Romeo and Juliet

02/17/22 • 50 min

3 Listeners

Melvyn Bragg and guests discuss William Shakespeare's famous tragedy, written in the early 1590s after a series of histories and comedies. His audience already knew the story of the feuding Capulets and Montagues in Verona and the fate of the young lovers from their rival houses, but not how Shakespeare would tell it and, with his poetry and plotting, he created a work so powerful and timeless that his play has shaped the way we talk of love, especially young love, ever since.

The image above is of Mrs Patrick Campbell ('Mrs Pat') as Juliet and Johnson Forbes-Robinson as Romeo in a scene from the 1895 production at the Lyceum Theatre, London

With

Helen Hackett Professor of English Literature at University College London

Paul Prescott Professor of English and Theatre at the University of California Merced

And

Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford

Producer: Simon Tillotson

The image above is of Mrs Patrick Campbell ('Mrs Pat') as Juliet and Johnson Forbes-Robinson as Romeo in a scene from the 1895 production at the Lyceum Theatre, London

With

Helen Hackett Professor of English Literature at University College London

Paul Prescott Professor of English and Theatre at the University of California Merced

And

Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford

Producer: Simon Tillotson

Previous Episode

Walter Benjamin

Melvyn Bragg and guests discuss one of the most celebrated thinkers of the twentieth century. Walter Benjamin (1892-1940) was a German Jewish philosopher, critic, historian, an investigator of culture, a maker of radio programmes and more. Notably, in his Arcades Project, he looked into the past of Paris to understand the modern age and, in The Work of Art in the Age of Mechanical Reproduction, examined how the new media of film and photography enabled art to be politicised, and politics to become a form of art. The rise of the Nazis in Germany forced him into exile, and he worked in Paris in dread of what was to come; when his escape from France in 1940 was blocked at the Spanish border, he took his own life.

With

Esther Leslie Professor of Political Aesthetics at Birkbeck, University of London

Kevin McLaughlin Dean of the Faculty and Professor of English, Comparative Literature and German Studies at Brown University

And

Carolin Duttlinger Professor of German Literature and Culture at the University of Oxford

Producer: Simon Tillotson

Next Episode

Peter Kropotkin

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Melvyn Bragg and guests discuss the Russian prince who became a leading anarchist and famous scientist. Kropotkin (1842 - 1921) was born into privilege, very much in the highest circle of Russian society as a pageboy for the Tsar, before he became a republican in childhood and dropped the title 'Prince'. While working in Siberia, he started reading about anarchism and that radicalised him further, as did his observations of Siberian villagers supporting each other without (or despite) a role for the State. He made a name for himself as a geographer but soon his politics landed him in jail in St Petersburg, from which he escaped to exile in England where he was fêted, with growing fame leading to lecture tours in the USA. His time in Siberia also inspired his ideas on the importance of mutual aid in evolution, a counter to the dominant idea from Darwin and Huxley that life was a gladiatorial combat in which only the fittest survived. Kropotkin became such a towering figure in public life that, returning to Russia, he was able to challenge Lenin without reprisal, and Lenin in turn permitted his enormous public funeral there, attended by 20,000 mourners.

With

Ruth Kinna Professor of Political Theory at Loughborough University

Lee Dugatkin Professor of Biology at the University of Louisville

And

Simon Dixon The Sir Bernard Pares Professor of Russian History at University College London