
BONUS: The Case of the Missing Portrait
10/18/22 • 30 min
2 Listeners
Dr. Dorothy Andersen solved a vexing medical mystery by identifying cystic fibrosis. But the mystery of her missing portrait remained unsolved.
This week, we're featuring an episode from the Lost Women of Science podcast about a physician who changed the way we understand acute lung and gastrointestinal problems in small children. But if she was such a medical heavyweight, why did her 1963 portrait disappear from Columbia University's Babies Hospital? The answer tells us something about the perils of memorialization.
Dr. Dorothy Andersen solved a vexing medical mystery by identifying cystic fibrosis. But the mystery of her missing portrait remained unsolved.
This week, we're featuring an episode from the Lost Women of Science podcast about a physician who changed the way we understand acute lung and gastrointestinal problems in small children. But if she was such a medical heavyweight, why did her 1963 portrait disappear from Columbia University's Babies Hospital? The answer tells us something about the perils of memorialization.
Previous Episode

Pinocchio Noses and Plug-In Halos
Washington Post editorial cartoonist Ann Telnaes says her profession serves as a canary in the coalmine for freedom of expression, a kind of oxygen monitor for democracy itself. When cartoonists are ducking for cover, she says, you'd better watch out. She also shares with Kim why she made the jump from Disney animator to thick-skinned political commentator, through drawing. Then Wendy Wick Reaves, who procured stacks and stacks of political cartoons for the National Portrait Gallery, explains why President Nixon with a Pinocchio nose is indeed a form of portraiture.
Find Ann’s work on Twitter, @AnnTelnaes.
See other images we discuss:
Polly Got A Cracker, by Charles Nelan
The Watergate Bug, by Patrick Oliphant
Next Episode

A Cover Like No Other
When Gloria Steinem co-founded Ms. magazine, she wanted a cover image that would break completely with the norms of the day. There would be no high-end models and no teasers for makeup tips. Instead, the preview issue featured a goddess with eight arms. And she was blue.
Kim speaks with Gloria and also with the magazine’s first editor, Suzanne Braun Levine, about the ways women had been visually portrayed until their groundbreaking publication hit the newsstands, and how the staff at Ms. worked to turn those stereotypes on their head.
See the portraits we discuss:
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