POP ART

SOMETHING FISHY’S GOING ON: Join me and novelist, film enthusiast and podcaster, Heather Baxendale-Walsh, as we talk Lost in Translation/Toby Dammit, two fish out of water stories about actors in an existential crisis while visiting another country. What could go wrong?

It’s difficult to be a fish. It’s even more difficult to be a fish out of water. It’s even more difficult to be a fish out of water actor having a mid-life crisis on the verge of a breakdown suffering jet leg and not speaking the native language...Sounds like it’s time for Episode 84 of Pop Art, where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. This time, I am happy to welcome as my guest, novelist, film enthusiast and podcaster, Heather Baxendale-Walsh, who has chosen as her film Sofia Coppola’s existential exploration of alienation, Lost in Translation, while I have chosen Federico Fellini’s surrealist classic Toby Dammit, both films about actors in crisis in a foreign country.

And in this episode, we answer such questions as: Who is the part Anna Faris played not, definitely not, most definitely not, based on? Who was originally cast in the Terence Stamp? What is it about portmanteau films? Where did the idea for the Suntory commercial come from? Is there a Mandela effect here? What do the two Germans say in the sauna? Where does Silent Hill fit in? What did the elderly man in the hospital say?

Be sure to check out Heather’s new book now available on Amazon, The Prophecy https://www.amazon.com/s?k=hb+walsh+the+prophecy&i=stripbooks&crid=3VBTWBQF3LCZE&sprefix=hb+walsh%2Cstripbooks%2C231&ref=nb_sb_ss_fb_1_8

And her website at heatherbaxendale.com

Check out my blog at https://howardcasner.wordpress.com/

My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

POP ART, WHERE WE FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE.

OOPS, I DID IT AGAIN: Join me and my guest, playwright, director and screenwriter Steven Peros (The Cat’s Meow, Footprints), as we talk Psycho/Peeping Tom, two films about serial killers that changed movies forever.

It happens to the best of us. You get these urges. You can’t help yourself. Someone dies. Then someone else dies. Then someone else dies. What’s a serial killer to do...Sounds like it’s time for Episode 93 of Pop Art, where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. I am your “A boy’s best friend is his mother” host, Howard Casner. Today, I am happy to welcome as my guest, playwright, director and screenwriter Steven Peros, who has chosen as his film the Alfred Hitchcock classic Psycho, while I have chosen the Michael Powell thriller Peeping Tom, both voyeuristic films about characters who go a little mad sometimes.

And in this episode, we answer such questions as: Why was Psycho such a hit and Peeping Tom such a flop? What is it about serial killer movies anyway? Is Psycho postmodern? Why was Rebecca such an important film in Hitchcock’s history? Why did Peeping Tom get reevaluated? From a Freudian standpoint, what is interesting about the Bate’s House? Why does the central character in Peeping Tom have a German accent when he is supposed to be British? Was Psycho really responsible for Perkin’s and Leigh’s lackluster careers afterwards? Who was compared to the Marquis de Sade? Why does Psycho start on Friday, December 11th?

Check out Steven’s IMDB page at https://www.imdb.com/name/nm0674432/?ref_=nv_sr_srsg_3

The Cat’s Meow and Footprints are as of now available on Tubi

And he can be contacted on Facebook (he is the only Steven Peros who is not a realtor); he can be found on twitter at @StevenGPeros; and his website is at https://stevenperos.com/.

Check out my blog at https://howardcasner.wordpress.com/

My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

POP ART, WHERE WE FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE.

TIMELESS: Join me and podcaster and movie lover Nick Rehak of Rehak Radio as we discuss two time travel movies, Looper and Predestination.

Nick was previous a guest of Pop Art for Ep 76 where we discussed two horror films revolving around hotels—The Shining and The Innkeepers—The guests check in, but do they check out. Check it out.

Not happy with the way things are now? Would you like a change of pace? Of place? How about a change of time?...Sounds like it’s time for Episode 95 of Pop Art, where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. I am your “This time travel crap, just fries your brain like an egg” host, Howard Casner. For this episode, I am happy to welcome back, podcaster and movie lover Nick Rehak, who has chosen as his film the Rian Johnson time travel movie, Looper, while I have chosen the Spierig brothers time travel movie, Predestination, both films not just about time travel, but movies about people encountering themselves and ironically affecting their own lives.

And in this episode we answer such questions as: What is it about time travel movies anyway, why are they so popular? Are both movies Greek tragedy? Is Rian Johnson a hipster? What are the basic themes explored by time travel movies and these movies in particular? How was Looper changed for release in China and why? What’s intriguing about the bathroom signs in Predestination? What happened on Joseph Gordon-Levitt’s 30th birthday? How does the Chernobyl Power Plant fit in?

Be sure to look up Nick Rehak at Rehak Radio https://www.mixcloud.com/TheRehak/rehak-radio-the-first-episode-51121/

His podcast at French Toast Sunday https://frenchtoastsunday.com/podcasts

Check out my blog at https://howardcasner.wordpress.com/

My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

Meanwhile, like, follow or comment on my podcast. I’d love to know what you think.

FANCY MEETING YOU HERE: “Wait. You want us to sell Amway?” How much does chance play in our lives and what happens to us? How much does it play when it comes to our interaction with strangers? Or when we or others are the victims of seemingly sudden and random acts of violence? Sounds like the perfect time for Episode 38 of Pop Art, the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic side of cinema with a connection to it. For my listeners, please like, follow or comment. Today, I am happy to welcome back film enthusiast and podcaster of Cinemarecall, The Vern, who has chosen the dark comic riff on Pulp Fiction, the cult classic Go, where I have chosen Michael Haneke’s Austrian art house classic 71 Fragments of a Chronicle of Chance, two films about three disparate groups of people whose paths cross due to shocking acts of violence during the holidays. So, Merry Xmas, I guess. And in this episode we answer such questions as: What was Melissa McCarthy and Sebastian Stan’s first film? What did the grocery store where Go was filmed do to cause the filmmakers consternation? What does Killer Condom have to do with it? How is Family Guy like a Haneke film? In what show did Scott Wolf and Jay Mohr reunite?

Meanwhile look up The Vern’s podcast CinemaRecall at Cinemarecall.net.

POP ART SAYS “WE’RE BACK”: I AM SPARTACUS–Episode 116, Total Recall/General della Rovere

“Consider this a divorce”. For these two films, I and Bubbawheat (Nate Winthrow) of the Fight Club Minute, had a great time discussing two films that ask the same question: are you who you are? Are you who you think you are? Or are you who others think you are?

We especially had a great discussion on such topics as modern trends in sci-fi films, the directors Roberto Rossellini and Paul Verhoeven, and the question posed above—who are we?

I highly recommend checking out Bubbawheat’s The Fight Club Minute at https://rabbitholepodcasts.com/fight-club-minute/?fbclid=IwY2xjawFhYvZleHRuA2FlbQIxMAABHabC_Oj7cyrjZjbcTmWGipcCMz9rKGJV-A4gQ4plRj-bS9CnakgFvFp9CA_aem_37hJ3PNyt-HGxrWCe0r3MA

And his blog, Flights, Tights and Movie Nights https://flightstightsandmovienights.com/?fbclid=IwY2xjawFhYxZleHRuA2FlbQIxMAABHYbVJhuZr5W_5C7uGeqLyFBbIRkIB9L04wpn5J_gblEnrPPAk9h9qWNXeQ_aem_Ef9c5eMkE6rXbPsgART81Q

And It’s Time to Rewind https://podcasters.spotify.com/pod/show/bubbawheat

Check out my blog at https://howardcasner.wordpress.com/

My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.