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Horror Movie Talk - The Exorcist: Believer Review with Max and Sydney
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The Exorcist: Believer Review with Max and Sydney

12/06/23 • -1 min

Horror Movie Talk
Do you believe that this sequel is good? It's going to take some strong faith on your part. Synopsis The Exorcist: Believer is a direct sequel to the original 1973 The Exorcist. In this film, we get not one, but two, that’s right two possessions for the price of one. When two teenage girls go out into the woods to perform a séance, they disappear and reappear days later acting... strange. Their parents struggle to find out why the reason th... It’s possession, they are possessed. The father of one of the girls played by Leslie Odom Jr. must recruit an Oceans 11 type ragtag group of exorcists and Chris MacNeil reprised by Ellen Burstyn, who I can only assume had an important boat she wanted to buy. Review of Exorcist: Believer NBCUniversal shelled out 400 million on the rights to The Exorcist IP and entrusted David Gordon Green to work his soft reboot magic that he showed with the Halloween franchise. They’ve committed to producing two more of these exorcist films, and after watching this one... I’m not a believer. Much like most of the previous sequel and prequels in the franchise, this film fails to recapture the humanity, darkness, and complexity of the original. You could point to the fact that they keep giving these movies to mediocre or hack directors, but even John Boorman fucked up The Exorcist 2, and he directed Deliverance. Also, since The Exorcist was released, it seems like there is rarely a year that goes by that there isn’t an exorcism themed horror movie in theaters. It’s a tired horror trope at this point. As a result, The Exorcist: Believer comes off as another generic possession movie going through the motions while skipping all the “boring” parts like relationships, character development, or mystery. A lot of eyes have rolled over some of the messaging in this movie about being woke. Ellen Burstyn's line about not being part of the damn patriarchy and being excluded from the original exorcism comes off as heavy handed and completely detached from the story of the original film. I think Chris MacNeil's character is the greatest casualty of this film. However, I think the root problem is that in trying to make Exorcism more inclusive and exploring the universality of evil, it comes off as wishy washy and noncommittal. Score 3/10 https://youtu.be/RAR4_7LCDIg
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bookmark
Do you believe that this sequel is good? It's going to take some strong faith on your part. Synopsis The Exorcist: Believer is a direct sequel to the original 1973 The Exorcist. In this film, we get not one, but two, that’s right two possessions for the price of one. When two teenage girls go out into the woods to perform a séance, they disappear and reappear days later acting... strange. Their parents struggle to find out why the reason th... It’s possession, they are possessed. The father of one of the girls played by Leslie Odom Jr. must recruit an Oceans 11 type ragtag group of exorcists and Chris MacNeil reprised by Ellen Burstyn, who I can only assume had an important boat she wanted to buy. Review of Exorcist: Believer NBCUniversal shelled out 400 million on the rights to The Exorcist IP and entrusted David Gordon Green to work his soft reboot magic that he showed with the Halloween franchise. They’ve committed to producing two more of these exorcist films, and after watching this one... I’m not a believer. Much like most of the previous sequel and prequels in the franchise, this film fails to recapture the humanity, darkness, and complexity of the original. You could point to the fact that they keep giving these movies to mediocre or hack directors, but even John Boorman fucked up The Exorcist 2, and he directed Deliverance. Also, since The Exorcist was released, it seems like there is rarely a year that goes by that there isn’t an exorcism themed horror movie in theaters. It’s a tired horror trope at this point. As a result, The Exorcist: Believer comes off as another generic possession movie going through the motions while skipping all the “boring” parts like relationships, character development, or mystery. A lot of eyes have rolled over some of the messaging in this movie about being woke. Ellen Burstyn's line about not being part of the damn patriarchy and being excluded from the original exorcism comes off as heavy handed and completely detached from the story of the original film. I think Chris MacNeil's character is the greatest casualty of this film. However, I think the root problem is that in trying to make Exorcism more inclusive and exploring the universality of evil, it comes off as wishy washy and noncommittal. Score 3/10 https://youtu.be/RAR4_7LCDIg

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undefined - The Pope’s Exorcist Review with Sydney Lee

The Pope’s Exorcist Review with Sydney Lee

This fun exorcism romp is more fun than riding a Vespa across Europe. Listen to Bryce and Sydney break it down. Synopsis The Pope’s Exorcist is a 2023 film that follows Father Gabriele Amorth, the real life Chief Exorcist of the Vatican from 1986-2016, as he goes around to possibly possessed adults and children and cures them of their affliction, through unconventional and sometimes frowned upon means. The movie follows Amorth, played by the award winning actor Russell Crowe, as he tries to get rid of a very powerful demon that has attached itself to a little American boy named Henry, who has just moved into an inherited Spanish castle with his mother and sister. This movie is based on true events and documents from the Vatican, as well as being based on two books Father Amorth wrote before his death in 2016. There are some true elements to the story but a lot of it has been fictionalized to make this slightly scary, sometimes funny exorcism movie. Review of The Pope's Exorcist In reviewing this movie, we have to take into account how many movies try to be The Exorcist, and ultimately fall flat because no one could ever top the 1973 horror classic. This movie definitely takes cues from its predecessor, with the possessed boy shouting obscenities at his mother and the priests, body contortion, some suspenseful and mysterious scenes, and an origin story for the demon that honestly was refreshing to all the other long played out demon stories. This movie got better the longer it ran, but it is in no way a slow paced movie. Every minute has you wanting to keep watching. It starts off a bit basic for long time horror movie lovers like me, but it got more interesting as it progressed. And with a 100 minute run time, it is the perfect length for a movie night. The script is very basic and mimics many other exorcism movies, and at times the characters would probably be better off not speaking than saying their bare bones lines to get the plot moving. But whoever wrote this movie was obviously highlighting Russell Crowe. They gave him the best lines, the most backstory, in a way he was the most, if not only, interesting character in the entire film. He solves everyone’s problems, he makes the characters and the audience laugh, we can sympathize with him while also being very interested in what his next move should be. As a viewer, it seems as though he had the time of his life filming this movie, and that is what makes it watchable in my opinion. There were good gorey scenes, some of the lines from the possessed boy were so outrageous that it made me step back and say okay maybe this movie has more going for it than I had originally thought. Ultimately, it is very entertaining, but it would have been nothing without Russell Crowe. Score 8/10

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