
Alexis Wick, "The Red Sea In Search of Lost Space" (U California Press, 2016)
10/12/20 • 45 min
The Red Sea has, from time immemorial, been one of the world’s most navigated spaces, in the pursuit of trade, pilgrimage and conquest. Yet this multidimensional history remains largely unrevealed by its successive protagonists.
Intrigued by the absence of a holistic portrayal of this body of water and inspired by Fernand Braudel’s famous work on the Mediterranean, this book brings alive a dynamic Red Sea world across time, revealing the particular features of a unique historical actor. In capturing this heretofore lost space, it also presents a critical, conceptual history of the sea, leading the reader into the heart of Eurocentrism. The Sea, it is shown, is a vital element of the modern philosophy of history.
Alexis Wick is not satisfied with this inclusion of the Red Sea into history and attendant critique of Eurocentrism. Contrapuntally, in The Red Sea In Search of Lost Space (University of California Press, 2016) he explores how the world and the sea were imagined differently before imperial European hegemony. Searching for the lost space of Ottoman visions of the sea, The Red Sea makes a deeper argument about the discipline of history and the historian’s craft.
Alexis Wick is Associate Professor of History at the American University of Beirut.
Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.
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The Red Sea has, from time immemorial, been one of the world’s most navigated spaces, in the pursuit of trade, pilgrimage and conquest. Yet this multidimensional history remains largely unrevealed by its successive protagonists.
Intrigued by the absence of a holistic portrayal of this body of water and inspired by Fernand Braudel’s famous work on the Mediterranean, this book brings alive a dynamic Red Sea world across time, revealing the particular features of a unique historical actor. In capturing this heretofore lost space, it also presents a critical, conceptual history of the sea, leading the reader into the heart of Eurocentrism. The Sea, it is shown, is a vital element of the modern philosophy of history.
Alexis Wick is not satisfied with this inclusion of the Red Sea into history and attendant critique of Eurocentrism. Contrapuntally, in The Red Sea In Search of Lost Space (University of California Press, 2016) he explores how the world and the sea were imagined differently before imperial European hegemony. Searching for the lost space of Ottoman visions of the sea, The Red Sea makes a deeper argument about the discipline of history and the historian’s craft.
Alexis Wick is Associate Professor of History at the American University of Beirut.
Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.
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Daniel Macfarlane, "Fixing Niagara Falls: Environment, Energy, and Engineers at the World’s Most Famous Waterfall" (UBC Press, 2020)
Water and diplomatic historian Dan MacFarlane has written a fascinating book on a fundamental debate in environmental history: What is a natural landscape? Fixing Niagara Falls: Environment, Energy, and Engineers at the World’s Most Famous Waterfall (UBC Press, 2020) argues that one of the world's most famous natural attractions is not wholly natural but is an engineered landscape. Though the falls have been altered, it's designers seemingly found a balance between preserving its wonder and utilizing its power, MacFarlane argues.
The first people to record their reactions to the falls in North America were fascinated by its beauty and power. By the end of the nineteenth century, the falls had drawn the attention of both Canadian and American industrialist who saw in its majesty a great potential for energy generation. Since the falls is located on the border, it provoked conflict and negotiations between these two countries over how much water could be drawn upon by each. Utilizing the falls for power generation provoked another conflict over the extent to which power generation might hinder the natural beauty of this thriving tourist attraction. These two conflicts—one about power the other about natural appeal— would continue into the twenty-first century.
The book unravels the details of these conflicts while at the same time drawing the readers' attention to the often unseen changes being made in, around, and behind the falls. Some of the most interesting parts of the book are those that explain technocrats' debates over, and explorations into, how water reduction might change the natural look of the falls. Exposing these engineered elements of Niagara encourages readers to reimagine this popular natural attraction, and others like it.
Jason L. Newton is a post-doctoral fellow in the history of capitalism and the environment at the University of North Carolina at Charlotte. His book manuscript, Cutover Capitalism: The Industrialization of the Northern Forest, 1850-1950, is a history of the changing types of labor performed by people, trees, and the landscape in the American Northeast as that area industrialized. He has also published on nature, race, and immigration. He teaches classes on capitalism and the environment.
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Next Episode

Dylon Robbins, "Audible Geographies in Latin America: Sounds of Race and Place" (Palgrave Macmillan, 2019)
What is the relationship between race, technology and sound? How can we access the ways that Latin Americans in the 19th and early 20th centuries thought about, and importantly, heard, race? In his book Audible Geographies in Latin America: Sounds of Race and Place (Palgrave Macmillan, 2019), Dylon Robbins approaches this question in a stunning series of chapters that move between Cuba and Brazil just as both nations were moving into post-emancipation and increasingly intense appeals to nationalist ideologies. New media such as the phonograph, as well as changing techniques in medicine and ethnography contributed to the complex entanglements of race, place and voice. Robbins uncovers new sites in which to explore these questions, such as the Experimental Phonetics Laboratory in Havana and revisits more familiar material, such as the work of Alejo Carpentier, with new frameworks.
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