Anaís Azul

05/07/22 • 57 min

Peruvian immigrant Anaís Azul (they/them) is a California based singer-songwriter, composer, and teaching artist. Described as “stunningly honest and vulnerable,” their artistry engages with music as a tool for community building, cross-genre collaboration, and collective healing.

Azul writes music that is in conversation with looped vocal harmonies, classical melodies, and Latin American singer-songwriter traditions. Their songs are bilingual (Spanish and English) and about mental health, queerness, facing harsh realities and finding inner peace in spite of chaos.
Photo by Erica Yi.
Interview initially published 12/27/2020.
Music featured:
Mi Piel
Healing
Anxiety (Live @ the HER house)
Cello Trilogy of Time
Paz (Cathartic Conundrum)
Soledad (Cathartic Conundrum)
https://anaisazul.com/
YouTube Channel
Spotify
http://www.instagram.com/anaisazul
https://twitter.com/anaisazulmusic
https://www.facebook.com/anaisazulmusic/

Previous Episode

Dylan Marx

Moths, Clownfisher, Dylan Marx, The Sandman, Oracle of Light, Purveyor of Goods, Great Overtaker, Stopping by for Soup, Standing on the Corner with a Glass of Water, Dumping it out on the Sidewalk, missed the plants, missed the plant, went back, wrote a postcard, postmarked it, forgot to address it, sitting in a big mail room waiting to be sorted, sort of open to that
Pieces Featured:
Chan Hey, Salon La
The Beating
Lola Everything's a Calculated Risk
Ferrarelle e Borsec
Then Ago
( )
https://dylanmarx.bandcamp.com
https://soundcloud.com/dylan-marx
https://twitter.com/Dylan_marx
https://www.instagram.com/dylankurtmarx/

Next Episode

Joel Feigin

Interview originally aired July 5, 2021.
Joel Feigin is an internationally performed composer, whose operas, chamber, orchestra, and piano works have been widely praised for their “very strong impact, as logical in musical design as they are charged with emotion and drama.” (Opera Magazine).

Feigin’s opera, Twelfth Night, based on Shakespeare’s comedy, was produced in North Carolina, Chicago, and southern California, where it was hailed as a “glittering masterpiece” by critic Dan Kepl. Excerpts had also been featured at New York City Opera’s VOX Showcase series and Opera America’s New Works Sampler. Mysteries of Eleusis, Feigin’s first opera, written on a Guggenheim Fellowship, was commissioned and premiered by Theatre Cornell; on the international stage it was featured at the Moscow Conservatory (Russia) and repeated at the Russian-American Operatic Festival.

Instrumental commissions include a Fromm Commission for Aviv: Concerto for Piano and Chamber Orchestra, written for Yael Weiss, as well as piano commissions from Leonard Stein and Margaret Mills. Ms. Mills included two of Joel’s works on her album Meditations and Overtones (Cambria Recordings). Feigin’s most recent CD (released on MSR Classics) presents the large-scale chamber work Lament Amid Silence, featuring violist Helen Callus. Concerts devoted solely to Feigin’s music have been given in Russia and Armenia, and in New York at Merkin Hall and Lincoln Center’s Bruno Walter Auditorium. Honors include a Mellon Fellowship, a Senior Fulbright Fellowship, and the Dimitri Mitropoulos Prize in Composition at the Tanglewood Music Center.

Dr. Feigin studied with Nadia Boulanger at Fontainebleau and with Roger Sessions at The Juilliard School. An accomplished pianist and accompanist, Feigin studied with Rosina Lhevine, and worked at the Metropolitan Opera in New York with Nico Castel.

The Joel Feigin Collection at the New York Public Library of the Performing Arts at Lincoln Center opened in 2011. A student of Zen Buddhism, Feigin is Professor Emeritus of Composition at the University of California, Santa Barbara.
Pieces, in order heard:
Surging Seas, for string orchestra: 1. Allegro maestoso (excerpt)
Two Songs from Twelfth Night: No. 1 O Mistress Mine (Allegretto grazioso)
Surging Seas, for string orchestra: 1. Allegro maestoso (full movement)
http://joelfeigin.com/