Ep. 25: Anders Frederik Steen
05/02/24 • 43 min
Winemaker in English is a stupid word, because I don’t see myself as a maker of anything. I mean, we pick the grapes, we press them, we leave them to macerate; of course we do things. So we make stuff. But the wine? If you see the period of time where we actually work the grapes... Let’s say we work the grapes for six or seven weeks. Then it’s in barrel for four or five years. - Anders Frederik Steen
Anders Frederik Steen is a Danish vigneron-négociant based with his wife and collaborator Anne Bruun Blauert in the southern Ardèche village of Valvignières, where the couple established a winemaking practice throughout the 2010s with the aid of Ardèche natural wine progenitors Gérald and Jocelyne Oustric of Domaine du Mazel. Today the couple farm almost 6ha of viognier, sauvignon, grenache blanc, grenache noir, portan, syrah, and serine, supplementing it with an almost equal volume of grape purchases from Domaine du Mazel and from Alsace vigneron Stéphane Bannwarth. In 2021, Barcelona-based interiors magazine Apartamento published a very lightly-edited volume compiling seven years of Steen’s tasting observations and notes-to-self, entitled Poetry is Growing in Our Garden.
Steen’s charmed career in natural wine began in 2007, when he worked at Noma under pathbreaking Swedish natural wine sommelier Pontus Eloffson (and alongside another Swedish sommelier Ulf Ringus, now a partner in Sweden natural wine importer Vin & Natur). Steen left two years later to partner in influential Copenhagen restaurants Relae and Manfred’s, a time when he also began importing natural wine to Denmark. His winemaking practice began in 2013, in what was initially envisioned as an ongoing collaboration with the influential radical natural winemaker Jean-Marc Brignot, who at that time had recently left France for Japan. Their partnership lasted three years, by which time Steen had already begun to base himself in Ardèche, drawn by the sense of community and camaraderie surrounding the Oustrics at Domaine du Mazel. Steen and Blauert began farming their own parcels in 2017; today the couple live with their two children in center of Valvignières, where they are in the midst of renovating their own cellar after several years vinifying at Domaine du Mazel.
Although we’ve traveled in similar orbits for many years, it wasn’t until harvest time at Domaine du Mazel 2019 that I first encountered Steen outside of the context of a natural wine salon. And it wasn’t until January of this year that we finally found an occasion to chat and taste some wines together, on an unseasonably spring-like morning before the Montpellier salons. Check out the episode for Steen’s peculiar writing process (it involves text messages); which winemaking techniques he learned from Jean-Marc Brignot; and his dastardly scheme to ensure the couple’s wines take up as much layout space as possible on restaurant wine lists.
This is a free episode of the NOT DRINKING POISON podcast. For access to all the episodes - plus years of vigneron interviews, profiles, news reports, and commentary - please subscribe!
FURTHER READING & LISTENING
Ep. 24: Sune Rosforth of Rosforth & RosforthEp. 26: Martin Ho of Pompette
A long interview with Anders Frederik Steen and Anne Bruun Blauert by Madeleine Willis in Apartamento.
...
Winemaker in English is a stupid word, because I don’t see myself as a maker of anything. I mean, we pick the grapes, we press them, we leave them to macerate; of course we do things. So we make stuff. But the wine? If you see the period of time where we actually work the grapes... Let’s say we work the grapes for six or seven weeks. Then it’s in barrel for four or five years. - Anders Frederik Steen
Anders Frederik Steen is a Danish vigneron-négociant based with his wife and collaborator Anne Bruun Blauert in the southern Ardèche village of Valvignières, where the couple established a winemaking practice throughout the 2010s with the aid of Ardèche natural wine progenitors Gérald and Jocelyne Oustric of Domaine du Mazel. Today the couple farm almost 6ha of viognier, sauvignon, grenache blanc, grenache noir, portan, syrah, and serine, supplementing it with an almost equal volume of grape purchases from Domaine du Mazel and from Alsace vigneron Stéphane Bannwarth. In 2021, Barcelona-based interiors magazine Apartamento published a very lightly-edited volume compiling seven years of Steen’s tasting observations and notes-to-self, entitled Poetry is Growing in Our Garden.
