Show Me the Money Part 2
08/30/24 • 64 min
In this PCAM podcast we discuss the important subject of how to construct, negotiate and justify a music budget, how to interrogate a fixed budget to ensure it is sufficient to do the job and the framework that PCAM provides to enable a detailed budget to be properly calculated and presented to client.
Taking part in this conversation are freelance composer & sound designer, Bankey Ojo, Sam Heath (Exec Creative Producer at Sounds Like These) and PCAM director, composer & producer, Chris Smith (MD, The Barbershop Music Co).
This episode is hosted and moderated by Greg Owens (Creative Director at Gas Music).
Resource References include:
The Musicians Union - https://musiciansunion.org.uk
PCAM - https://pcam.co.uk
PRS Member Services - https://prsformusic.com
Forever Audio - https://foreveraudio.com
SCOREcast - Facebook/SCOREcast: London
Hosted on Acast. See acast.com/privacy for more information.
In this PCAM podcast we discuss the important subject of how to construct, negotiate and justify a music budget, how to interrogate a fixed budget to ensure it is sufficient to do the job and the framework that PCAM provides to enable a detailed budget to be properly calculated and presented to client.
Taking part in this conversation are freelance composer & sound designer, Bankey Ojo, Sam Heath (Exec Creative Producer at Sounds Like These) and PCAM director, composer & producer, Chris Smith (MD, The Barbershop Music Co).
This episode is hosted and moderated by Greg Owens (Creative Director at Gas Music).
Resource References include:
The Musicians Union - https://musiciansunion.org.uk
PCAM - https://pcam.co.uk
PRS Member Services - https://prsformusic.com
Forever Audio - https://foreveraudio.com
SCOREcast - Facebook/SCOREcast: London
Hosted on Acast. See acast.com/privacy for more information.
Previous Episode
One Bite of the Cherry
In this episode of the PCAM Podcasts we explore the briefing process for both short form and long form projects, how briefing has changed over the years, how to get the most out of the briefing process and the benefits of forming collaborative creative relationships with clients.
Taking part in the conversation are PCAM Chair, Paul Reynolds (Senior VP, Massive Music), Sam Heath (Exec Creative Producer, Sounds Like These) and Bankey Ojo, composer and sound designer.
The host and moderator is PCAM director, composer and producer, Chris Smith (The Barbershop Music Co).
Reference resources
PCAM - https://pcam.co.uk
Forever Audio - https://foreveraudio.com
Hosted on Acast. See acast.com/privacy for more information.
Next Episode
The Minefield That Is … Soundalikes Part 1
This episode explores the science and art of creating Soundalikes, the perils and pitfalls to avoid, tips for managing client expectations, the role of the musicologist and the potential impact of AI.
Participating in the conversation are composer and producer Simon Elms (Eclectic Sounds), PCAM director, composer and producer Chris Smith (The Barbershop Music Co) and Greg Owens (Creative Director, Gas Music).
This episode is hosted and moderated by PCAM Chair, Paul Reynolds (Senior VP, Massive Music).
Resource References include
PRS For Music: htpps://www.prsformusic.com
PCAM: htpps://www.pcam.co.uk
Hosted on Acast. See acast.com/privacy for more information.
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