Working: What We Do All Day featuring Barack Obama

05/25/23 • 38 min

Working: What We Do All Day is a docu-series that explores both what it means to work and the ways in which the meaning of work is changing.

Presented by former US President Barack Obama, the docu-series focuses on people working in three different industries: technology, hospitality, and home care. Through him, we hear of their dreams, and their reality; their hopes, and their fears.

Joining Matthew Sherwood to discuss Working: What We Do All Day is its director, Caroline Suh. Among other things, she reveals how President Obama became involved in the docu-series, the discoveries that she made in the making of it, and the rationale behind choosing the featured companies.

Working: What We Do All Day is a multi-layered film. As Caroline tells Matthew, it enters the lives of people up and down the corporate ladder and seeks to find points of connection between them. In doing so, the docu-series challenges our tendency to do what Caroline admits she once did; that is, only think about the work she is doing now rather than the deeper meaning of it.

To quote Barack Obama, ‘our work is one of the forces that connects us’ to each other. Working: What We Do All Day helps demystify that force. In doing so, it brings us closer to one another. Find out what he means, learn about some of Matthew’s dirtier jobs (!), and even Richard Scarry on this episode of Factual America!

Watch the episode at https://factualamerica.com

“... when someone does something incredibly well, no matter what it is, there’s a beauty to it, and it reaffirms your faith in humanity.” – Caroline Suh

Working: What We Do All Day is a docu-series that explores both what it means to work and the ways in which the meaning of work is changing.

Watch the episode at https://factualamerica.com

“... when someone does something incredibly well, no matter what it is, there’s a beauty to it, and it reaffirms your faith in humanity.” – Caroline Suh

Previous Episode

32 Sounds: Exploring the Most Mysterious and Profound of the Senses

It’s March 2020 and the pandemic has just begun. All of a sudden, director Sam Green has a lot of time on his hands. He uses it to read a book, which mentions Annea Lockwood, a composer, who has spent fifty years recording the sound of rivers. Intrigued, he contacts her.

Their conversation leads Sam to contemplate sound. The result is 32 Sounds, a documentary that he describes as a ‘meditation’ upon a subject that is both ‘mysterious’ and ‘ephemeral’ but yet can still make a powerful impact on us.

In his conversation with Matthew Sherwood, Sam discusses the challenge of using a visual medium to explore sound. He affirms that watching a film at home with headphones can be just as intense as watching it in the cinema, and he opens up on his relationship with the film’s composer, JD Samson: before their meeting of minds, there was a tension between them born of different ideas about the role of music in the film.

32 Sounds is not your typical documentary. Be warned. By the end of this podcast, you may, like Matthew, start hearing all the sounds around you in a new and intense way!

Watch the episode at https://factualamerica.com

“... opening your ears can be incredibly pleasurable and can bring you back to the present and root you in your body.” – Sam Green

Next Episode

Early 2000s New York: the Last Romantic Age of Rock’n’Roll

It’s the 1990s, and in New York, guitar music is at its nadir. But as the new millennium approaches, new bands rise out of the ashes of the past. The Strokes, Yeah Yeah Yeahs, Interpol, and LCD Soundsystem, are just a few of those bringing a new, powerful sound to the Big Apple.

In the middle of this renewal, however, another, wholly discordant, sound rings out over New York: that of terror on 9/11. And in the years that follow, more changes take place. Rents rise, ending the ability of upcoming musicians to live and play close by, while the advent of music downloads forces bands to find new ways to make money.

Meet Me in the Bathroom explores the rise of New York’s millennial bands, their love of music, and the essential role that friendship played in their development. Using archival footage, as well as interviews with the musicians themselves, the film charts their rise, journey through 9/11, and beyond.

The film’s co-directors, Dylan Southern and Will Lovelace, join Matthew Sherwood to discuss this renewal of New York’s music scene at the end of the twentieth century and the tumultuous events at the start of the twenty-first. They look at the importance of Britain to the bands, the ‘romantic’ nature of this period – a time when the lack of social media meant that bands had a greater element of mystery about them – and of New York itself. Dylan and Will discuss how they made the film, the challenges they faced, and the goldmines they found, as well as how the pandemic lockdown proved to be both a blessing and a curse.

Meet Me in the Bathroom is both an exploration and, as Matthew says, a tribute to another age in music, one more innocent, but no less powerful and authentic.

Watch the episode at https://factualamerica.com

‘What we knew we could do [is] sort of viscerally bring to life the time and a sense of the culture, a sense of the differences between then and now, just through building this kind of collage of that period.’ – Dylan Southern