Jennifer Anne Moses, "The Man Who Loved His Wife" (Mayapple Press, 2021)

03/09/21 • 35 min

In The Man Who Loved His Wife (Mayapple Press, 2021), Jennifer Anne Moses creates characters who grapple with the minutiae of their lives while considering family, fate, love, death, the afterlife, the divine presence, and spirituality. Peppered with Yiddishisms and salted with sisters, brothers, parents, children, grandparents, neighbors, and friends, Moses tells the stories of regular people faced with the problems of daily life but weighted with the 4000-year-old history of Judaism. She is reminiscent of writers like Isaac Bashevis Singer, Cynthia Ozick, Chaim Grade, and Philip Roth (to name a few) who captured the spirit of humanity in a specific time and place.

Jennifer Anne Moses was born in 1959 and grew up in McLean, Virginia. She always wanted to be a writer, so she read a lot and later earned a degree at Tufts. Eventually she married, had three children, taught herself to paint, and moved from Washington D.C. to Baton Rouge, Louisiana to Montclair, NJ. In addition to her books (Food and Whine, The Book of Joshua, Bagels and Grits, Visiting Hours, Tales from My Closet, and The Art of Dumpster Diving), she's published dozens of essays, articles, Op Ed pieces, and short stories. Her work has also been anthologized in the Pushcart Prizes and New Stories from the South: The Year's Best. Moses loves to bicycle, garden, play the piano, and dance, although she can’t do it like she used to. She also adores her two smelly mutts.

I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb.com.

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Previous Episode

Tawhida Tanya Evanson, "Book of Wings" (Esplanade Books, 2021)

Book of Wings (Véhicule Press, 2011) is a stunningly mesmerizing debut novel by Tawhida Tanya Evanson. It follows the journey of the protagonist Maya across vast geographies, such as Canada, the United States, the Caribbean, France, and Morocco, as she reels from the end of a passionate relationship with her lover and partner, Shams. In this modern Sufi love story, Maya, a bi-racial Black woman, seeks Shams, her lost beloved, and this quest propels her on a spiritual search that unfolds in a physical return to her homeland in Morocco in North Africa; a return that is symbolic of the inner return to one’s spiritual origins, so modeled by the Sufis.

Evanson also draws from various Afro-Caribbean diasporic traditions such as spirituality, music, and storytelling. These intricate Sufi, Islamic, and Afro-Caribbean diasporic traditions appear through personalities that Maya encounters on her travels, namely figures such as Muhammad, Ali, Hassan, Husayn, Fatima, Hajar or saints, dervishes, ancestors, masters, and holy ones. The novel is textured with Sufi themes, symbols, and teachings, such as in how spiritual states of beauty and love are evoked or the summation to annihilate the ego. These appear not only in the storyline but also in the prose, such as the use of repetition as Sufi pedagogy and as a literary device. This exquisite and compelling novel would be a welcome text to incorporate into numerous courses that deal with a wide range of topics such as the hero’s quest and mystical journey or topical courses such as on Sufism, Islam, gender, sexuality, or Afro-Caribbean diaspora, Canadian literature, and much more.

Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier.

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Wu Cheng'en, "Monkey King: Journey to the West," trans. Julia Lovell (Penguin, 2021)

Journey to the West, and especially the character of Sun Wukong, the Monkey King, is beloved by readers across China, East Asia, and beyond. The story and its characters have been written and rewritten in books, comics, graphic novels, movies, television shows, and video games. In many ways, Journey to the West and Son Wukong have become archetypes: stories and characters that people refer to and recognise, without ever looking at the original source material.

But for those interested in reading the original novel, we now have a new translation of Journey to the West (Penguin Classics: 2021) from Professor Julia Lovell. This new translation takes the original 1592 novel by Wu Cheng’en and presents its adventures, humor, satire and spiritual insights for a modern audience.

In this interview, Julia and I talk about Journey to the West: its story, its characters, and its history, before and after the publication of the 1592 novel. We talk about what motivated this new translation. Finally, we end by discussing how Journey to the West and the Monkey King have had an impact on popular culture far beyond China, through Japan, Southeast Asia and the West.

Julia Lovell is a Professor of Modern Chinese History and Literature at Birkbeck, University of London. Her research primarily focuses on the relationship between culture and modern Chinese nation-building, and on the wide-ranging impacts of modern China’s encounters with the world beyond its borders. She is the author of several well-received histories of China, including The Opium War: Drugs, Dreams and the Making of China (Pan Macmillan: 2011), and Maoism: A Global History (Bodley Head: 2019). She has also translated several works of Chinese literature, including The Real Story of Ah-Q and Lust, Caution.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Monkey King. Follow on Facebook or on Twitter at @BookReviewsAsia.

Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon.

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