
Let’s stop deluding ourselves about the FM chip in phones
05/27/19 • 3 min
In Canada recently, I heard a little bit of history - or, so it seemed to me. Radio executives were openly banging the drum for FM chips in phones: an argument I thought was long since dead.
You can understand why this discussion is still live in Canada. Some research I did about mobile phone data costs seems to point to Canada being exceptionally expensive for mobile data. In comparison to Australia (roughly the same population and land mass), Canadians pay almost FIVE TIMES MORE for a monthly plan that gives a THIRD LESS DATA. (I put this in capital letters because it still surprises me).
Perhaps Canadian radio broadcasters sense an opportunity if FM chips are enabled. I’m not sure there is one, to be honest.
As devices, mobile phones already significantly underperform when it comes to live, linear radio (whether streamed or delivered via FM). Research of UK radio listeners, on page 10 of this PDF, appears to show live radio accounting for less than 20% of all audio consumed on a phone. The most interactive device that we own, always within arm’s reach, is not the most ideal device for listening to an unpersonalised live stream, it would seem.
It’s also not a great user experience. There are no logos and virtually no metadata when listening to FM radio (and in Canada, like the US and Australia, even RDS signals are exotic in many markets). The very action of tuning into a radio station requires the listener to remember a random number for no reason other than a historical anachronism. The company that got closest to fixing the user experience on mobile, Emmis's NextRadio, wasn't supported by other parts of the North American radio industry, and regrettably has joined Nokia's Visual Radio in the waste bin of good ideas.
“But radio is most important in times of emergency”, claim the radio companies. But in reality, if an emergency, or a big news story, happens in the evenings or weekends, recent evidence suggests radio won’t cover it anyway. SMS and app alerts are much more effective at communicating immediate peril, like weather events or fire. If radio had a part to play here once, it doesn’t any more. (The aftermath from emergency, as a community starts putting things together? That’s a very different thing, where radio excels.)
In any case, the technology is against it. The antenna used for FM or DAB+ reception in a mobile phone is the headphone cable: but that’s something that doesn’t exist in Apple or high-end Google phones, which use Bluetooth. Bluetooth headphones are a challenge with electronic measurement, too. And the strong AM stations that exist in Canadian metro areas? There’s only ever been one mobile phone with AM built-in, and the reason you don’t know about it is that it was fifteen years ago, and it was rubbish.
There’s plenty of evidence that Canadian listeners use streaming rather less than their neighbours in the US. The Canadian radio companies could lean on the CRTC to more effectively regulate the price of mobile data from the cellular networks. But they won’t, because the Canadian radio companies ARE the cellular networks.
Indeed, the cellular networks are the folks calling the shots in terms of whether FM chips are enabled or not. If the Canadian cellular networks aren’t pressuring the likes of Google and Apple for FM chips to be enabled - and let me remind you again, they own the FM radio networks - that points to a bigger issue.
Let’s use our energy and focus on delighting our audience, not trying to capture a magic unicorn that offers, at...
In Canada recently, I heard a little bit of history - or, so it seemed to me. Radio executives were openly banging the drum for FM chips in phones: an argument I thought was long since dead.
You can understand why this discussion is still live in Canada. Some research I did about mobile phone data costs seems to point to Canada being exceptionally expensive for mobile data. In comparison to Australia (roughly the same population and land mass), Canadians pay almost FIVE TIMES MORE for a monthly plan that gives a THIRD LESS DATA. (I put this in capital letters because it still surprises me).
Perhaps Canadian radio broadcasters sense an opportunity if FM chips are enabled. I’m not sure there is one, to be honest.
As devices, mobile phones already significantly underperform when it comes to live, linear radio (whether streamed or delivered via FM). Research of UK radio listeners, on page 10 of this PDF, appears to show live radio accounting for less than 20% of all audio consumed on a phone. The most interactive device that we own, always within arm’s reach, is not the most ideal device for listening to an unpersonalised live stream, it would seem.
It’s also not a great user experience. There are no logos and virtually no metadata when listening to FM radio (and in Canada, like the US and Australia, even RDS signals are exotic in many markets). The very action of tuning into a radio station requires the listener to remember a random number for no reason other than a historical anachronism. The company that got closest to fixing the user experience on mobile, Emmis's NextRadio, wasn't supported by other parts of the North American radio industry, and regrettably has joined Nokia's Visual Radio in the waste bin of good ideas.
“But radio is most important in times of emergency”, claim the radio companies. But in reality, if an emergency, or a big news story, happens in the evenings or weekends, recent evidence suggests radio won’t cover it anyway. SMS and app alerts are much more effective at communicating immediate peril, like weather events or fire. If radio had a part to play here once, it doesn’t any more. (The aftermath from emergency, as a community starts putting things together? That’s a very different thing, where radio excels.)
In any case, the technology is against it. The antenna used for FM or DAB+ reception in a mobile phone is the headphone cable: but that’s something that doesn’t exist in Apple or high-end Google phones, which use Bluetooth. Bluetooth headphones are a challenge with electronic measurement, too. And the strong AM stations that exist in Canadian metro areas? There’s only ever been one mobile phone with AM built-in, and the reason you don’t know about it is that it was fifteen years ago, and it was rubbish.
