Dale C. Allison, "Night Comes: Death, Imagination, and the Last Things" (Eerdmans, 2016)
02/12/25 • 49 min
When he was 23 years old, Dale Allison almost died in a car accident. That terrifying experience dramatically changed his ideas about death and the hereafter. In Night Comes: Death, Imagination, and the Last Things (Eerdmans, 2016) Allison wrestles with a number of difficult questions concerning the last things -- such questions as What happens to us after we die? and Why does death so often frighten us?
Armed with his acknowledged scholarly expertise, Allison offers an engaging, personal exploration of such themes as death and fear, resurrection and judgment, hell and heaven, in light of science, Scripture, and his own experience. As he ponders and creatively imagines -- engaging throughout with biblical texts, church fathers, rabbinic scholars, poets, and philosophers -- Allison offers fascinating fare that will captivate many a reader's heart and soul.
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When he was 23 years old, Dale Allison almost died in a car accident. That terrifying experience dramatically changed his ideas about death and the hereafter. In Night Comes: Death, Imagination, and the Last Things (Eerdmans, 2016) Allison wrestles with a number of difficult questions concerning the last things -- such questions as What happens to us after we die? and Why does death so often frighten us?
Armed with his acknowledged scholarly expertise, Allison offers an engaging, personal exploration of such themes as death and fear, resurrection and judgment, hell and heaven, in light of science, Scripture, and his own experience. As he ponders and creatively imagines -- engaging throughout with biblical texts, church fathers, rabbinic scholars, poets, and philosophers -- Allison offers fascinating fare that will captivate many a reader's heart and soul.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Previous Episode
Edward Simon, "The Seven Deadly Sins and Seven Heavenly Virtues: A Visual History" (Cernunnos, 2024)
A companion piece to Pandemonium: A Visual History of Demonology and Elysium: A Visual History of Angelology, Seven Sins and Seven Virtues (Abrams, 2024) by Dr. Ed Simon completes this moral trilogy and finally considers God’s most enigmatic of creations: None of the conundrums of metaphysics are as baroque as the motivations of the human soul. Unlike the devils condemned to perdition and the angels compelled to paradise, humans are divine creatures that house within them warring impulses.
The Seven Deadly Sins and Seven Heavenly Virtues: A Visual History (Cernunnos, 2024) examines the literary, philosophical, theological, and most of all artistic expressions of the seven deadly sins and their respective seven cardinal virtues, drawing upon millennia of history to gather a compendium of humanity at its best and its worst. As a volume, the book explores the Manichean nature of the human animal in all of its grandeur and canker, motivated by the faith that tales of damnation and salvation are the only stories that are ultimately worth telling.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Next Episode
Claire C. Robison, "Bringing Krishna Back to India" (Oxford UP, 2024)
The Hare Krishnas have long been associated with American hippie culture and New Age religious movements. But they have developed deeply rooted communities in India and throughout the world over the past 50 years. Known officially as the International Society for Krishna Consciousness (ISKCON), this once-marginal religious community now wields vast economic assets, political influence, and a posh identity endorsed by Indian business tycoons and Bollywood celebrities.
Bringing Krishna Back to India (Oxford UP, 2024) examines this globalized religious community in Mumbai, India's business and entertainment capital, where ISKCON draws Indians from diverse backgrounds to adopt a socially conservative Krishna bhakti identity amidst a neoliberal megacity and the city's famed cosmopolitanism. As ISKCON fashions devout religious identities amidst urban spaces, such as college campuses, corporate wellness retreats, and Bollywood celebrity events, it promotes a religious Hindu modernity that reflects elite urban Indian aspirations and aesthetic
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