
Episode 6: Should I or Shouldn't I Invest Time & Funds in Applying for Opportunities?
11/19/20 • 57 min
You see them packed into artist bios: residencies, grants, fellowships, awards, etc. What are they? What’s the difference? Are some better than others? A residency may grant you time to live rent-free to work on your art, but can you just up and leave your life like that? A grant can give you funds to complete a project, but how long does that last? An award can add attention to your work, but what do you do with that momentum? There are pros and cons to some blessings, after all. We will have two guests to offer their experiences in receiving these accolades but also provide context and nuance to each type and what their art gained from them.
Julia Barbosa Landois (b. San Antonio, USA) is a performance, installation, and video artist based in Houston, TX. Her work has been featured in galleries, museums and performance festivals in the United States, Latin America, and Europe. Awards include grants from Artpace and the Artist Foundation of San Antonio, and residencies at the Santa Fe Art Institute (USA), Lademoen Kunstnerverksteder (Norway), and Künstlerhaus Bethanien (Germany). She was a 2018-2019 Studio Resident at the Lawndale Art Center and received a grant from the National Association of Latino Arts & Cultures in 2019 to co-create MantecaHTX. Barbosa Landois has worked as a studio artist, itinerant professor, preparator, exhibitions coordinator, grant writer, garden educator, and math tutor.
Sarah Rafael García is a local writer, community educator, and performance ethnographer. She’s the author of Las Niñas and SanTanas Fairy Tales, co-editor of pariahs writing from outside the margins and the sci-fi anthology Speculative Fiction for Dreamers as well as founder of Barrio Writers and LibroMobile. Currently, she splits her time between shipping books out to loyal readers across the nation and developing an archival ethnofiction project for the life of Modesta Avila as a 2020 USLDH Mellon-Funded Grantee.
Music: "Ike is Gone" by Nick Gaitan
Support the show (https://fresharts.org/about-fresh-arts/friends-of-fresh-arts/)
You see them packed into artist bios: residencies, grants, fellowships, awards, etc. What are they? What’s the difference? Are some better than others? A residency may grant you time to live rent-free to work on your art, but can you just up and leave your life like that? A grant can give you funds to complete a project, but how long does that last? An award can add attention to your work, but what do you do with that momentum? There are pros and cons to some blessings, after all. We will have two guests to offer their experiences in receiving these accolades but also provide context and nuance to each type and what their art gained from them.
Julia Barbosa Landois (b. San Antonio, USA) is a performance, installation, and video artist based in Houston, TX. Her work has been featured in galleries, museums and performance festivals in the United States, Latin America, and Europe. Awards include grants from Artpace and the Artist Foundation of San Antonio, and residencies at the Santa Fe Art Institute (USA), Lademoen Kunstnerverksteder (Norway), and Künstlerhaus Bethanien (Germany). She was a 2018-2019 Studio Resident at the Lawndale Art Center and received a grant from the National Association of Latino Arts & Cultures in 2019 to co-create MantecaHTX. Barbosa Landois has worked as a studio artist, itinerant professor, preparator, exhibitions coordinator, grant writer, garden educator, and math tutor.
Sarah Rafael García is a local writer, community educator, and performance ethnographer. She’s the author of Las Niñas and SanTanas Fairy Tales, co-editor of pariahs writing from outside the margins and the sci-fi anthology Speculative Fiction for Dreamers as well as founder of Barrio Writers and LibroMobile. Currently, she splits her time between shipping books out to loyal readers across the nation and developing an archival ethnofiction project for the life of Modesta Avila as a 2020 USLDH Mellon-Funded Grantee.
Music: "Ike is Gone" by Nick Gaitan
Support the show (https://fresharts.org/about-fresh-arts/friends-of-fresh-arts/)
Previous Episode

Episode 5: Should I or Shouldn't I Start a Non-Profit?
Not every artist considers their practice a small business, but the government does. Many creatives use this fact to their advantage by using business structures to grow and/or fund their practice. An artist will find several benefits as an independant, for-profit small business, and a non-profit provides another model of funding & structure that’s more commonly recognized by artists. Should an artist consider a non-profit status to help their practice? We will have two guests to offer their experiences on utilizing these business structures to their benefit.