There’s plenty of evidence that Canadian listeners use streaming rather less than their neighbours in the US. The Canadian radio companies could lean on the CRTC to more effectively regulate the price of mobile data from the cellular networks. But they won’t, because the Canadian radio companies ARE the cellular networks.
Indeed, the cellular networks are the folks calling the shots in terms of whether FM chips are enabled or not. If the Canadian cellular networks aren’t pressuring the likes of Google and Apple for FM chips to be enabled - and let me remind you again, they own the FM radio networks - that points to a bigger issue.
Let’s use our energy and focus on delighting our audience, not trying to capture a magic unicorn that offers, at...
Previous Episode

Where should a radio station be?
Something fun is happening in my home town of Brisbane, Australia - some of our radio stations are on the move.
Top 40 station Hit 105 and rock station Triple M lived in buildings in North Quay next to the river, where they’ve been for the last twenty years. They’re moving two minutes’ walk away, up the hill to Petrie Terrace, a new entertainment district with a cinema, restaurants, and next to Caxton Street, one of Brisbane’s oldest entertainment streets with bars, pubs and clubs. It’s just a minute’s walk away from Suncorp stadium, the city’s sports and entertainment arena.
Meanwhile, the AC formatted “97.3”, and hot oldies station 4KQ, just moved from a dumpy building in Stones Corner, an out-of-town location 5km away from the city, where they’ve been for thirty years. They’re moving to a building on Coronation Drive in Milton, overlooking the river and close to both the city centre and to a restaurant district that also boasts the highest concentration of beer breweries, including Queensland’s famous XXXX.
Both sets of people are excited by the move - since, for the first time, they both get actual views of the city.
97.3 gains signage along one of Brisbane’s busiest roads and a significantly better working environment that should help recruitment, particularly in sales; while Hit 105 will be close to a new entertainment venue to be built in the next five years, currently called Brisbane Live. Hit 105 has never been able to see out of the studios before, and, so I’m told, the old building didn’t really get on well with Brisbane’s occasional subtropical rain storms - a tarpaulin and quite a few buckets being pressed into service every so often.
Triple M made the most of the move by auctioning off their rock memorabilia for charity, according to local TV station 7 News.
Radio stations really don’t need to be centrally located any more, of course. You could argue it makes little difference to the on-air sound, whether a station is in the middle of a business park or has prime real-estate in town. Technically, it doesn’t - but it’s easy for an out-of-town radio station to lose ties with the very city it broadcasts to.
If radio’s unique point of difference is that it offers a human connection and a shared experience, perhaps it’s important for the on-air team to live and work in the centre of the city, not in an anonymous building miles from anywhere. Only then can each and every person really feel part of the community they broadcast to.
Moving two stations is hard - moving four, in the same two weeks, is harder still. Here’s hoping everything works!
This podcast uses the following third-party services for analysis:
OP3 - https://op3.dev/privacy
Next Episode

Apple’s changing podcasting: but is it theirs to change?
Apple are making some changes.
You’ve probably heard about iTunes going away. In truth, this means little - iTunes “went away” on iPhones a long time ago, and this latest change is just replacing iTunes with three separate apps on the Mac. If you run a Windows machine, iTunes continues as normal. Apple have asked you not to talk about podcasts “being on iTunes” for the last 18 months anyway.
But there are also some changes to Apple Podcasts categories - the genres and names you use to navigate through podcasts. And those changes, which I list here, are substantial. I calculate around 70 new categories and 30 renamed or removed ones. The changes take place “in late summer”, which probably means the first week in September when the new operating system is normally released.
Now, Apple is responsible for nearly 90% of all podcast listens: because Apple’s database powers many other podcast apps, from Overcast to Pocket Casts, Player FM to Castro. Almost all podcast apps have used the original category list: but as far as I can discover, Apple didn’t talk to a single podcast app developer before announcing these changes. Every one will have to rebuild parts of their app in response.
They also didn’t talk to a single podcast hosting provider before announcing these changes. This was a complete surprise to them, and many hosting companies have privately expressed anger to me: “we’re scrambling,” one says, “we don’t get a head’s up”. Every one will have to rebuild part of their publishing process within just a few months.
The success of podcasting is partly because podcasts are available everywhere, not just on an Apple device. The same RSS feed that powers Apple Podcasts also powers many different services, like Spotify, Google Podcasts, and Stitcher. We don’t know what will happen to these services if we change categories just for Apple’s benefit.
The iTunes categories were Apple’s own invention, back in 2005, and their changes are good news and mostly well thought out.
However, on its own devices, Apple is responsible for just 62% of all podcast downloads — a figure that is falling. In spite of this, Apple has just arrogantly changed podcast categories for its own purposes without consulting any other part of the podcast community that this will affect.
This is partly podcasting’s fault. There is no industry association: a place where producers, app developers, podcast hosting companies and ad-tech companies can come together. There are no best-practice guidance documents for things as simple as “how do I display episode notes”, “should I cache audio” and “do I need permission from podcasters first before listing them”: and perhaps there should be. I’m keen that this, at least, changes.
However, it’s also an issue within Apple. As is clear from the release of this document, and the abject failure of the company to engage with any part of the podcasting community, it’s clear that they believe that they “own” podcasting. Because... they do not.
This podcast uses the following third-party services for analysis:
OP3 - https://op3.dev/privacy
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