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New Books in Military History - Anette Hoffmann, "Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918)" (Duke UP, 2024)

Anette Hoffmann, "Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918)" (Duke UP, 2024)

11/09/24 • 44 min

New Books in Military History

During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production.

Anette Hoffmann received her Phd at the Amsterdam School for Cultural Analysis in 2005. From 2006 she has engaged with acoustic and audio-visual collections as part of the colonial archive. On the basis of her research and the practice of close listening in collaboration with translators and historians in/from Africa, she has developed an approach on sound recordings as alternative sources of colonial history and as a crucial part of histories of colonial knowledge production. Her engagement with sound archives has benefited immensely from working as a researcher at the Archive and Public Culture Research Initiative at the University of Cape Town (until 2014). Currently she is affiliated with the University of Cologne.

Hoffmann is also an artist and a curator. Her exhibition What We See, which engaged with recordings from Namibia (1931) was first shown in the Slave Lodge in Cape Town in 2009 and was also shown in Namibia, Germany, Switzerland and Austria. A sound track based on the recording with Abdoulaye Niang was presented at the Theodore Monod Museum for African Art in Dakar, Senegal, in 2024. New work, based on silent movies from the Kalahari, on which she works with the video artist Jannik Franzen, engages with the companion species of German Colonialism in Namibia and will be shown in Vienna in 2025.

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During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production.

Anette Hoffmann received her Phd at the Amsterdam School for Cultural Analysis in 2005. From 2006 she has engaged with acoustic and audio-visual collections as part of the colonial archive. On the basis of her research and the practice of close listening in collaboration with translators and historians in/from Africa, she has developed an approach on sound recordings as alternative sources of colonial history and as a crucial part of histories of colonial knowledge production. Her engagement with sound archives has benefited immensely from working as a researcher at the Archive and Public Culture Research Initiative at the University of Cape Town (until 2014). Currently she is affiliated with the University of Cologne.

Hoffmann is also an artist and a curator. Her exhibition What We See, which engaged with recordings from Namibia (1931) was first shown in the Slave Lodge in Cape Town in 2009 and was also shown in Namibia, Germany, Switzerland and Austria. A sound track based on the recording with Abdoulaye Niang was presented at the Theodore Monod Museum for African Art in Dakar, Senegal, in 2024. New work, based on silent movies from the Kalahari, on which she works with the video artist Jannik Franzen, engages with the companion species of German Colonialism in Namibia and will be shown in Vienna in 2025.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

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undefined - Andrew Stravers et al., "Beyond the Wire: US Military Deployments and Host Country Public Opinion" (Oxford UP, 2022)

Andrew Stravers et al., "Beyond the Wire: US Military Deployments and Host Country Public Opinion" (Oxford UP, 2022)

The United States stands at a crossroads in international security. The backbone of its international position for the last 70 years has been the massive network of overseas military deployments. However, the US now faces pressures to limit its overseas presence and spending.

In Beyond the Wire: US Military Deployments and Host Country Public Opinion (Oxford University Press, 2023), Michael Allen, Michael Flynn, Carla Martinez Machain, and Andrew Stravers argue that the US has entered into a "Domain of Competitive Consent" where the longevity of overseas deployments relies upon the buy-in from host-state populations and what other major powers offer in security guarantees.

Drawing from three years of surveys and interviews across fourteen countries, they demonstrate that a key component of building support for the US mission is the service members themselves as they interact with local community members.

Highlighting both the positive contact and economic benefits that flow from military deployments and the negative interactions like crime and anti-base protests, this book shows in the most rigorous and concrete way possible how US policy on the ground shapes its ability to advance its foreign policy goals.

Our guests today are Michael Allen, who is a Professor of International Relations in the School of Public Service at Boise State University; Michael Flynn, who is Professor in the Department of Political Science and Director of the Security Studies Program at Kansas State University; and Carla Martinez Machain, who is a Professor of Political Science at the University at Buffalo.

Our host is Eleonora Mattiacci, Associate Professor of Political Science at Amherst College and author of "Volatile States in International Politics" (Oxford University Press, 2023).

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Next Episode

undefined - Anne Berg, "Empire of Rags and Bones: Waste and War in Nazi Germany" (Oxford UP, 2024)

Anne Berg, "Empire of Rags and Bones: Waste and War in Nazi Germany" (Oxford UP, 2024)

Paper, bottles, metal scrap, kitchen garbage, rubber, hair, fat, rags, and bones--the Nazi empire demanded its population obsessively collect anything that could be reused or recycled. Entrepreneurs, policy makers, and ordinary citizens conjured up countless schemes to squeeze value from waste or invent new purposes for defunct or spent material, no matter the cost to people or the environment. As World War II dragged on, rescued loot--much of it waste--clogged transport routes and piled up in warehouses across Europe.

Historicizing the much-championed ideal of zero waste, Anne Berg shows that the management of waste was central to the politics of war and to the genesis of genocide in the Nazi Germany. Destruction and recycling were part of an overarching strategy to redress raw material shortages, procure lebensraum, and cleanse the continent of Jews and others considered undesirable. Fostering cooperation between the administration, the party, the German Army, the SS, and industry, resource extending schemes obscured the crucial political role played by virtually all German citizens to whom salvaging, scrapping, and recycling were promoted as inherently virtuous and orderly behaviors. Throughout Nazi occupied-Europe, Jews, POWs, concentration camp inmates, and enemy civilians were forced to recycle the loot, discards, and debris of the Nazi race war. In the end, the materials that were fully exploited and the people who had been bled dry were cast aside, buried, burned, or left to rot. Nonetheless, waste reclamation did not have the power to win the war.

Illuminating how the Nazis inverted the economy of value, rescuing discards and murdering people, Empire of Rags and Bones: Waste and War in Nazi Germany (Oxford UP, 2024) offers an original perspective on genocide, racial ideology, and World War II.

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