SE3:EP12 - Lexi Dowdall: Utah Snow in Watercolors

03/04/22 • 53 min

Utah’s 15 resorts paint a majestic portrait amidst the winter landscape. So what if someone painted them all, with watercolors based in snow melt from each resort. That’s what passionate Utah skier Lexi Dowdall has set out to do with her Paint by Powder Project!

Dowdall is a snow-loving outdoor enthusiast who actively seeks out the Greatest Snow on Earth in every corner of the state. But her skiing career got off to a rocky start. At her first lesson as a little girl, she became frightened of a yeti-like skier with a snow-encrusted beard. So she watched Sleeping Beauty in the lodge at Solitude instead. Not so today as she crushes the powder every chance she can - all with a big smile on her face.

The artist in her came from her grandmother, a sculptor and painter in Sedona. She says today, “Art is in my nature. But I spent a long time ignoring that fact.” Her grandmother focused her art on her surroundings, the towering vermillion monoliths in Sedona. So Lexi looked around herself at the Utah ski resorts she loved and decided to make that her palette.

In 2019, she took a rudimentary watercolor kit along on a rafting trip through the Gates of Lodore. A year later, she used the platform of COVID to start focusing on painting Utah’s ski areas. Looking out to the street one day, she saw her boyfriend’s pickup truck bed filled with fresh Alta snowfall he had trucked down to the valley after a huge snowstorm. And the idea struck her - why not blend her watercolor paints using snowmelt from each resort.

And the Paint by Powder Project was launched!

This episode of Last Chair is a really fun podcast with an exuberant powder-loving artist, Lexi Dowdall. She’ll win your heart with her stories of her continual discovery of the outdoor world around her, and how she’s sharing it with others.

She also personifies the ‘support a cause’ energy that is ingrained in all of us as skiers and snowboarders. And, she’s doing something about it. She is a passionate volunteer with Wasatch Adaptive Sports at Snowbird, and she’s donating proceeds of the Paint by Powder Project to Protect Our Winters.

In her day job, she’s the director of freeride for the International Freeskiers and Snowboarders Association (IFSA), helping young freeride skiers overseeing event series’.

Here’s a little teaser of the Last Chair episode with Lexi Dowdall.

Lexi, how did skiing get in your blood?

I'm a fourth or fifth generation Utahn. I grew up here. My parents were big skiers. My dad was a ski bum who came here after college and never really left. So my mom always says we never had a choice and being skiers, it was that worked out so well.

What has inspired you growing up in Utah?

I come from a very creative family and we're always doing stuff yet scrapbooking or making terrariums, or we were just crafting all the time. And I may be biased, but I think Utah is the most beautiful state. We have just such an amazing diversity of landscapes and vistas and state parks and national parks. It's hard not to be inspired by the vistas that we're surrounded by out here.

Why watercolors?

It's an enigma. It's very simple, but it's difficult to master. And I would say I'm very much a type A kind of control freak kind of person. So watercolor has helped me to be a lot more open to outcome. You literally have to go with the flow. So that's a neat thing about watercolor is you can have an idea of what you want to accomplish. But in the end, the water and the paint are going to force your destiny and you don't have as much control over it as the acrylic or oil.

And why mountains?

I just knew I wanted to paint mountains - that's where I'm happiest, that's where my soul is alive. So it's funny. I still feel like I don't really know how to paint mountains or snow, but you know, I'm practicing as much as I can, and it's just going to be a work in progress.

And why snow?

Snow is water. I thought I could incorporate snow from each mountain into my watercolor painting, and you know, I'm really working on my technique with painting mountains. I thought, ‘oh, maybe this snow will make the painting a little bit better, and I can channel the energy of the mountain as I paint with its snow.’ So that was kind of how it got started.

When you collect snow in milk jugs at resorts, do people look at you strangely?

I had this very awkward interaction with a Powder Mountain patroller. I tried to explain what I was doing, and he was just very confused. But I will say the fastest response time was Deer Valley. They were on the scene in probably 34 seconds. ‘Ma'am, are you OK? Do you need assistance?’ I was fine. But again, I needed to explain what the...

And the Paint by Powder Project was launched!

