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Frames Per Second Animation Podcasts - Podcast 002: Chris Hinton

Podcast 002: Chris Hinton

03/08/07 • 0 min

Frames Per Second Animation Podcasts
In our second podcast, I interview Canadian animator Chris Hinton, tracing the course of his animation career from the mid-1970s to the present, much of which has been through the National Film Board of Canada. Hinton's work has evolved considerably over the last thirty years, starting with the kind of cartoony style that most people identify with animation, and now leaning toward abstract explorations of music and sound. But in all cases, his work exhibits a twitchy vibrancy that's all his own. He's been nominated twice for the Academy Award for Best Animated Short Film twice, for Blackfly (1991) and Nibbles (2003). Both films are very different in appearance and execution, but they're both distinctly Chris Hinton films. For the last 17 years, Hinton has also been teaching animation at Concordia University here in Montreal (and, in fact, I was among his first students). In the course of this interview, we also explored his observations about today's emerging animators. Animation Lingo In the podcast, we make references to fields and smears. A field guide is a reference for standardized frame sizes to accommodate both the film/TV viewing area and the animation camera. The higher the field number, the larger the frame. A smear is, literally, a smear of colour in a frame that indicates something moving quickly; essentially, hand-drawn motion blur. Film Clips Blackfly (1991; 0:25, 1.3 MB, MPEG-1) Watching TV (1994; 0:30, 1.5 MB, MPEG-1) Flux (2002; 0:25; 1.3 MB, MPEG-1) cNote (2004; 0:34, 1.7 MB, MPEG-1) Links Chris Hinton Dennis Tupicoff Blackfly Flux Cinémathèque québécoise National Film Board of Canada Direct download: 060828fps_podcast.mp3 Credits: Photo provided by the National Film Board of Canada; podcast opening and closing audio from cNote
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In our second podcast, I interview Canadian animator Chris Hinton, tracing the course of his animation career from the mid-1970s to the present, much of which has been through the National Film Board of Canada. Hinton's work has evolved considerably over the last thirty years, starting with the kind of cartoony style that most people identify with animation, and now leaning toward abstract explorations of music and sound. But in all cases, his work exhibits a twitchy vibrancy that's all his own. He's been nominated twice for the Academy Award for Best Animated Short Film twice, for Blackfly (1991) and Nibbles (2003). Both films are very different in appearance and execution, but they're both distinctly Chris Hinton films. For the last 17 years, Hinton has also been teaching animation at Concordia University here in Montreal (and, in fact, I was among his first students). In the course of this interview, we also explored his observations about today's emerging animators. Animation Lingo In the podcast, we make references to fields and smears. A field guide is a reference for standardized frame sizes to accommodate both the film/TV viewing area and the animation camera. The higher the field number, the larger the frame. A smear is, literally, a smear of colour in a frame that indicates something moving quickly; essentially, hand-drawn motion blur. Film Clips Blackfly (1991; 0:25, 1.3 MB, MPEG-1) Watching TV (1994; 0:30, 1.5 MB, MPEG-1) Flux (2002; 0:25; 1.3 MB, MPEG-1) cNote (2004; 0:34, 1.7 MB, MPEG-1) Links Chris Hinton Dennis Tupicoff Blackfly Flux Cinémathèque québécoise National Film Board of Canada Direct download: 060828fps_podcast.mp3 Credits: Photo provided by the National Film Board of Canada; podcast opening and closing audio from cNote

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undefined - Podcast 001: Phil Mulloy

Podcast 001: Phil Mulloy

Emru Townsend interviews British animator Phil Mulloy, who was recently in Montreal to host a retrospective of his work at the Cinémathèque québécoise. Phil Mulloy is a prolific animator who has created over twenty films in the last sixteen years, and in many of his works, the landscape and characters are stark and grotesque: rendered in black paint and ink, his characters are mostly in silhouette, with skeletal bodies, large, bony hands, and distended mouths with jutting teeth. Animation is accomplished by manipulating cutouts of his painted and drawn images. And while his plots have varied, they often feature themes of sex, persecution, violence, the body, and religion. Emru Townsend, Phil Mulloy, and Marco de Blois. Film Clips Cowboys: High Noon (1991; 0:43, 2.0 MB, MPEG-1) The Sex Life of a Chair (1998; 0:59, 2.7 MB, MPEG-1) Intolerance I (2000; 0:59, 2.7 MB, MPEG-1) Intolerance II (2001; 1:00, 2.7 MB, MPEG-1) The Christies: Mister Yakamoto (2006; 0:27, 2.0 MB, MPEG-1) Links Phil Mulloy Cinémathèque québécoise Lotte Reiniger David Anderson Direct download: 060324fps_podcast.mp3 Credits: Photo by Tamu Townsend; podcast introduction audio from Intolerance I

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undefined - Podcast 004: Mike Johnson

Podcast 004: Mike Johnson

One year ago today, we held our second Animation Innovator event, in which we invited Corpse Bride animation co-director Mike Johnson to come to Montreal to speak about his craft and his work on the movie. In this podcast we revisit that event, as well as present some new material. Film Clips Mike Johnson on HypaSpace (2:05, 20.2 MB, MPEG-4) Links Natasha Eloi Matt Forsythe Kevin Holden and Trudie Mason Mark Osborne AnimationTrip CJAD Space: The Imagination Station fps Links Mike Johnson interview Animation Innovator: Mike Johnson Photo Gallery Corpse Bride review Suggest an Animation Innovator Guest Shop Corpse Bride DVDs, CDs, books and more The Devil Came Down to Georgia (as part of the Animals Should Not Try to Act Like People compilation) Direct download: 061026fps_podcast.mp3 Credits: Photo © Warner Bros. Entertainment; podcast opening and closing audio from The Corpse Bride soundtrack

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