New Books in Military History

In Euromissiles: The Nuclear Weapons That Nearly Destroyed NATO (Cornell UP, 2022), Susan Colbourn tells the story of the height of nuclear crisis and the remarkable waning of the fear that gripped the globe. In the Cold War conflict that pitted nuclear superpowers against one another, Europe was the principal battleground. Washington and Moscow had troops on the ground and missiles in the fields of their respective allies, the NATO nations and the states of the Warsaw Pact. Euromissiles―intermediate-range nuclear weapons to be used exclusively in the regional theater of war―highlighted how the peoples of Europe were dangerously placed between hammer and anvil. That made European leaders uncomfortable and pushed fearful masses into the streets demanding peace in their time.

At the center of the story is NATO. Colbourn highlights the weakness of the alliance seen by many as the most effective bulwark against Soviet aggression. Divided among themselves and uncertain about the depth of US support, the member states were riven by the missile issue. This strategic crisis was, as much as any summit meeting between US president Ronald Reagan and Soviet general secretary Mikhail Gorbachev, the hinge on which the Cold War turned.

Euromissiles is a history of diplomacy and alliances, social movements and strategy, nuclear weapons and nagging fears, and politics. To tell that history, Colbourn takes a long view of the strategic crisis―from the emerging dilemmas of allied defense in the early 1950s through the aftermath of the INF Treaty thirty-five years later. The result is a dramatic and sweeping tale that changes the way we think about the Cold War and its culmination.

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In 330 BC, Alexander the Great conquers the city of Persepolis, the ceremonial capital of the Persian Empire. His troops later burn it to the ground, capping centuries of tensions between the Hellenistic Greeks and Macedonians and the Persians.

That event kicks off Rachel Kousser’s book Alexander at the End of the World: The Forgotten Final Years of Alexander the Great (Mariner Books, 2024), which tells the story of how Alexander—the unbeaten military genius and the most powerful man in that part of the world—decided to keep going, chasing rebellious ex-Persians and launching an unprecedented invasion of India.

But what drove Alexander to keep marching? What was the kind of empire Alexander wanted to build? And why did he eventually turn back at the Indus River, his soldiers begging for him to return home?

Rachel Kousser is the chair of the Classics department at the Graduate Center, City University of New York and a professor of ancient art and archaeology at Brooklyn College. She is also the author of The Afterlives of Greek Sculpture: Interaction, Transformation, Destruction (Cambridge University Press: 2017) and Hellenistic and Roman Ideal Sculpture: The Allure of the Classical (Cambridge University Press: 2008).

She can be followed on Instagram at @rkousser.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Alexander at the End of the World. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production.

Anette Hoffmann received her Phd at the Amsterdam School for Cultural Analysis in 2005. From 2006 she has engaged with acoustic and audio-visual collections as part of the colonial archive. On the basis of her research and the practice of close listening in collaboration with translators and historians in/from Africa, she has developed an approach on sound recordings as alternative sources of colonial history and as a crucial part of histories of colonial knowledge production. Her engagement with sound archives has benefited immensely from working as a researcher at the Archive and Public Culture Research Initiative at the University of Cape Town (until 2014). Currently she is affiliated with the University of Cologne.

Hoffmann is also an artist and a curator. Her exhibition What We See, which engaged with recordings from Namibia (1931) was first shown in the Slave Lodge in Cape Town in 2009 and was also shown in Namibia, Germany, Switzerland and Austria. A sound track based on the recording with Abdoulaye Niang was presented at the Theodore Monod Museum for African Art in Dakar, Senegal, in 2024. New work, based on silent movies from the Kalahari, on which she works with the video artist Jannik Franzen, engages with the companion species of German Colonialism in Namibia and will be shown in Vienna in 2025.

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Eric Lee's new book The Night of the Bayonets: The Texel Uprising and Hitler's Revenge, April–May 1945 (Greenhill Books, 2020) tells the story of the events leading up to the little-known revolt of Georgian Wehrmacht recruits against the Germans on the island of Texel, which was part of the Atlantic Wall fortifications off the Dutch coast. These Georgians had been captured as POWs and recruited into or “volunteered” for the Georgian Legion, a Wehrmacht unit made up of former Soviet Georgian troops, often given the choice to join or die. They served unreliably on the Eastern Front before being transferred to the West. There they plotted revolt against the Germans from 1944 in conjunction with Dutch Communist resistance fighters.

The revolt was sparked in 1945, as Hitler was hiding in his Fuhrerbunker and the Red Army advancing on Berlin, by news the Georgians were going to be sent to the mainland in what would likely have been a deadly stand against the Allies. Unwilling to die for the Germans, the Georgian Wehrmacht soldiers launched a surprise revolt, slitting the throats of over 400 Germans on the island of Texel in a night. The revolt devolved into all out warfare as the Germans turned the sea batteries on the island and the Georgians took no prisoners while Dutch civilians were caught in the crossfire. The revolt ended when both Georgians and Germans surrendered to Canadian troops. Most of the Georgians were repatriated without reprisal to the USSR where they lived quiet lives. Eric Lee walks us through these events and discusses the legacy of the Texel revolt in the USSR and modern Georgia.

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In her fascinating and remarkable new book Faithful Fighters: Identity and Power in the British Indian Army (Stanford University Press, 2019), Kate Imy explores the negotiation of religious identity, military service, and imperial power in the context of twentieth century British India. How were preconceived British imperial notions of religion and loyalty to the state attached to indigenous South Asian communities frustrated by the way Sikh, Muslim, Hindu, and Nepali Gurkha (Hindu and Buddhist) soldiers engaged the state and performed their political and religious identities as part of the British Indian army.

Faithful Fighters is a powerful and brilliant meditation on the impossibility of modern colonial power to canonize religion and religious identity. The six chapters of this book examine a range of archives, themes, theaters, and actors including tensions surrounding the valorization of Sikh loyalty and controversies shadowing the Kirpān (sword), the cooptation of pan-Islamic sentiments for British imperialism, suspicions and sexual desires invested in the figure of the Pathan, Nepali Gurkhas, caste hierarchies, and rituals of purification, debates of food and religion in the military, projects of nationalism through military academies, and masculinity, fascism, and Hindu nationalism.

This thoroughly researched and multidisciplinary book will attract and interest scholars from a range of fields including South Asian history, Religious Studies, Islamic Studies, Military History, and Cultural Studies. Beautifully written, and populated with enticing narratives and images, it will also be a delight to teach in a variety of classes.

SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome.

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