Episode 17: Bookends

04/15/19 • 108 min

Chapter 17 of Rock N Roll Archaeology is bookended by a couple of Simon & Garfunkel albums: “Bookends” from the spring of 1968; and “Bridge Over Troubled Water” from January of 1970.

Our story takes place mostly in New York City: a city big enough to spawn two very different, very talented--and very influential--artists: Paul Simon and Lou Reed.

We skip work on a cold January afternoon to catch a movie: Mike Nichols’ “The Graduate.” It’s a generation milestone of a film, and Simon & Garfunkel’s music is a big part of that; what’s more, we argue, it’s a different kind of soundtrack, something new in film and popular culture.

We meet Tom Wilson, the first African-American staff producer at Columbia Records. Tom oversaw the first two Simon & Garfunkel albums. We follow him for a little while and he leads us to...Lou Reed and the Velvet Underground.

We get to know Lou and the Velvets, and the scene from which they sprang: Andy Warhol’s Factory. We meet a Factory hang-around, an angry young woman with good reasons to be angry, but she takes it way too far, with tragic consequences.

And we’ll meet the first Punk Rock band: The MC5, and the revolutionary political milieu they occupied. Wayne Kramer of the MC5 has some things to say about that, and about a fateful MC5 gig at the Fillmore East.

Finally, we’ll meet one of our favorite artists ever, who came from the same scene as the MC5: Iggy Pop. We say “Amen” to Iggy Pop.

We wrap it back around to Simon & Garfunkel, and their take on the anger and disappointment, on the turmoil of the late 1960s. An offer of comfort and healing is the first big Pop hit of the 1970s.

Listen to episodes 1-16 of Rock N Roll Archaeology and all our other podcasts at www.pantheonpodcasts.com

Learn more about your ad choices. Visit megaphone.fm/adchoices

Chapter 17 of Rock N Roll Archaeology is bookended by a couple of Simon & Garfunkel albums: “Bookends” from the spring of 1968; and “Bridge Over Troubled Water” from January of 1970.

Our story takes place mostly in New York City: a city big enough to spawn two very different, very talented--and very influential--artists: Paul Simon and Lou Reed.

Finally, we’ll meet one of our favorite artists ever, who came from the same scene as the MC5: Iggy Pop. We say “Amen” to Iggy Pop.

We wrap it back around to Simon & Garfunkel, and their take on the anger and disappointment, on the turmoil of the late 1960s. An offer of comfort and healing is the first big Pop hit of the 1970s.

Listen to episodes 1-16 of Rock N Roll Archaeology and all our other podcasts at www.pantheonpodcasts.com

Learn more about your ad choices. Visit megaphone.fm/adchoices

Previous Episode

Episode 16: East of Eden

We start our tale of Paradise Lost in Buena Vista Park, San Francisco, in the fall of 1967. Hippie, the Devoted Son of Mass Media, is dead, and the San Francisco Diggers are conducting the funeral.

From the funky streets of the Haight we head east a couple miles to the Fillmore West, and meet a complicated man, concert promoter Bill Graham. It was during these early years in San Francisco that Bill created the rock concert experience.

Then a brief trip to Texas, where Janis Joplin cleans up and then heads back; to San Francisco to find her family. We get to know Janis a little better, and talk about her early work with Big Brother and the Holding Company--and what happened when Janis left Big Brother.

We’ll spend a little more time on the Big Picture. Politically, culturally, in pretty much every way, 1968 was a pivotal year, in America and around the world.

Then across the Bay, to the lands that lie East of Eden. We’ll meet two very different acts, that interestingly enough, have similar stories: Sly and the Family Stone, and Creedence Clearwater Revival.

We close it out with a short meditation on the aftermath of the Summer of Love. We still dream it and dance to it.

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Next Episode

Episode 18: 1969 Part I

We’re putting down a marker with this episode, and the follow-up: the highest highs and the lowest lows of the entire Rock Era occurred in 1969. It’s a year so big, we had to cut it in two, in order to serve it up properly.

We start in January, with The Beatles on The Roof, a 42-minute outdoor concert that definitely warmed up the neighborhood of Mayfair, London, England. Then we catch up with their friends and rivals, The Rolling Stones.

The Stones broke out HUGE in 68 and 69, the beginning of an incredible five-year run: from Beggars Banquet on through to Exile On Main Street. Peak Stones, the sweet spot for the World’s Greatest Rock N Roll Band.

Brian Jones is out, Mick Taylor is in. We talk about how that happened, and how it impacted the Stones’ sound and attitude. Another influence starts seeping in: American Country Music, thanks to Keith’s new best buddy, Gram Parsons.

Brian’s tragic--and still unexplained--demise changes the Hyde Park Concert from a coming-out party into a memorial service. Emotion and conviction carry the day, and Hyde Park sets a very high and hopeful bar; it’s an early example of How To Successfully Pull Off A Really Big Concert.

During that “Moon-Crazy Summer” of 1969, NASA pulls off something really big. It’s the single greatest feat--so far--of human exploration: The Apollo 11 mission to the moon and back. We look at the moon landing through the Rock N Roll lens; we’ll talk about space travel, science fiction, and fantasy...in books, film, television, and most of all, in Rock Music.

Then David Bowie, with his lifelong knack for being ahead of his time, said take your protein pills and put your helmet on.

And we did.

And in just a short time we got used to it, became a little jaded about it.

That comes later. Here and now in the summer of 1969; stardust, golden, billion year old carbon...got to get ourselves back to the garden.

We’ll open Part Two at Yasgur’s Farm in upstate New York, and we’ll light a candle in the rain.

Head over to Pantheon Podcasts for full show notes.