Steen’s charmed career in natural wine began in 2007, when he worked at Noma under pathbreaking Swedish natural wine sommelier Pontus Eloffson (and alongside another Swedish sommelier Ulf Ringus, now a partner in Sweden natural wine importer Vin & Natur). Steen left two years later to partner in influential Copenhagen restaurants Relae and Manfred’s, a time when he also began importing natural wine to Denmark. His winemaking practice began in 2013, in what was initially envisioned as an ongoing collaboration with the influential radical natural winemaker Jean-Marc Brignot, who at that time had recently left France for Japan. Their partnership lasted three years, by which time Steen had already begun to base himself in Ardèche, drawn by the sense of community and camaraderie surrounding the Oustrics at Domaine du Mazel. Steen and Blauert began farming their own parcels in 2017; today the couple live with their two children in center of Valvignières, where they are in the midst of renovating their own cellar after several years vinifying at Domaine du Mazel.
Although we’ve traveled in similar orbits for many years, it wasn’t until harvest time at Domaine du Mazel 2019 that I first encountered Steen outside of the context of a natural wine salon. And it wasn’t until January of this year that we finally found an occasion to chat and taste some wines together, on an unseasonably spring-like morning before the Montpellier salons. Check out the episode for Steen’s peculiar writing process (it involves text messages); which winemaking techniques he learned from Jean-Marc Brignot; and his dastardly scheme to ensure the couple’s wines take up as much layout space as possible on restaurant wine lists.
This is a free episode of the NOT DRINKING POISON podcast. For access to all the episodes - plus years of vigneron interviews, profiles, news reports, and commentary - please subscribe!
FURTHER READING & LISTENING
Ep. 24: Sune Rosforth of Rosforth & RosforthEp. 26: Martin Ho of Pompette
A long interview with Anders Frederik Steen and Anne Bruun Blauert by Madeleine Willis in Apartamento.
...
Previous Episode
Ep. 24: Sune Rosforth of Rosforth & Rosforth
There's a lot of interest for wine in Denmark. Since we haven't really been a wine producing country, [people are] eager to really go deeply down into what wine is. - Sune Rosforth
Sune Rosforth is the head of influential Denmark wine importer Rosforth & Rosforth, which he founded in 1994, initially concentrating on wines from the Loire valley. Half-Parisian on his mother’s side, he hitchhiked around France as a young man and struck up what became a lifelong friendship while working for the family behind Anjou estate Château de Passavant. Cellar visits Rosforth conducted in the region alongside Passavant’s François David would form the nucleus of his initial portfolio, which also notably included the celebrated Saumur-Champigny wines of Clos Rougeard.
Since the early 2000s, Rosforth has expanded his company’s portfolio to include many key natural wine estates in Catalonia, Italy, Chile, Georgia, and beyond. In 2012, spurred by conversations with Olivier Cousin, he began conducting regular shipments of wine from Brittany to Denmark via sailboat. To a large degree, Rosforth’s free-thinking work as an importer (and later, as a restaurateur in his own right) has accompanied - and helped shape - Copenhagen’s emergence as arguably the world’s premier nexus for natural wine and forward-thinking dining. Today, both Rosforth’s office-slash-dining-room-slash-wine-bar-and-wine-wholesaler site beneath Knippelsbro (colloquially known as “Under the Bridge”) and Den Vandrette, the nearby wine bar run by his wife Veronica, represent a spontaneous, informal, and thoroughly vital contrast to the city’s renowned fine dining scene.
