Exploring Music E 30 Grime, part 01 of 02, with George Gail and Wayne Adams
03/27/20 • 43 min
George and Wayne take you through the world of Grime music, from it's origins through it's main artists to the social landscapes that inspired it, from it's gang elements to it's current world topping achievements. All told from the experience of being there.
Click to listen to a Spotify playlist with the music discussed in this conversation.
Please take our survey and let us know what you think, any and all feedback is very appreciated.
Hello and welcome to the SyncLodge podcast Exploring Music, where we explore the obscure, where we delve in deep, into the vast vaults of great, but maybe, not so known, music.
For each episode we will bring together two music industry professionals, to discuss in depth an area of music they are passionate about and have an intimate knowledge of.
With Lionel Lodge, the reluctant moderator, preferring to let his guests do most of the talking.
The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge with loops supplied through looperman.com.
Soft synth loop by https://www.looperman.com/loops?mid=H1PRODUCER
Piano loop by https://www.looperman.com/loops?mid=JupiterWave
Drum loop by https://www.looperman.com/loops?mid=prodHybrid
This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.
If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.
If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses which are quite extensive.
Thanks all!
George and Wayne take you through the world of Grime music, from it's origins through it's main artists to the social landscapes that inspired it, from it's gang elements to it's current world topping achievements. All told from the experience of being there.
Click to listen to a Spotify playlist with the music discussed in this conversation.
Please take our survey and let us know what you think, any and all feedback is very appreciated.
Hello and welcome to the SyncLodge podcast Exploring Music, where we explore the obscure, where we delve in deep, into the vast vaults of great, but maybe, not so known, music.
For each episode we will bring together two music industry professionals, to discuss in depth an area of music they are passionate about and have an intimate knowledge of.
With Lionel Lodge, the reluctant moderator, preferring to let his guests do most of the talking.
The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge with loops supplied through looperman.com.
Soft synth loop by https://www.looperman.com/loops?mid=H1PRODUCER
Piano loop by https://www.looperman.com/loops?mid=JupiterWave
Drum loop by https://www.looperman.com/loops?mid=prodHybrid
This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.
If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.
If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses which are quite extensive.
Thanks all!
Previous Episode
Exploring Music E 33 Shock and Bravery, part 02 of 02, with James Bargent and Max Beattie
James and Max discuss the many faces and forms for using shock and being brave with music in advertising, films and TV. How the unexpected twists our perceptions and gives a fresh feel to experience.
Click to listen to a Spotify playlist with the music discussed in this conversation.
Please take our survey and let us know what you think, any and all feedback is very appreciated
James Bargent, who has a BA Honors First Class in Professional Musicianship from the Brighton Institute of Modern Music is a Producer at MassiveMusic which is a music agency with offices in Amsterdam, London, New York, Los Angeles and Shanghai. They create music for the world’s leading advertising agencies, brands, media and technology companies. Before joining Massive James worked in the sync department at Warner Music Group.
MassiveMusic
Facebook: @massivemusicagency
Twitter: @massivemusic
Instagram: @massivemusic
LinkedIn: https://www.linkedin.com/company/49637/
And joining James is Max Beattie, who has a BA in Anthropology from the University of Durham and a diploma in Music Production and Sound Engineering from the Point Blank Music School is Sync Creative Consultant at the Music Sales Group. Music Sales is one of the world’s leading independent music publishing companies with offices worldwide. It is active in many music-related fields including copyright ownership and promotion. Previously, Max held positions as Music Researcher for Leland Music, Sync consultant for Chelsea Music Publishing and Representative for Mad Planet, all sync licensing related roles. *note: The Music Sales Group, since recording this conversation, has change it's name to The Wise Music Group.*
The background music players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. All other elements of the music was composed, engineered and mixed by Lionel Lodge.
This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.
If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.
If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses which are quite extensive.
Thanks all!
Next Episode
Exploring Music E37 Diversity part 2 of 2 with Alison Wenham and Stuart Dredge
Alison and Stuart discuss Diversity, in the music, in the industry, in the past, in the future, in the world. For some it is a painful reality change, for others it is the obvious way forward.
Alison Wenham has worked in the music industry for over 40 years and is one of the most experienced and well-known international practitioners in the business.
Founding AIM, Association of Independent Music in 1999, she has been Chairman and CEO since inception. Alison developed AIM’s strength and visibility in representing the British music industry SMEs at a political level, working closely with government departments to shape and advise on legislation relevant to the industry.
Prior to founding AIM, Alison was MD at BMG Conifer International (UK), having sold Conifer Records (which under her direction had grown to be the UK’s largest independent record and distribution company in the specialist music field) to BMG in 1994.
In 2006 Alison was elected as founding Chairman of WIN, the Worldwide Independent Network comprising over 25 independent trade associations representing thousands of independent music companies globally. She is a founding Board Member of IMPALA, the European organisation representing the interests of small record companies and publishers in Europe, a fellow of the Royal Society for the Arts, was a founding Board Director of Merlin, the independent global rights licensing agency, and also UKMusic, the body representing the UK Music Industry; she attends PPL and VPL Board meetings and sits on a variety of government and industry committees.
In 2006, Alison was inducted into the MMF Roll of Honour , and in March 2009 she was presented with a Special Achievement award by Music Week, for 10 years of AIM. She has featured in Billboard’s Top Women in Music every year since publication.
In 2010, Alison was honoured with an OBE. In 2011 she was awarded the prestigious Order of Arts and Letters by the French Government for services to culture
Stuart Dredge is a journalist with 20 years' experience covering technology, games, the music industry and children's media. He writes the Music Ally's daily news bulletin and contributes to the company's fortnightly report as well as joining in on the Music Ally TV Show on Youtube. Plus, Stuart writes weekly for The Week Junior, a bi-monthly mobile games column for the Guardian; and features for the Observer and Medium. Twice a year, he does blogging and socials for Reed Midem at its MIPTV and MIPCOM television-industry conferences. Stuart also has a new site focused on children's tech called ContempoPlay. Past freelance clients include the Sunday Times, CNET, Medium's CuePoint, Stylus and T3.
The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.
This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services.
If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.
Links:
AIM https://www.aim.org.uk/
WIN h
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