Scoring Notes: Preparing David Newman’s Matilda score for live orchestra

Nick’s podcast: Art of the Score

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FAQ

How many episodes does Scoring Notes have?

Scoring Notes currently has 147 episodes available.

What topics does Scoring Notes cover?

The podcast is about Music, Podcasts, Technology and Music Interviews.

What is the most popular episode on Scoring Notes?

The episode title 'NAMM 2024: An interview with Muse Group’s Jack Sutton' is the most popular.

What is the average episode length on Scoring Notes?

The average episode length on Scoring Notes is 49 minutes.

How often are episodes of Scoring Notes released?

Episodes of Scoring Notes are typically released every 7 days.

When was the first episode of Scoring Notes?

The first episode of Scoring Notes was released on May 21, 2020.

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