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Dark Histories - Photography, Spiritualism & The World of William Mumler

Photography, Spiritualism & The World of William Mumler

06/15/20 • 70 min

Dark Histories

The technological breakthroughs of the 19th century were, to many people, both equal parts exciting and terrifying. Known as the black arts, the newly emerging techniques of commercial photography were often spoken about as though they were a mysterious or even supernatural process. Of course, there was nothing supernatural about the new technology, at least, not for most photographers. When William Mumler picked it up as a hobby, lured in by his attraction to a local studio owner and a propensity to tinker, he decided to lean into the mystery by offering a spyhole into the unseen world of the dead, shooting portraits of clients sitting alongside the spirits of their lost loved ones.

SOURCES

Manseau, Peter (2017) The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln's Ghost. Houghton Mifflin, MA, USA

Capron, E.W. & Barron, H.D. (1850). Singular Revelations: Explanation and History of the Mysterious Communion with Spirits, Comprehending the Rise and Progress of the Mysterious Noises in Western New York. 2nd ed. Auburn, NY: Capron and Barron.

Nartonis, D. K. (2010, June 1). The Rise of 19th‐Century American Spiritualism, 1854–1873. Retrieved from https://onlinelibrary.wiley.com/doi/full/10.1111/j.1468-5906.2010.01515.x

The London Evening Standard (1869) From Our Own Correspondent. 11th May, 1869

The Banbury Advertiser (1869) Spiritualistic Photography. 29 April, 1869

Elgin Courier (1863) Spirit Photographs. 6 February, 1863

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For extended show notes, including maps, links and scripts, head over to darkhistories.com

Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories

Connect with us on Facebook: http://facebook.com/darkhistoriespodcast

Or find us on Twitter: http://twitter.com/darkhistories

& Instagram: https://www.instagram.com/dark_histories/

Or you can contact us directly via email at [email protected]

or via voicemail on: (415) 286-5072

or join our Discord community: https://discord.gg/6f7e2pt

Music was recorded by me © Ben Cutmore 2017

Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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The technological breakthroughs of the 19th century were, to many people, both equal parts exciting and terrifying. Known as the black arts, the newly emerging techniques of commercial photography were often spoken about as though they were a mysterious or even supernatural process. Of course, there was nothing supernatural about the new technology, at least, not for most photographers. When William Mumler picked it up as a hobby, lured in by his attraction to a local studio owner and a propensity to tinker, he decided to lean into the mystery by offering a spyhole into the unseen world of the dead, shooting portraits of clients sitting alongside the spirits of their lost loved ones.

SOURCES

Manseau, Peter (2017) The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln's Ghost. Houghton Mifflin, MA, USA

Capron, E.W. & Barron, H.D. (1850). Singular Revelations: Explanation and History of the Mysterious Communion with Spirits, Comprehending the Rise and Progress of the Mysterious Noises in Western New York. 2nd ed. Auburn, NY: Capron and Barron.

Nartonis, D. K. (2010, June 1). The Rise of 19th‐Century American Spiritualism, 1854–1873. Retrieved from https://onlinelibrary.wiley.com/doi/full/10.1111/j.1468-5906.2010.01515.x

The London Evening Standard (1869) From Our Own Correspondent. 11th May, 1869

The Banbury Advertiser (1869) Spiritualistic Photography. 29 April, 1869

Elgin Courier (1863) Spirit Photographs. 6 February, 1863

------

For extended show notes, including maps, links and scripts, head over to darkhistories.com

Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories

Connect with us on Facebook: http://facebook.com/darkhistoriespodcast

Or find us on Twitter: http://twitter.com/darkhistories

& Instagram: https://www.instagram.com/dark_histories/

Or you can contact us directly via email at [email protected]

or via voicemail on: (415) 286-5072

or join our Discord community: https://discord.gg/6f7e2pt

Music was recorded by me © Ben Cutmore 2017

Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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This week we go back to the Penal Colonies of Australia to visit a story of grimey adventure, with Alexander Pearce, a convict who escaped into the bush and then, naturally, ate all his friends SOURCES Knopf A., Alfred, (1987) The Fatal Shore: A history of the Transportation of Convicts to Australia 1787-1868, Collins Harvill, UK Collins, Paul, (2004) Hells Gates, Hardie Grant Books, Australia Boyce, James. “Return to Eden: Van Diemen’s Land and the Early British Settlement of Australia.” Environment and History 14, no. 2, “Australia Revisited” special issue (May, 2008): 289–307. Convict Life, libraries.tas.gov.au/family-history/Pages/Convict-life.aspx. Pearce, Alexander, talis.ent.sirsidynix.net.au/client/en_AU/names/search/detailnonmodal/ent:$002f$002fNAME_INDEXES$002f0$002fNAME_INDEXES:1424923/one. “The Land of the 'Free': Criminal Transportation to America.” The History Press, www.thehistorypress.co.uk/articles/the-land-of-the-free-criminal-transportation-to-america/. ------

For extended show notes, including maps, links and scripts, head over to darkhistories.com

Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories

Connect with us on Facebook: http://facebook.com/darkhistoriespodcast

Or find us on Twitter: http://twitter.com/darkhistories

& Instagram: https://www.instagram.com/dark_histories/

Or you can contact us directly via email at [email protected]

or via voicemail on: (415) 286-5072

or join our Discord community: https://discord.gg/6f7e2pt

Music was recorded by me © Ben Cutmore 2017

Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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When William Harrison left his house on a calm midsummer evening of 1660, no one expected him to not return for two years, Except maybe William himself... Or maybe not. Equally surprising would have been the confessions that would follow of his murder from a trio of servants, one of whom was an alleged witch and none of whom can possibly have been guilty, given that the victim was very much alive. Later to become known as the Campden Wonder, this is the tale of a tightly bound mystery made up of lies, superstition and sensationalism that after 350 years is as bizarre today as it was in the seventeenth Century. SOURCES Clark, George (1959) The Campden Wonder. Oxford University Press, UK. Lang, Andrew (1904) Historical Mysteries: The Campden Mystery. T. Nelson & Sons, UK Overbury, Thomas (1676) A True and Perfect Account of the Examination, Confession, Trial, Condemnation, and Execution of Joan Perry, and her Two Sons, John and Richard Perry... Rowland Reynolds, London, UK Tyus, Charles (1662) The Power of Witchcraft. The Three Bibles on London Bridge, London, UK Clifford, P., 2020. The Campden Wonder - The Strangest "Murder" Case In English Legal History. [online] Campdenwonder.plus.com. Available at: [Accessed 26 June 2020]. ------

For extended show notes, including maps, links and scripts, head over to darkhistories.com

Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories

Connect with us on Facebook: http://facebook.com/darkhistoriespodcast

Or find us on Twitter: http://twitter.com/darkhistories

& Instagram: https://www.instagram.com/dark_histories/

Or you can contact us directly via email at [email protected]

or via voicemail on: (415) 286-5072

or join our Discord community: https://discord.gg/6f7e2pt

Music was recorded by me © Ben Cutmore 2017

Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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