Kao Keanu

07/25/19 • 75 min

In this episode, we discuss Keanu’s embrace of East Asian legends and the free will of warriors in Man of Tai Chi (2013) and 47 Ronin (2013). Despite geographic similarities, the two films are wildly different in their storytelling and authenticity: whereas the former features Keanu taking a back seat to the world of Tiger Chen in his directorial debut filmed mostly in Chinese, the latter features Keanu artificially inserted into Japanese history. However, he plays characters in both films that are narratively marked as mixed, thus engaging with his own multiracial roots, and inspiring the title of the episode: kao, or warrior in Hawaiian.

Previous Episode

Supernatural Keanu

In this episode, we discuss Keanu Reeves’ other worldliness in Constantine (2005) and The Day The Earth Stood Still (2008). Both of these stories are adaptations of earlier content, and, in choosing these films, Keanu repeats his status as reluctant savior, continues to problematize the concept of free will, and embraces the jadedness that he has been “dress rehearsing” for decades. We talk about the philosophy of Keanu Reeves and the tricky business of auteur theory in these critically panned films.

Next Episode

December Keanu

In this episode, we discuss Generation Um... (2012) and Knock Knock (2015), two films from wildly different genres with common themes. In both films, Keanu plays an aging man eager to reclaim his youth opposite two younger women eager to offer themselves as solutions to his midlife crisis. Charisse L’Pree and Lani Diane Rich of Chipperish Media discuss the goals of film, gendered roles, and the deployment of rape fantasies in pop storytelling.

Trigger Warning: Discussion of rape.