Symphonies - Symphony No 7, 'Seven Gates Of Jerusalem'

12/20/21 • 26 min

In the final episode of Jack's curated series, he charts the changing musical styles embraced by Penderecki across his career, using his symphonies as a starting point. Zooming in on the Seventh Symphony, Jack explains how Penderecki paints the epic picture of the founding of a city. Jack grapples with the challenges posed by a radically varied musical language, and argues that, far from a weakness, this eclecticism could be Penderecki's great strength.

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Previous Episode

Screen - Soundtrack to The Saragossa Manuscript

Jack celebrates Penderecki's score to a classic work of Polish cinema.

We hear how Penderecki embraced a varied musical language for the task at hand, from crashing organ chords to dancing guitars. Plus, we hear about his impact on the next generation of film composers, including a collaboration with Radiohead's Jonny Greenwood.

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Threnody to the Victims of Hiroshima: Terror and Sorrow

Fifty two strings. Eight minutes. Thirty seven seconds. Completed in 1960, Krzysztof Penderecki’s Threnody to the Victims of Hiroshima has become one of his most well-known works thanks to its use in soundtracks of films by David Lynch, Wes Craven and Alfonso Cuarón. In this podcast we explore its genesis, how its textures suggest an incomprehensible terror and sorrow, and its transition from abstraction to memorial.

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