Frames Per Second Animation Podcasts

In the summer of 2001, Chris Lavis and Maciek Szczerbowski created an animatic—a rough animated presentation—as part of their proposal for Madame Tutli-Putli. These excerpts illustrate what's changed and what's remained through six years of producton.

A stream, a fisherman, a dragonfly, a fish: In Little Fluffy Clouds' Au Petite Mort (2003), these elements come together to evoke the waning days of summer, the circle of life, and just a little cruel irony.

In our second podcast, I interview Canadian animator Chris Hinton, tracing the course of his animation career from the mid-1970s to the present, much of which has been through the National Film Board of Canada. Hinton's work has evolved considerably over the last thirty years, starting with the kind of cartoony style that most people identify with animation, and now leaning toward abstract explorations of music and sound. But in all cases, his work exhibits a twitchy vibrancy that's all his own. He's been nominated twice for the Academy Award for Best Animated Short Film twice, for Blackfly (1991) and Nibbles (2003). Both films are very different in appearance and execution, but they're both distinctly Chris Hinton films. For the last 17 years, Hinton has also been teaching animation at Concordia University here in Montreal (and, in fact, I was among his first students). In the course of this interview, we also explored his observations about today's emerging animators. Animation Lingo In the podcast, we make references to fields and smears. A field guide is a reference for standardized frame sizes to accommodate both the film/TV viewing area and the animation camera. The higher the field number, the larger the frame. A smear is, literally, a smear of colour in a frame that indicates something moving quickly; essentially, hand-drawn motion blur. Film Clips Blackfly (1991; 0:25, 1.3 MB, MPEG-1) Watching TV (1994; 0:30, 1.5 MB, MPEG-1) Flux (2002; 0:25; 1.3 MB, MPEG-1) cNote (2004; 0:34, 1.7 MB, MPEG-1) Links Chris Hinton Dennis Tupicoff Blackfly Flux Cinémathèque québécoise National Film Board of Canada Direct download: 060828fps_podcast.mp3 Credits: Photo provided by the National Film Board of Canada; podcast opening and closing audio from cNote

A strange, godlike machine is overthrown and replaced by another strange, godlike machine. This is quite possibly the most disturbing-looking silhouette-style film you've seen in some time.

Chris Lavis and Maciek Szczerbowski have been working together in animation and effects since 1997. But the pair have spent about half that time producing Madame Tulti-Pulti, a 17-minute short for the National Film Board of Canada.