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Criteria: The Catholic Film Podcast - Review: Joel Coen's The Tragedy of Macbeth

Review: Joel Coen's The Tragedy of Macbeth

01/21/22 • 65 min

Criteria: The Catholic Film Podcast
James improvises an impassioned dramatic monologue about the inadequacies of Joel Coen's new adaptation of The Tragedy of Macbeth, starring Denzel Washington and Frances McDormand. Orson Welles's 1948 version, he argues, is aesthetically similar but far superior. Thomas sits and listens. Watch the Orson Welles Macbeth: https://archive.org/details/macbeth.-1948.-orson.-welles.-103-min

Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com/

This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

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James improvises an impassioned dramatic monologue about the inadequacies of Joel Coen's new adaptation of The Tragedy of Macbeth, starring Denzel Washington and Frances McDormand. Orson Welles's 1948 version, he argues, is aesthetically similar but far superior. Thomas sits and listens. Watch the Orson Welles Macbeth: https://archive.org/details/macbeth.-1948.-orson.-welles.-103-min

Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com/

This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

Previous Episode

undefined - "Everything is yours" - Dekalog: Ten (1988)

"Everything is yours" - Dekalog: Ten (1988)

In the 50th episode of Criteria, James and Thomas finally conclude their look at Dekalog, the series of short films inspired by the Ten Commandments which Krzysztof Kieslowski made for Polish television in the late 1980s.

Kieslowski concludes his notoriously bleak series on a (slightly) lighter note, the Tenth Commandment against coveting thy neighbor's goods providing plenty of opportunities to poke fun at human silliness. The absurdity is compounded when the thing being coveted is a stamp collection.

Though Dekalog: Ten begins with one of its main characters singing a song that encourages the breaking of all 10 commandments, with the refrain "everything is yours", in this episode the protagonists are less the chief transgressors against the tenth commandment than they are stuck in a world shaped by the covetousness of those around them.

These two brothers inherit a valuable stamp collection from their father, who neglected them in order to pursue his obsession. Along with the stamps they inherit, for a dangerous moment, his vice of covetousness, and in doing so, come to understand that that he craved was not so much the stamps as the escape from all problems and responsibilities provided by this juvenile quest.

Thus the final Dekalog film continues the series' continual examination of the sins of fathers, and through this subject matter, Kieslowski's preoccupation with the terrible responsibility of human freedom and the stark consequences our actions have in the lives of others. For nobody has more responsibility than a father.

In this case, the sons find some degree of reconciliation with the dead father who wounded them - or at least, they arrive at understanding through solidarity in weakness. The film's rueful observation is that we often understand and compassionate our parents only after falling into their same vices.

Watch this discussion on YouTube:

Dekalog can be difficult to find. It can be streamed online with a (relatively cheap and surprisingly legal) subscription to https://easterneuropeanmovies.com—the best viewing experience, however, will be the recent restored edition on Blu-Ray/DVD from Criterion. https://www.criterion.com/films/28661-dekalog

Older editions on Blu-Ray and DVD are available for considerably cheaper on Amazon and elsewhere, and you may have luck borrowing Dekalog from your local library.

Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com/

This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

Next Episode

undefined - On the Waterfront (1954)

On the Waterfront (1954)

Elia Kazan's 1954 film On the Waterfront is included on the Vatican's film list in the Values section. The film broke ground in its gritty, realistic production and acting style, particularly manifested in Marlo Brando's unforgettable performance as low-down dockworker Terry Malloy. It offers a striking vision of how we can be transformed by attending to the demands of conscience, articulated in fully Christian terms in a classic monologue by one of the greatest movie priests in Hollywood history.

In discussing the film, James and Thomas touch on the pros and cons of method acting, and learn about the real-life priest whose testimony inspired the screenplay. The film's political context is also interesting, as it was arguably director Kazan and writer Schulberg's cinematic defense of their decision to name names of Hollywood Communists in front of the House Un-American Activities Committee.

Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com/

This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

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