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When Art Pranksters Invaded Melrose Place
10/25/23 • 41 min
3 Listeners
In the mid-1990s, the prime time drama Melrose Place became a home to hundreds of pieces of contemporary art—and no one noticed. In this episode, Isaac Butler tells the story of the artist collective that smuggled subversive quilts, sperm-shaped pool floats, and dozens of other provocative works onto the set of the hit TV show. The project, In the Name of the Place, inspired a real-life exhibition and tested the ability of mass media to get us to see what’s right in front of our faces.
Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was written and reported by Isaac Butler and produced by Benjamin Frisch. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director.
Thank you to Jamie Bennett, JJ Bersch, Mark Flood, and Cynthia Carr, whose book On Edge: Performance at the End of the 20th Century inspired this episode.
If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.
If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
In the mid-1990s, the prime time drama Melrose Place became a home to hundreds of pieces of contemporary art—and no one noticed. In this episode, Isaac Butler tells the story of the artist collective that smuggled subversive quilts, sperm-shaped pool floats, and dozens of other provocative works onto the set of the hit TV show. The project, In the Name of the Place, inspired a real-life exhibition and tested the ability of mass media to get us to see what’s right in front of our faces.
Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was written and reported by Isaac Butler and produced by Benjamin Frisch. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director.
Thank you to Jamie Bennett, JJ Bersch, Mark Flood, and Cynthia Carr, whose book On Edge: Performance at the End of the 20th Century inspired this episode.
If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.
If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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
The Fast Decline of the Slow Dance
Judging from teen dramas on Netflix, the slow dance seems to be alive and well. But when you talk to actual teens, it’s clear this time-honored tradition is on life support. In this episode, we trace the history of slow dancing from its origins in partner dances like the waltz to the modern “zombie sway” seen at middle-school dances and high-school proms. Plus, former slow dancers offer up stiff-armed, nostalgia-soaked stories about a rite of passage that’s fading fast.
Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was edited by Zakiya Gibbons. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director.
Thank you to Benjamin Frisch and Carlos Pareja. Special thanks to everyone who shared their slow dancing stories, including Ralph Giordano, Matt Baume, Meryl Bezrutczyk, Ari Feldman, Ava Canade, Eileen Zheng, and Harper Kois.
Here’s the article by Kyle Denis that we mentioned in the episode: The Death of the Slow Dance? How the One-Time Rite of Passage Has Evolved for Gen Z.
If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.
If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Next Episode
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Mailbag: The Recorder, Limos, and “Baby on Board” Signs
We receive a lot of fantastic show ideas from our listeners—and we’re grateful for each and every one. For our latest mailbag episode, we’re tackling five of your questions, including “Why the hell do we teach kids to play the recorder?” (We’re paraphrasing a bit.) Also: We’ll explore the rise and fall of the stretch limo, the incredible versatility of the word “like,” the meaning of the “Baby on Board” sign, and why it took so long to develop luggage with wheels.
Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Rosemary Belson. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director.
Thank you to every listener who has submitted a suggestion for an episode. We truly appreciate your ideas. We read them all, even if we don’t always respond. Thanks for being a listener and for thinking creatively about this show.
If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.
If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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