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Frameform - How She Moves: A Conversation with Aisha Linnea and Anya Raza

How She Moves: A Conversation with Aisha Linnea and Anya Raza

08/17/22 • 48 min

Frameform

In today’s episode, Jen Ray discusses the documentary “How She Moves” with its co-directors, Anya Raza and Aisha Linnea. All of us Frameformers had the opportunity to see this film at Dancinema’s 2021 Capitol Dance & Cinema Festival at Eaton Workshop in DC and we knew right away we wanted to share more about this important project on the podcast with the creators.

About “How She Moves”: On the eve of Pakistan’s 70th independence anniversary, we follow the spirited 90 year old guru Indu Mitha, as she prepares for her students’ final performance before she retires.
How She Moves” pulls back the curtain on her life as one of Pakistan’s few classical dance teachers. We observe her give a feminist and secular spin on classical dance, and see the transformative impact it has on her students. How She Moves, has toured 18 film festivals globally, and won 3 awards and 2 nominations.

@howshemovesthedoc @aishalinneaofficial @anyarazaofficial
Website: https://howshemovesthedoc.com

Trailer: https://youtu.be/QLxRqdkoXWw

Directors’ Statement:
When we first heard Mrs Indu Mitha was having her final performance, we knew this was a rare moment in our history that had to be captured. At the tender age of 90, Indu’s contribution to preserving ancient classical dance despite a backdrop of growing intolerance and conservatism in Pakistan, is a legacy to be celebrated. As two women filmmakers, it was a privilege to go behind the scenes into the unseen world of dance.
In a conservative tight-knit society such as Pakistan, dance is a misunderstood subject, and women expressing themselves publicly is uncommon. Indu’s journey as one of the few classical dance teachers in the country, challenges stereotypes about Pakistani women that abound both within the country and overseas. How She Moves reflects on the universality of storytelling through dance, and how it can be used to unite communities.
We now unfortunately live in a time when women’s views, lives, and bodies are a battleground in the so-called clash of civilizations. In a time when vitriol dominates and divides communities all over the world, How She Moves challenges these narratives by telling a universal story of hope and resilience.
Please note this film is not an ethnographic representation, nor meant to exemplify Mrs Mitha’s classical dance style, her innovative subcontinental music or themes, or the performance of her students.

If you want to learn more about Indu Mitha and her dance, you can reach out to her daughter, who is also a dancer, Tehreema Mitha. @tehreema_mitha/

Also mentioned in this episode:

TEDTalk by Amy Cuddy: “Your body language may shape who you are”

https://www.ted.com/talks/amy_cuddy_your_body_language_may_shape_who_you_are

ANNOUNCEMENTS:
Want to submit your documentary for a theatrical and/or online screening? Want to see dance on the big screen and connect with other Dancinephiles?

Save the date for the 6th annual Capitol Dance & Cinema Festival in Washington, DC Oct 7-9 2022

Submit at www.dancinema.co/submit

Follow @capitoldcfestival @cascadiadcfestival
Check out the International Screendance Calendar to browse a variety of opportunities including festivals, workshops, and residencies. This resource is updated regularly and is always open to contributors!

Do you have an event you’d like to share on the show?

Submit your event announcement here!

Got a question? Email us at [email protected]

Instagram

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In today’s episode, Jen Ray discusses the documentary “How She Moves” with its co-directors, Anya Raza and Aisha Linnea. All of us Frameformers had the opportunity to see this film at Dancinema’s 2021 Capitol Dance & Cinema Festival at Eaton Workshop in DC and we knew right away we wanted to share more about this important project on the podcast with the creators.

About “How She Moves”: On the eve of Pakistan’s 70th independence anniversary, we follow the spirited 90 year old guru Indu Mitha, as she prepares for her students’ final performance before she retires.
How She Moves” pulls back the curtain on her life as one of Pakistan’s few classical dance teachers. We observe her give a feminist and secular spin on classical dance, and see the transformative impact it has on her students. How She Moves, has toured 18 film festivals globally, and won 3 awards and 2 nominations.

