Pitcher List Baseball Podcasts

The Craft
Nick and Eno talk about the craft of pitching, with conversations revolving around a select few pitchers.

This week's episode focuses on conversations centered around discussions about Bryce Elder, Grant Holmes, Spencer Scwhellenbach, River Ryan, Trevor Rogers, Hayden Birdsong, Max Meyer, Ryne Nelson, and more.

Nick Pollack | Eno Sarris
Producer | Adam Howe
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Ellen Adair and Eric Gilde scout the 1999 movie, "The Scout," grading it on the 20-80 scouting scale. They introduce the film (2:00), with an overview of the story, cast, and director. They review the 20-80 baseball scouting grades for rating the film (10:05), with a bit of a search for a metaphor. In Amount of Baseball (14:51), Eric stays on the wagon, despite personal conflict. They discuss the size and duration of shots, Cheetos for dinner, Keith Hernandez, Bret Saberhagen and a 2020 player comp. Baseball Accuracy (20:18) tackles the ability to sign amateurs, particularly college students, with reference to the Phillies signing Mike Adams and the Nats signing Bryce Harper. There's either a huge problem with understanding how scouting works, an organizational player development problem, or both. A brief foray into players who have signed and gone straight to the majors, including Bob Feller, Harmon Killebrew, Sandy Koufax, Dave Winfield, Catfish Hunter, Garrett Crochet and Mike Leake. Tommy Lacey and Adrian Houser compare-and-contrast. Issues with Mexican baseball accuracy refer to Julio Urias and Joaqim Soria, and pitch speed accuracy refers to Nolan Ryan, Bob Feller, and Steve Dalkowski. Brendan Fraser's form is discussed. Issues with the final game bring up immaculate innings, including Zach Plesac, Danny Jackson, Red Barrett, Ron Necciai, along with Don Larsen, Ozzie Smith as a power hitter, Billy Martin, and the number 42. Storytelling (46:57) addresses many questions: is Al good at his job? Did no one think through the King Kong analogy? What is the tone of this movie? Who thought these Mexico scenes were okay? What is the movie's attitude towards therapy? Why won't Steve pitch? What's the deal with his contract? Ellen has an additional series of "WHY" questions. They also discuss Steve's interactions with the press, Jimmy Piersall, Fernando Valenzuela, and the price of Dom Perignon. Score Tool (1:18:31) wonders if this is Bill Conti's floor as a composer. Some discussion of "You've Gotta Have Heart" from "Damn Yankees," and the Tony Bennett sequence. Acting (1:22:34) discusses the performances of Albert Brooks, Brendan Fraser, Dianne Wiest, Michael Rappaport and Lane Smith. George Steinbrenner is fine. Delightfulness of Catcher (1:26:16) weighs the various bowled-over people responding to Steve. Does Al count as a catcher? Delightfulness of Announcer (1:26:16) weighs the merits of Bob Costas and Tim McCarver versus the stupid things they are given to say. Eric fact-checks world series viewership. Ellen defends Costas/McCarver, but not John Sterling. Lack of Misogyny (1:32:07) balances Al's misogyny with the many excellent things about Dr. Aaron, Dianne Wiest's character. Some consideration for the character of Jennifer. No spoilers on the following segments: Yes or No (1:33:04), Six Degrees of Baseball (1:40:29), Favorite Moment (1:41:49) Least Favorite Moment (1:43:57), Scene We Would Have Liked to See (1:44:26), Dreamiest Player (1:47:50), Favorite Performance (1:48:47) Next Time (1:50:40) and Review Thank You (1:51:58).

