
Barbara Van Dyck - OK Radio Episode 79
Explicit content warning
10/14/13 • 83 min
Nature Theater of Oklahoma talks with researcher and activist Barbara Van Dyck, who has been in the news recently in Belgium for her activity against a field of experimental genetically modified potatoes. From Barbara we learned a lot in just one short hour about the scientific concerns surrounding genetic modification of agriculture – and also enjoyed some hot discussion with her about art, activism, progress, the future and “the social good”. (This podcast was recorded as part of the Possible Futures Festival for Vooruit in Ghent.)
Nature Theater of Oklahoma talks with researcher and activist Barbara Van Dyck, who has been in the news recently in Belgium for her activity against a field of experimental genetically modified potatoes. From Barbara we learned a lot in just one short hour about the scientific concerns surrounding genetic modification of agriculture – and also enjoyed some hot discussion with her about art, activism, progress, the future and “the social good”. (This podcast was recorded as part of the Possible Futures Festival for Vooruit in Ghent.)
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Andros Zins-Browne - OK Radio Episode 78
Nature Theater of Oklahoma talks with American dancer/choreographer/artist Andros Zins-Browne about his journey from the world of classical ballet through Chris Burden and Jackass, into modern dance and out again into his current work: Welcome to the Jungle. Join us for a conversation in which we reflect on more than a few personal experiences of reinvention, investigation, discovery, and evolution. (This podcast was recorded as part of the Possible Futures Festival for Vooruit in Ghent.)
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Mammalian Diving Reflex (Eva Verity, Hazel Venzon) - OK Radio Episode 80
Nature Theater of Oklahoma talks with Eva Verity and Hazel Venzon of the Canadian company Mammalian Diving Reflex – all about “art” as a category of human activity. Both of our companies make work which falls under this dubious moniker “art,” but the activity may be in each case very different in scope, location, participants, and intent. So, what makes “art” – well – “art”? Or is this all-inclusive category even meaningful? Is it something (much like Pavol’s moustache) that we should at last just stop touching and leave well enough alone? (This podcast was recorded as part of the Possible Futures Festival for Vooruit in Ghent.)
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