Getting Lit with Linda - The Canadian Literature Podcast

** Explicit language in this episode

Linda opens this episode on a celebratory note – the fact that Getting Lit with Linda won in the category of Outstanding Education Series in the Canadian Podcast Awards. We are grateful to our listeners, voters, and guests on the show! (And Linda recommends reaching out to her producer, Marco Timpano, if you want more information about podcasting in general!)

In this episode, Linda begins with a reflection on the “weight of Atlas” in relation to Greek mythology (no, not the band “The Weight of Atlas” that did a cover of one of Taylor Swift’s songs) and how we use it in the present. She ties that reflection to the themes of Amy Spurway’s Crow (Goose Lane Books), winner of the "IPPY Award for Best First Book - Fiction and Margaret and John Savage First Book Award for Fiction" and the subject of this episode. The narrator, also named Crow, has returned back to her home on the East Coast of Canada, where she must learn that adapting to her environment is no longer enough—real transformation is required, which happens when one puts down the weight--our past baggage--that one has been unnecessarily carrying. The episode also involves:

• Linda's promise to examine other East Coast writers, like Michael Crummey, Lisa Moore, Joel Thomas Hynes, Donna Morrissey, and Alistair MacLeod (5.35);
• Discussions about Spurway’s Crow (GooseLane Books), with selections from the audiobook, available on Kobo (6.07);
• references to authors Heather O'Neill and Kevin Lambert and their rendering of class (12.43).

In the Takeaway (15.10), Linda discusses with actor and audiobook narrator, Amanda Barker, about what is involved in this kind of work—and especially in relation to Crow, for which she was the reader.

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Happy Hallowe-en! This episode tackles a book that deals with ghosts, gruesome accidents, and murder -- Kevin Lambert's You Will Love What You Have Killed, translated by Donald Winkler (published by Biblioasis 2020) from the French (Tu Aimeras Ce Que Tu As Tué, 5.40). Linda begins this episode with a personal anecdote about a dead body that was found in a dog house (on the property of her parents' neighbours): she uses this narrative to explore the idea of the "repressed," that is, those emotions or moments or stories we would prefer to forget. Lambert, she argues, not only does not allow us to forget the repressed, he insists we grapple with its elements--it makes for a disorienting and yet bewitching read, as even Le Devoir in its review of the book noted (11.43)! Like reigning horror writer from Quebec, Patrick Senecal (5.16), Lambert is skilfully eliciting a sense of our horror, highlighting its effects by locating the events of the book in Chicoutimi, Quebec (6.26) and toppling stereotypical notions of romance, or picturesque rural areas as featured in books like Maria Chapdelaine (7.00).If you want to read other reviews about Lambert's book, you can visit CBC book reviews here or Xtra here).

In the Takeaway section, Linda praises other translations from the French, those of Virginia Pesamapeo Bordeleau 's Blue Bear Woman (published by Inanna) and The Lover, The Lake (Freehand Books) (13.30).

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We are so grateful for the really enthusiastic response we have had to the podcast! We're coming right back - but, in response to some of our listeners's requests, we have provided you with a list of some of the writers (and a little time to read their books!) that Linda will be discussing in future episodes.

Have some other suggestions for us? Drop us a line at [email protected] or follow us on Twitter (@LLitWith) and Instagram!

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Ever wonder what was the "first" book of Canadian literature? How do we even know how to define what that would be? In this episode, Linda chats with eighteenth-century British literature scholar, Dr. Kathryn Ready, about what is sometimes claimed as the first book of Canadian literature--Frances Brooke's The History of Emily Montague. Linda and Dr. Ready may -- or may not -- have tussled over whether this book is British or Canadian, but what they absolutely do is consider the finer aspects of the novel and its global investments.

Linda opens with a consideration of "firsts" (referencing Abbott and Costello's comedy routine, "Who's on First?," 1.05) and then turns to Dr. Ready who speaks about the following:

• epistolary narratives, tradition of letter-writing (4.25; 5.15)
• Samuel Richardson's Pamela (4.35, 6.30)
• Frances Brooke (8.25)
• travel writing (11.25)
• aesthetic of the sublime and beautiful (11.40)
• the Seven Years War (12.05)

And so much more ....

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This episode focuses on Amy Jones (2.13), author of Every Little Piece of Me (2.27), We're All in This Together (2.27), What Boys Like (2.37), and Pebble & Dove (2.45), published by McClelland & Stewart -- and the focus of this episode.

We also discussed Amy’s appearance at Word on the Street (.39 and 9.08) and her forthcoming appearance at the Eden Mills Literary Festival (5.12 and 8.53) on September 9th (see this link for tickets to the event).

Linda interviews Amy, during which time they chat about

• Family – what it means (7.56), dysfunctional families (9.46), and family secrets (11.00)
• Multiple points of view in narrative form (13.25)
• Motherhood (and templates thereof) (18.45)
• Balancing family and careers, and the impact of family on art (20.30)
• Manatees (22.25)
• Did we say manatees? (22.25 -- or just the entire episode!)

If you'd like to know more about how to support manatees and the seagrass programs that are important to their survival, visit the Save the Manatee Program.

Hosted by Linda Morra, Co-produced by Linda Morra and Marco Timpano, Music by Raphael Krux, Studio (Concordia University) with James Healey

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