In her day job, she’s the director of freeride for the International Freeskiers and Snowboarders Association (IFSA), helping young freeride skiers overseeing event series’.

Here’s a little teaser of the Last Chair episode with Lexi Dowdall.

Lexi, how did skiing get in your blood?

What has inspired you growing up in Utah?

Why watercolors?

And why mountains?

And why snow?

When you collect snow in milk jugs at resorts, do people look at you strangely?

Previous Episode

SE3:EP11 - Lee Cohen: Utah's Ski Photographer

Cohen grew up in the east, hopping around small New York ski hills like Stony Point and Silver Mine. His father took him on trips to Vermont, skiing Stratton, Stowe, Killington, Mt. Snow and more. Mondays were a day off for his father, who owned a bakery, so it wasn’t unusual for young Lee to play hooky and head off to Hunter Mountain or other day destinations.

Along the way, he started thinking about skiing out west. A friend brought back a trail map from Aspen Highlands. Then in eighth grade, he went with a friend’s family to Austria, skiing from village to village in Kitzbühel and experiencing his first powder day at Kaprun. A few years later, it was off to the Rockies, poaching slopeside lodging in tents and snow caves as he and buddies traveled around the west, eventually visiting Utah. He was hooked.

In the early 1980s, Cohen got a camera and just started shooting his buddies. They traveled the west chasing powder. He still recalls vividly the record-setting winter of 1983-84. Photography was different then. There were no iPhones, digital cameras or autofocus lenses. It was all film, so you never really knew what you had until the film was processed. But he worked hard at it, figuring out his formulaic system. Soon, editors soon took notice.

Photography was fun. It was an art form. And he was getting good at it. In December 1985, he made his first commercial sale, an image of a local skier who played hooky from school to ski High Rustler after a 42-inch storm. Soon his images were adorning the covers of SKI, Powder, Freeze and more.

The next decades saw his work burgeon. His 2012 book Alta Magic captures the real spirit of the Wasatch in a magical collection of images and essays. Today, he still enjoys returning to old haunts - both in-bounds and in the backcountry - with willing ski models, including son Sam, and always looking for that new combination of sun, sky and snow to produce exhilarating images.

While both photography and skiing have evolved greatly in his 40 years in the Wasatch, Cohen still has the touch. In the Alta marketing office, he proudly shows off his recent cover of SKI.

Here’s a sampling of our conversation with photographer Lee Cohen’s. Listen in to the full episode of Last Chair, the Ski Utah podcast, to learn more.

As you drive up Little Cottonwood Canyon, what are some of your landmarks?

I enjoy the whole ride. I like seeing the ridge of Monte Cristo and Superior when I first start getting above White Pine. That's unbelievable to me. Then it's Snowbird on the right and then there's Alta. High Rustler is one of the all time runs to be looking at from the bottom of any ski area.

Do you recall your first trip to Utah?

I don't even remember how I first heard about Alta, but I had this whole magical powder thing like it was fully in my head even before I'd seen the place. And then we got to ski here and I was sold by. We were here for about 10 days, and by the time we left, I knew I was coming back for good as soon as I could.

“I always think I can get a better one, even in a spot that I've gone to before that. I'm always thinking I can get the best one ever today.”

You really mapped out the perfect career for yourself, didn’t you?

I got into ski photography because I loved powder skiing. That was perfect since, here I am, at Alta - the bastion of powder skiing. But at some point along the way, I feel like I get pigeonholed as the deep powder photographer.

How do you make locations look different each time you shoot there?

I find that you can always make a place look different. You shoot it with a different millimeter lens or from a different spot. If you shift your location even just a few feet, you're making it look different. And change lenses - it's way different. Just try to change your approach and make the same old thing look different.

Any simple tips for recreational photographers?

Concentrate on following your subject. Try to set up your shots to make the odds be in your favor and and have the light working in your favor, either being side lit, front lit, backlit. If you're shooting in the storm, go out when there's a lot of snowflakes falling.

“Ski with style - form is everything.”

What are some secrets to great powder shots?

The biggest thing that I would say to my skiers skiing powder is, don't lay it over because you want to. In Utah, it's deep enough. You don't have to fake it. Just try to ski with form and style. Don't bring your hands too high. Don't make your hands too low, no higher than like a little below your shoulders and alternating pole plants in the powder. Ski with style - form is everything.

