
No Wave Women
Explicit content warning
10/30/20 • 59 min
1 Listener
In the late 1970s and early 1980s, a combination of factors – including low rents in abandoned neighborhoods, new and more affordable technology, a cross-pollination of media, and a punk-influenced DIY spirit – collided on Manhattan’s Lower East Side to create a scene, commonly known as “No-Wave,” that dominated music, visual art, and film. And, unique among American independent cinema movements, there were just as many women in downtown NYC making movies as men.
What was it about this scene that made it possible for women filmmakers to not only thrive, but dominate? To find out, we talked to three of them: Susan Seidelman (“Smithereens”), Bette Gordon (“Variety”), and Lizzie Borden (“Born in Flames”), as well as contemporary film and fashion writer Abbey Bender.
Go to funcitycinema.com for more information.
In the late 1970s and early 1980s, a combination of factors – including low rents in abandoned neighborhoods, new and more affordable technology, a cross-pollination of media, and a punk-influenced DIY spirit – collided on Manhattan’s Lower East Side to create a scene, commonly known as “No-Wave,” that dominated music, visual art, and film. And, unique among American independent cinema movements, there were just as many women in downtown NYC making movies as men.
What was it about this scene that made it possible for women filmmakers to not only thrive, but dominate? To find out, we talked to three of them: Susan Seidelman (“Smithereens”), Bette Gordon (“Variety”), and Lizzie Borden (“Born in Flames”), as well as contemporary film and fashion writer Abbey Bender.
Go to funcitycinema.com for more information.
Previous Episode

Starring the NYPD
How the New York cop movies of the 1970s sculpted (and whitewashed) the public perception of the NYPD
The New York movie and the New York cop movie are inextricably intertwined – so much so that the first major studio picture of the talking era to be shot in New York, The Naked City, was a cop movie. But in the years following the protests and policing reforms of the 1960s, Gotham cop movies like The French Connection and The Seven-Ups focused on a specific kind of New York cop, who could only clean up the mean streets if he bent those pesky rules. This episode contrasts the NYPD of film and television to the real department – one that was, in the same era, rife with graft, corruption, and worse – and reexamines that messaging within the current national conversation about policing.
Our guests are MSNBC’s Chris Hayes, The Undefeated’s Soraya Nadia McDonald, and film writer Zach Vasquez, with a special appearance by Karina Longworth.
Next Episode

Lost in New York
We thought it would be fun to do a nice, light Christmas episode, focusing on one of the many beloved Gotham holiday movies. Just take it easy for an episode, right? Kinda phone it in?
So we settled on Chris Columbus and John Hughes’ 1992 smash "Home Alone 2: Lost in New York" – and ended up talking about Rudy Giuliani, Donald Trump, “Broken Windows,” the Central Park Five, and 9/11, along with the film’s total geographical inconsistency and the spectacular tonal failure of its violence.
Our guests are “Close-Ups: New York Movies” author Mark Asch, Pitchfork senior editor Jillian Mapes, “You’re Wrong About” co-host Sarah Marshall, and freelance film writer Anya Stanley. Happy holidays!
If you like this episode you’ll love
Episode Comments
Generate a badge
Get a badge for your website that links back to this episode
<a href="https://goodpods.com/podcasts/fun-city-cinema-128466/no-wave-women-9657583"> <img src="https://storage.googleapis.com/goodpods-images-bucket/badges/generic-badge-1.svg" alt="listen to no wave women on goodpods" style="width: 225px" /> </a>
Copy