
John Donne
02/09/23 • 51 min
1 Listener
Melvyn Bragg and guests discuss Donne (1573-1631), known now as one of England’s finest poets of love and notable in his own time as an astonishing preacher. He was born a Catholic in a Protestant country and, when he married Anne More without her father's knowledge, Donne lost his job in the government circle and fell into a poverty that only ended once he became a priest in the Church of England. As Dean of St Paul’s Cathedral, his sermons were celebrated, perhaps none more than his final one in 1631 when he was plainly in his dying days, as if preaching at his own funeral.
The image above is from a miniature in the Royal Collection and was painted in 1616 by Isaac Oliver (1565-1617)
With
Mary Ann Lund Associate Professor in Renaissance English Literature at the University of Leicester
Sue Wiseman Professor of Seventeenth Century Literature at Birkbeck, University of London
And
Hugh Adlington Professor of English Literature at the University of Birmingham
Melvyn Bragg and guests discuss Donne (1573-1631), known now as one of England’s finest poets of love and notable in his own time as an astonishing preacher. He was born a Catholic in a Protestant country and, when he married Anne More without her father's knowledge, Donne lost his job in the government circle and fell into a poverty that only ended once he became a priest in the Church of England. As Dean of St Paul’s Cathedral, his sermons were celebrated, perhaps none more than his final one in 1631 when he was plainly in his dying days, as if preaching at his own funeral.
The image above is from a miniature in the Royal Collection and was painted in 1616 by Isaac Oliver (1565-1617)
With
Mary Ann Lund Associate Professor in Renaissance English Literature at the University of Leicester
Sue Wiseman Professor of Seventeenth Century Literature at Birkbeck, University of London
And
Hugh Adlington Professor of English Literature at the University of Birmingham
Previous Episode

Angkor Wat
Melvyn Bragg and guests discuss the largest and arguably the most astonishing religious structure on Earth, built for Suryavarman II in the 12th Century in modern-day Cambodia. It is said to have more stone in it than the Great Pyramid of Giza, and much of the surface is intricately carved and remarkably well preserved. For the last 900 years Angkor Wat has been a centre of religion, whether Hinduism, Buddhism or Animism or a combination of those, and a source of wonder to Cambodians and visitors from around the world.
With
Piphal Heng Postdoctoral scholar at the Cotsen Institute and the Programme for Early Modern Southeast Asia at UCLA
Ashley Thompson Hiram W Woodward Chair of Southeast Asian Art at SOAS University of London
And
Simon Warrack A stone conservator who has worked extensively at Angkor Wat
Producer: Simon Tillotson
Next Episode

The Ramayana
Melvyn Bragg and guests discuss the Ramayana, the ancient Hindu epic which is regarded as one of the greatest works of world literature. Its importance in Indian culture has been compared to that of the Iliad and Odyssey in the West, and it’s still seen as a sacred text by Hindus today.
Written in Sanskrit, it tells the story of the legendary prince and princess Rama and Sita, and the many challenges, misfortunes and choices that they face. About 24,000 verses long, the Ramayana is also one of the longest ancient epics. It’s a text that’s been hugely influential and it continues to be popular in India and elsewhere in Asia. With
Jessica Frazier Lecturer in the Study of Religion at the University of Oxford and a Fellow of the Oxford Centre for Hindu Studies
Chakravarthi Ram-Prasad Distinguished Professor of Comparative Religion and Philosophy at Lancaster University
and
Naomi Appleton Senior Lecturer in Asian Religions at the University of Edinburgh
The image above shows Rama, Sita, Hanuman, Lakshmana and devotees, from the Shree Jalaram Prarthana Mandal, Leicester.
Producer Luke Mulhall
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