@howshemovesthedoc @aishalinneaofficial @anyarazaofficial
Website: https://howshemovesthedoc.com

Trailer: https://youtu.be/QLxRqdkoXWw

Directors’ Statement:
When we first heard Mrs Indu Mitha was having her final performance, we knew this was a rare moment in our history that had to be captured. At the tender age of 90, Indu’s contribution to preserving ancient classical dance despite a backdrop of growing intolerance and conservatism in Pakistan, is a legacy to be celebrated. As two women filmmakers, it was a privilege to go behind the scenes into the unseen world of dance.
In a conservative tight-knit society such as Pakistan, dance is a misunderstood subject, and women expressing themselves publicly is uncommon. Indu’s journey as one of the few classical dance teachers in the country, challenges stereotypes about Pakistani women that abound both within the country and overseas. How She Moves reflects on the universality of storytelling through dance, and how it can be used to unite communities.
We now unfortunately live in a time when women’s views, lives, and bodies are a battleground in the so-called clash of civilizations. In a time when vitriol dominates and divides communities all over the world, How She Moves challenges these narratives by telling a universal story of hope and resilience.
Please note this film is not an ethnographic representation, nor meant to exemplify Mrs Mitha’s classical dance style, her innovative subcontinental music or themes, or the performance of her students.

If you want to learn more about Indu Mitha and her dance, you can reach out to her daughter, who is also a dancer, Tehreema Mitha. @tehreema_mitha/

Also mentioned in this episode:

TEDTalk by Amy Cuddy: “Your body language may shape who you are”

https://www.ted.com/talks/amy_cuddy_your_body_language_may_shape_who_you_are

ANNOUNCEMENTS:
Want to submit your documentary for a theatrical and/or online screening? Want to see dance on the big screen and connect with other Dancinephiles?

Save the date for the 6th annual Capitol Dance & Cinema Festival in Washington, DC Oct 7-9 2022

Submit at www.dancinema.co/submit

Follow @capitoldcfestival @cascadiadcfestival
Check out the International Screendance Calendar to browse a variety of opportunities including festivals, workshops, and residencies. This resource is updated regularly and is always open to contributors!

Do you have an event you’d like to share on the show?

Submit your event announcement here!

Got a question? Email us at [email protected]

Instagram

Previous Episode

undefined - Deep Dive: West Side Story (2021)

Deep Dive: West Side Story (2021)

Something’s coming, something good.... it’s our West Side Story deep dive! Every season we like to pick at least one feature film to dedicate an entire episode to. This week, we’re discussing the 2021 remake of West Side Story. We cover some comparisons and context, what we did and didn’t enjoy, and some key takeaways from our viewing experiences.

Did we all love it? Do we all recommend it? Do any of us prefer the original 1961 release?

Find out on this week’s episode of Frameform.

Mentioned in this episode:

West Side Story (2021)
Dir. Steven Spielberg

Chor. Justin Peck

West Side Story (1961)
Dir. Robert Wise & Jerome Robbins

Chor. Jerome Robbins

ANNOUNCEMENT:
Check out the International Screendance Calendar to browse a variety of opportunities including festivals, workshops, and residencies. This resource is updated regularly and is always open to contributors!

Do you have an event you’d like to share on the show?

Submit your event announcement here!

Got a question? Email us at [email protected]

Instagram

Next Episode

undefined - INTERMISSION

INTERMISSION

The lights have risen and it’s time for a pause. Get a stretch in and walk over to the lobby. Meeting new people at film festival intermissions is always fun– you get to learn who they are, why they came to the event, and what films interest them. Basically, we’re here bringing an intermission to you! You’ve heard our views on a variety of dance films, but haven’t really talked about why we may be so critical or how we got involved with screendance in the first place. Grab your snacks for this one before the lights flicker to get back to your seats.

Frameform will be taking a brief pause from posting and will return Sept 14th 2022! Now’s the time to go back and catch up on any episodes that you may have missed.

This episode of Frameform was inspired by the...

A Century in Cinema Podcast

Hosted by Arthur Veenema and Andrew Slaughter

ANNOUNCEMENTS

Rogue Dancer: Must B Sed Edition (Aug 2022)

Aug 26 – Sept 11, 2022

Online

There are some who believe that messages spoken through the arts are the only way to change the world. Dancers, choreographers & filmmakers, through sound, images & movement, tap into communication that is beyond words... hoping for pause, absorption and thought. And in that space, there is the potential for betterment and beauty in oneself and for the world.

and then... sometimes there are words too.

This month, join Rogue Dancer in celebrating works with a message, DANCE Filmmakers with something to say.

There are so many festivals accepting dance film submissions right now! Please take the time to visit the International Screendance Calendar to scroll through upcoming events and festivals happening all over the world. This resource is updated regularly and are always open to contributors!

Do you have an event you’d like to share on the show?

Submit your event announcement here!

Got a question? Email us at [email protected]

Instagram

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