
Westworld Season 3 Cinematography (with Paul Cameron ASC) GCS216
04/14/20 • 69 min
Westworld cinematographer Paul Cameron ASC. takes us behind the scenes of Season 3
Paul and Go Creative Show host, Ben Consoli, discuss the visual differences between seasons of Westworld, how he blends the old west with the future, transition from DP to director, how he fills the frame's background with lighting, and more!
What you will learn in this episode- Staying creative during COVID-19 (02:40)
- Visual approach to Westworld season 3 (07:49)
- Importance of prepping and storyboarding (21:30)
- Transitioning from DP to director (34:12)
- Relationship between director and talent (39:23)
- Challenges of filming with exterior lights at night (48:41)
- How Paul fills the background using lights (52:38)
- Approach to camera movement in Westworld (01:00:59)
- Advice for filmmakers (01:04:50)
- And more!
Go Creative Show is supported by:
MZed - Education for Creatives Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli Follow Matt RussellWestworld cinematographer Paul Cameron ASC. takes us behind the scenes of Season 3
Paul and Go Creative Show host, Ben Consoli, discuss the visual differences between seasons of Westworld, how he blends the old west with the future, transition from DP to director, how he fills the frame's background with lighting, and more!
What you will learn in this episode- Staying creative during COVID-19 (02:40)
- Visual approach to Westworld season 3 (07:49)
- Importance of prepping and storyboarding (21:30)
- Transitioning from DP to director (34:12)
- Relationship between director and talent (39:23)
- Challenges of filming with exterior lights at night (48:41)
- How Paul fills the background using lights (52:38)
- Approach to camera movement in Westworld (01:00:59)
- Advice for filmmakers (01:04:50)
- And more!
Go Creative Show is supported by:
MZed - Education for Creatives Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli Follow Matt RussellPrevious Episode

Ozark Season 3 Cinematography (with Ben Kutchins) GCS215
Go behind the scenes and learn about the cinematography of Netflix’s hit series Ozark season 3 with director of photography Ben Kutchins.
Ben Kutchins and Go Creative Show host, Ben Consoli, discuss how the series has evolved visually, shooting on the large format Sony Venice camera, overcoming shooting challenges, and more!
What you will learn in this episode- How Ozark has evolved visually (03:09)
- Shooting on the Sony Venice (07:08)
- Benefits of shooting on a large format camera (11:55)
- Visual approach to the Missouri Belle casino (19:10)
- Challenges of filming with slot machine lighting (24:16)
- Challenges of shooting on water (26:38)
- Lighting and filming Omar Navarro's home (31:42)
- Why season 3 may have a different look (35:05)
- Using Astera LED light tubes (37:27)
- Blocking and camera movement (41:59)
- The challenges of filming daylight exteriors (49:00)
- The lenses of Ozark (53:20)
- And more!
Go Creative Show is supported by:
MZed - Education for Creatives Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli Follow Matt RussellNext Episode

Tales from the Loop Cinematography (with Jeff Cronenweth) GCS217
Cinematographer Jeff Cronenweth gives a behind the scenes look at Amazon's Tales from the Loop sci-fi series inspired by Simon Stålenhag.
Jeff and Go Creative Show host, Ben Consoli, discuss how Jeff‘s cinematography was inspired by the Simon Stålenhag paintings, the camera and lens packages used on the show, shooting with minimal coverage, blending science fiction with a period piece, working with visual effects artists, filming with haze, and more!
What you will learn in this episode- Jeff Cronenweth’s thoughts on COVID-19 (02:02)
- Working on high profile music videos (05:56)
- Origins of Tales from the Loop and the Simon Stålenhag paintings (10:57)
- Visual approach to the series (13:13)
- Shooting with minimal coverage (20:12)
- Shooting on the Panavision DXL2 (22:14)
- How the lenses gave the show a soft look (27:03)
- Color grading and HDR (28:31)
- Jeff’s approach to filming for streaming (31:29)
- Additional discussions about visual approach (33:45)
- Relationship between visual effects and cinematography (48:23)
- Challenges of filming with haze on location (55:03)
- And more!
Go Creative Show is supported by:
MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli Follow Matt RussellIf you like this episode you’ll love
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