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Ellen Adair and Eric Gilde discuss the 1983 Disney movie "Tiger Town." They introduce the film (1:52), with an overview of the story, cast, and filmmakers. They review the 20-80 baseball scouting grades for rating the film (6:16). Amount of Baseball (12:47) considers photos of baseball, tight shots, and slow-mo, with reference to Wesley Snipes in "Major League." Don't hate the player comp. Baseball Accuracy (20:36) discusses the "Angels in the Outfield Without the Literal Angels" premise and the quantum physics observation principle, Roy Sheider's age and athleticism, the Tigers' record of the previous 30 years, Al Kaline, and the 1968 World Series vs. the Cardinals (Bob Gibson, Lou Brock, Orlando Cepeda, Roger Maris). Eric shouts-out to Gate Brown, and Ellen breaks down the Tigers' required second-half winning percentage. Billy Young's batting average and RBI are problematic. The scouts also examine Alex's Dream Ballet, weekday games for the 1983 Tigers, Sparky Anderson, and score discrepancies in the final game. Storytelling (43:53) considers the various beliefs and superstitions and many issues with the cinematic storytelling. Why is the dad both unemployed and dying, and why the structural suddenness of his death? Why isn't there a B plot? Are we in MOMA? From whence this disposable income? Why not help anyone else? The ride to the stadium is long but that bike deal is absolutely INSANE. The Score (1:11:46) debates the usage of "Take Me Out to the Ballgame," the Renn Faire music, and the drum solo. In Acting (1:17:21), they assess Justin Henry's performance as a young actor, Roy Scheider's limited involvement, and the atrocious scenes with mom. Delightfulness of Catcher (1:21:11) doesn't offer much, but Delightfulness of Announcer (1:21:27) appreciates the inclusion of Ernie Harwell, Al Ackerman, and Ray Lane. Lack of Misogyny (1:24:32) bemoans the lack of development or consistent point-of-view for the mother, with a brief digression about the "Star Spangled Banner" record. No spoilers on the following segments: Yes or No (1:28:51), Six Degrees of Baseball (1:32:18), Favorite Moment (1:33:13) Least Favorite Moment (1:35:48), Scene We Would Have Liked to See (1:37:15), Dreamiest Player (1:38:34), Favorite Performance (1:39:06), Review Thank You (1:40:10) and Next Time (1:40:22).

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Ellen Adair and Eric Gilde discuss the 1996 film "Soul of the Game." They introduce the film (1:16), with an overview of the story, cast, and filmmakers. They review the 20-80 baseball scouting grades for rating the film (4:32). Amount of Baseball (7:50) highlights baseball in credits, some Satchel Paige, Josh Gibson and Jackie Robinson heroics, and a quick player comp. Baseball Accuracy (10:36) begins with a discussion of Josh Gibson's erratic behavior and drinking depicted in the film, versus his real-life diagnosis of a brain tumor, with anecdotes from Buck O'Neil, Orlando Cepeda, Don Newcombe, Josh's sister and Sean Gibson. Gibson's history with the Pirates and William Benswanger, Wendell Smith and Cum Posey, as well as his meeting with Clark Griffith of the Senators, are discussed. Degree of blame for Kennesaw Mountain Landis. Satchel Paige as Rookie of the Year (Alvin Dark says, Excuse me)? Satchel Paige's age? What were the mechanics of his hesitation pitch? Context for the team assembled by Trujillo, in addition to Paige's experience and performance on the team, with reference to Sam Bankhead and Cool Papa Bell. Satchel's arm pain and the number of teams Paige pitched for are also discussed. Conversation about Willie and Cat Mays in Chattanooga and Harrisburg, the 1945 East-West All Star Game, Satchel Paige sayings, Roy Campanella, Monte Irvin, Hilton Smith, Marion Anderson, Bill "Bojangles" Robinson, Josh Gibson's power (972 homers?), the absence of Clyde Sukeforth and Wendell Smith, Jackie Robinson's number on the Monarchs, and the weird Black/white All-Star Game. Storytelling (55:38) considers the mythic nature of the Negro League stars, the opening montage, the dynamic between Paige and Robinson, and the story of why Robinson was the Black ballplayer who was chosen. They discuss the Willie Mays bookends, the girl at the gas station, and Steve Buckley the scout. The Score (1:10:02) includes usage of jazz, blues, and music that gets an entirely disproportionate response from Ellen. In Acting (1:12:52), admiration is lavished upon the ensemble, but particularly on Delroy Lindo, Edward Hermann and Mykelti Williamson. Blair Underwood, Salli Richardson and Gina Ravera are also praised. Delightfulness of Catcher (1:22:57) presents a conundrum of evaluating the real Josh Gibson versus the delight of this portrayal. "Light seasoning" for Delightfulness of Announcer (1:25:11). Lack of Misogyny (1:27:10) considers whether this film has actually improved upon the truth in this area, with the exception of the omission of Josh's dead wife Helen. No spoilers on the following segments: Yes or No (1:31:02), Six Degrees of Baseball (1:34:52), Favorite Moment (1:36:19) Least Favorite Moment (1:38:11), Scene We Would Have Liked to See (1:40:28), Dreamiest Player (1:44:00), Favorite Performance (1:44:28), Review Thank You (1:45:38) and Next Time (1:46:05).