2017 Mayor's Office of Cultural Affairs Artist in Resident and 2016 Andy Warhol Foundation for the Visual Arts and The Idea Fund Recipient, Emanuelee Outspoken Bean is a performance poet, writer, compassionate mentor, electric entertainer and educator. Bean uses poetry to collaborate with other mediums and institutions such as being the first poet to perform on a main stage production of Houston Ballet's Play. Also, creating his own festival, Plus Fest the EVERYTHING plus POETRY Festival. That work ethic has taken him to perform in Trinidad to Miami to South Dakota to Broadway, over 35 states, 200 universities, annually performing in front of thousands of people and across the vast Houston Metropolitan where he inspires people from all walks of life. Also, Bean was commissioned to write and perform a national campaign on diversity for Pabst Blue Ribbon and VICE. He was the 2011 Texas poet laureate nominee, ranked 9th in the Individual World Poetry Slam 2013, ranked 2nd in collaborative poetry at Group Piece Finals 2013, and ranked 9th at National Poetry Slam 2014. He started performing spoken-word in 2005. In his senior year at Prairie View A&M, Bean founded and coached the University's first poetry slam team. In their first year, they won the title in their region and grabbed the 8th place ranking in the country at College Union Poetry Slam Invitational (CUPSI '08).
Marlana Doyle is originally from Massachusetts and graduated from Point Park University in 2001 with a BA in Dance. Marlana is the former Artistic Director of Met Dance, where she held various positions for seventeen years. Under her direction, Marlana’s vision and leadership catapulted the company to new levels of excellence and growth while holding tightly to the company’s long tradition of diversity and versatility in its dancers, choreographers, collaborators, and content. Marlana is the President & CEO of the Institute of Contemporary Dance Houston which houses Houston Contemporary professional concert dance company and HC2, a youth training company. Marlana is a member of Dance Source Houston, Association of Performing Arts Presenters (APAP) and Dance USA, spending 2009-2012 as an emerging leader at both APAP and Dance USA. She was awarded the Dance USA Leadership Mentee Fellowship for the institute of training in 2012 and was a mentor for the same program in 2019. She also recently completed her three-year tenure as a Dance USA Board of Trustee member and Artistic Director Council Chair. Marlana has also served on many grant and organizational panels for the Houston Arts Alliance and Dance Source Houston. As a performer, Marlana has danced and generated roles in a range of works by renowned choreographers and artists. Marlana is also a guest teacher and an award-winning choreographer for her students in Houston and throughout the United States. She has choreographed for the City of Houston, Levi's and Walmart, Mercury Ensemble, Apollo Chamber Players, Houston Chamber Choir, Houston Symphony, TUTS and Lamar University. She lives in Sugar Land, TX with her husband Ben and her two adorable daughters Olivia and Evie.
Music: "Ike is Gone" by Nick Gaitan
Support the show (https://fresharts.org/about-fresh-arts/friends-of-fresh-arts/)
Next Episode

S2, Ep. 1: Should I or Shouldn’t I Collaborate With Another Art Practice?
Are you a sculptor considering collaborating with a writer? A dancer wanting to work with a filmmaker? A graphic designer looking to create something with a fashion designer? An artist’s creative imagination knows no bounds. However, how do you even begin defining your project’s parameters if you’ve never seen a model for it before? Can you work with someone if you don’t speak the same artistic language? We will have two guests to discuss their experiences in developing and executing inter/multi-disciplinary projects and/or events from the ground up.
Y. E. Torres (ms. YET) is a professional movement artist, instructor, model & specialty entertainer: Fusion Bellydancer, Fire Performer & Flow Artist. She holds dual BFAs in Drawing & Painting and Fashion Design from the University of North Texas and multiple dance and yoga based certifications. Torres is an arts educator, movement instructor, and Public Programs Coordinator at Contemporary Art Museum Houston. She was named one of Houston's Top "100 Creatives" by the Houston Press in 2011, inaugurated into the Houston Music and Arts Hall of Fame in 2016, and awarded 2nd place for the “Best of Sideshow Arts” at the 2019 ABurlQ! Burlesque & Sideshow Spectacular. Torres is also a Flame Effects Operator, licensed by the state of Texas and a Principal on the National Fire Protection Association (NFPA) Special Effects (SPE-AAA) Committee.
Koomah is an intersex & genderfluid multidisciplinary artist, performer, and filmmaker currently residing in Houston, Texas. Koomah has facilitated several interactive public art projects including: "Chalked" around the outside of Westboro Baptist Church in Topeka, "Intersex Welcome Mat" at Lurie Children's Hospital in Chicago, and the immersive multi-sensory interactive art experience “No Such Thing As A Free House” inside a home in South Park. Koomah has performed, showcased artwork, presented workshops & lectures, and screened films across the US & internationally.
Music: "Ike is Gone" by Nick Gaitan
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