Nikon or Canon??

I think they're all great. I've been a Nikon person my whole life. I ...

Next Episode

SE3:EP13 - Bill Jensen: New Look at Sundance

Visitors to Sundance Mountain Resort this winter have found a wonderful new experience at one of Utah’s great hidden gems. Working with the experienced Sundance team, legendary ski industry leader Bill Jensen has helped them transform the resort with new lifts, terrain, snowmaking and much more. Jensen, a longtime visionary who has led some of North America’s most notable resorts, talked to Ski Utah’s Last Chair about his storied career and the fun he’s having coaching the team at Sundance.

After stewarding Sundance for over a half-century, film legend Robert Redford sold his interest in December 2020 after carefully curating potential buyers to ensure his legacy would remain. The new investors included Broadreach Capital Partners and Cedar Capital Partners. But what was most important for skiers and riders was the inclusion of Jensen as a partner.

While he didn’t discover skiing until he was 19 in southern California, Jensen quickly grew passionate about the sport, starting his career at Mammoth Mountain as a liftie. In the decades since then he’s hopscotched around in leadership roles from Vail to Whistler to Telluride and Intrawest. In 2019, he was inducted into the U.S. Ski & Snowboard Hall of Fame.

In his new role, he fell in love with Sundance the day he hiked up to the top of Ray’s Lift and then up to Mandan Summit. His vision came clear in an instant when he soaked in the view of Mt. Timpanogos from Mandan.

This winter skiers were treated to a host of positive upgrades:

The new high-speed Outlaw Express taking skiers from base to Mandan Summit in just seven minutes.
New beginner and intermediate terrain off Mandan offering stunning new views and options. Check out Broadway!
A new beginner area with three magic carpets.
A new return lift, Stairway, from the back mountain along with a new run allowing Bear Claw to base skiing or riding.
The new Lookout restaurant with stunning views of Timp from the base.
New snow guns as part of an upgraded snowmaking system, including a water holding pond.

While he’s been the top executive of the biggest ski resort companies in North America, he remains a true mountain guy always anxious to take visitors up on the mountain. Here are a few teasers from the interview. Check out the full conversation on Last Chair, available through all podcast platforms.

Bill, you had a bit of a non-traditional introduction to skiing.

Unfortunately, later than most people I know. Born in Hawaii and grew up in Southern California. When I was 19, for some reason I walked into a Sports Ltd. store in Woodland hills. They were showing the K2 Performers video. I saw skiing for the first time and was fascinated. I just went, ‘wow, this is incredible.’ So I went skiing that winter one day, and that was it.

I’ll bet you were pretty excited to get a job as a liftie?

It just connects you to people, and, candidly, it was fun! So that's where it all started. It was all happenstance. I had no idea that a ski area was even a business. I just saw it as some great recreational fun pursuit. And I just - I fell in love. You know, I always say, I love skiing, but I became passionate about the ski industry and the business and that's where things unfolded.

You’ve lived in some great ski towns: Mammoth, Sun Valley, Whistler, Vail, Breckenridge. What has attracted you to those towns?

In small towns, you get to know a lot of people. And I also like the fact that people depend on each other, whether it was helping them split their firewood or snow removal or whatever. You built relationships and,in ski towns, there's a common denominator that everybody loves snow and they love sliding on snow, whether they snowboard or ski now. But, you know, I just felt very comfortable in that environment. Living in a ski town, to me, just fit my ... who I was and my persona. I really like small mountain communities.

What did it mean to be honored in the Hall of Fame?

It's touching. It's gratifying. It wasn't something that you aspire to. I really believe in the sport. I believe that the skier is important and I've worked hard over my career to mentor people and bring new people into the business and see their careers grow. And that has been the most fulfilling part of my career.

When you visited Sundance in 2020, what stood out to you?

You know the word, and I don't want it to be overused, but just the sense of arrival and walking through the base - there's something magical about this resort and part of it is the environment it sits in, Mount Timp and the views. It is truly one of very few unique ski areas that have this setting. And because it was Robert Redford's business, it really was a family business, is what I would call it. And you can sense that in the culture, the staff a...