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Ellen Adair and Eric Gilde scout the 1994 movie, “Little Big League,” grading it on the 20-80 scouting scale. They introduce the film (2:29) before reviewing the 20-80 baseball scouting grades for rating the film (8:26). In Amount of Baseball (15:05), they are dazzled by the variety and amount of on-field play, and a player comp comes courtesy of MLB The Show. Baseball Accuracy (19:32) considers the overwhelming number of players referenced and appearing in the film (Babe Herman, Dazzy Vance, Ralph Branca, Bobby Thompson, Willie Mays, Moses Fleetwood Walker, Jackie Robinson, Roger Clemens, Walter Johnson, Whitey Herzog, Bobby Valentine, Bob Lemon, Rickey Henderson, Tommy LaSorda, Joe DiMaggio, Mickey Mantle, Ted Williams, Ty Cobb, Wahoo Sam Crawford, Mark McGwire and Jose Canseco (indirect as Billy’s friends are called the B.B.), Reggie Jackson, Wade Boggs, Sammy Sosa, Bob Uecker, Bo Jackson, Danny Tartabull, Cecil Fielder, Casey Stengel, Freddy Lindstrom, with APPEARANCES by Dave Magadan, Dean Palmer, Eric Anthony, Alex Fernandez, Lenny Webster, Lou Piniella, Rafael Palmeiro, Pudge Rodriguez, Sandy Alomar Jr., Wally Joiner, Mickey Tettleton, Carlos Baerga, Tim Raines, Paul O’Neill, Ken Griffey Jr, and Randy Johnson), Rickey Henderson’s free agency, owners being managers and stadium ownership, illegal pitches (Joe Niekro, Kevin Gross, and Roger McDowell), the crowd at the end, and Little League accuracy. The film’s quality to popularity ratio sends Ellen into an existential crisis to start off Storytelling (51:26), which then leads to discussions of growing up too quickly, the importance of having fun, the issues of presenting Jenny as a struggling single mother, the case for Billy as a bad manager, questionable child references, undercutting O’Farell’s tantrums, the security guard, and kid vs. adult wish fulfillment. Score Tool (1:19:54) laments the music that the team considers forgettable and uninspired, as well as John Fogerty’s “Centerfield” and the Band’s cover of Muddy Waters’ “Stuff You Gotta Watch.” Acting (1:25:07) considers the entire ensemble, including Luke Edwards, Timothy Busfield, Kevin Dunn, John Ashton, Jason Robards, Dennis Farina, Jonathan Silverman, as well as the general dynamic between child and adult actors. Delightfulness of Catcher (1:31:12) focuses on the value of Mark’s redemption, with some time devoted to Mickey Tettleton’s bad attitude. Delightfulness of Announcer (1:33:56) is a celebration of John Gordon and the weirdly specific baseball stats he shares. Lack of Misogyny (1:36:32) is a bit unfortunate in comparison, with female characters only presented in relation to men and frequently being pretty vapid. Some strange song choices, too! No spoilers on the following segments: Yes or No (1:41:38), Six Degrees of Baseball (1:45:36), Favorite Moment (1:48:05) Least Favorite Moment (1:50:43), Scene We Would Have Liked to See (1:53:02), Dreamiest Player (1:55:27), Favorite Performance (1:56:32), Review Thank You (1:59:32), and Next Time (1:59:56)

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