I first met Rosforth in 2020 over lunch at the home of Gard vigneron Alain Allier. Later we were reintroduced in Copenhagen by then-Noma-sommelier Mads Kleppe, and I’ve since had several occasion in that city to enjoy Rosforth and Kleppe’s supreme hospitality. (This includes Rosforth’s own thoughtful and daring cooking at the office, where he whips up, with little advance warning, dishes like shrimp in tomato-shrimp broth, or sautéed sheep testicles.) We recorded this episode in October 2023 in the Kulturtårnet (or Culture Tower) overlooking Knippels Bridge, a site chosen more for its sublime view than its amenability to sound recording. Take a listen for Rosforth’s take on the future of Clos Rougeard; his memories of Catalonian vigneron Joan Ramon Escoda before the latter began making wine; and his heartfelt apology for the intensity of his fellow Danes in Copenhagen bike lanes.
FURTHER READING & LISTENING
Ep. 25: Anders Frederick SteenEp. 26: Martin Ho of Pompette
Podcast Series III: Les Emigré(e)s - Expat Natural Winemakers in France, Part IPodcast Series III: Les Emigré(e)s - Expat Natural Winemakers in France, Part II
Podcast Series II: Contemporary Paris Natural Wine, Part IPodcast Series II: Contemporary Paris Natural Wine, Part II
Next Episode
Ep. 28: Mads Kleppe
I don't understand, but I respect people that can sit and drink Coche-Dury in their left hand, and Axel Prüfer in their right hand. I can understand why they still find [the former wine] interesting, but for me it was something that I'd let go of completely. I couldn't have moved to only working with natural wine without letting go of that other part. - Mads Kleppe
Mads Kleppe is the gravel-voiced Norwegian sommelier responsible for radicalizing the natural wine program at renowned Copenhagen restaurant Noma throughout the 2010s. Upon taking over in 2009 from earlier sommelier Pontus Eloffson (who had already begun emphasizing biodynamic and natural wines), Kleppe soon began championing the entirely unsulfited and unfiltered work of winemakers including Franz Strohmeier, Laureanno Serres, Anthony Tortul, Christian Tschida, Tom Lubbe, and Axel Prüfer. Arguably more than anyone else in Noma’s wine lineage, Kleppe is responsible for what in natural wine circles is often referred to as “the Noma effect”: the phenomenon by which the famous restaurant’s imprimatur encouraged an unprecedented acceptance of - and enthusiasm for - natural wines previously deemed controversial among high-end restaurant buyers and clients alike.
Kleppe initially followed a classical sommelier career path, working at Oslo Michelin-two-starred restaurant Bagatelle, while participating actively in sommelier competitions. He cites early encounters with Mâconnais vigneron Julien Guillot and then-burgeoning Etna star Frank Cornelissen (both in 2003) with sparking his initial interest in natural wine; upon moving to Copenhagen to work at Noma in 2009, he pursued the subject alongside peers in the Danish wine scene of the era, including Sune Rosforth and Anders Frederik Steen. Throughout his career at Noma, Kleppe made a habit of traveling to visit winemakers on his days off.
Since leaving Noma in 2022, Kleppe has relocated to Tbilisi, where earlier this year he began work as the beverage director for Temur Ugulava’s vast Adjara restaurant group, which encompasses dozens of hotels, restaurants, and nightclubs, in addition to its Tbilisi flagship, the five-star Stamba Hotel. I first met Kleppe in Copenhagen in 2021, when a chance meeting at Den Vandrette led to an unforgettable two-day bicycle tour of many of the Danish capital’s finest natural wine spots. I also owe to Kleppe two sublime visits to Noma before the end of his tenure there. We recorded this episode in mid-May in the private dining room of Copenhagen restaurant Barr, which inhabits the dockside building that previously housed Noma. Check out the episode for Kleppe’s recollections of serving natural wine to U2; his favorite Georgian hangover cures; and why, within his peculiar synesthetic approach to wine mnemonics, “soup” is a color.
This is a free episode of the NOT DRINKING POISON podcast. For access to all the episodes - plus reams of vigneron interviews, reports, restaurant reviews, commentary, and more - please subscribe!
FURTHER READING & LISTENING
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