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Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio - 23. Ear Training and Critical Listening Exercises to Better Hear and Mix Podcast Audio

23. Ear Training and Critical Listening Exercises to Better Hear and Mix Podcast Audio

06/11/20 • 33 min

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Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio
When new podcasters or audio engineers are reaching out to their peers for help with their production, it's not uncommon to hear the super frustrating and unhelpful response of "just trust your ears". Unfortunately when you're so new to audio, that means nothing. It's a lazy cop out that relieves the person being asked for help from actually teaching anything. It would be like a new fighter pilot asking his superior how to fly a supersonic jet and getting the response "just trust your gut". Sure the stakes are much lower in audio production, but there still needs to be some foundational understanding in place in order for our ears to be trustworthy. This process of analyzing and critically listening to audio is called "ear training". It's very aptly named, as it's a very long term process that is constantly expanding upon previous trainings and exercises. Just like you would never finish a marathon with 0 training, you won't hear audio the way a professional does after a couple of days. With running, you need to run to the edge of the block first. When that feels too easy, go all the way around the block, then work your way up to 1 mile, 2 miles, 5 miles, 10, 15, then 26.2 miles. When we first start critically listening to audio, some changes may be so subtle you start to question if you're listening to 2 identical audio files, meanwhile someone else is waxing poetic about how wildly different the sounds are. This episode will teach you how to effectively develop your skills as an audio professional and podcaster so you can better hear subtle differences in audio, then use those skills to slowly but intentionally increase the quality of your audio week by week. JOIN THE FUN ON PATREON! Links: Equalizing by Octave: The Characteristics of Each Octave Band on the Human Voice A/B'ing Your Audio to Produce Better Sounding Podcasts Metric A/B by ADPTR (free 14 day trial) My Signal Chain Hardware: Audio Interface: Apogee Ensemble Microphone: Shure SM7b Headphones: Audio-Technia ATH-M50x Earbuds: Klipsch R6i II Studio Monitors: Yamaha HS7 Mic Stand: Rode PS1A Boom Arm Software: IzoTope RX6 Mouth De-Click IzoTope RX6 Voice De-Noise FabFilter ProQ3 Waves Vocal Rider Waves CLA-2A oeksound Soothe2 Waves L2 Limiter Waves WLM Meter Waves Durrough Meter Waves Abbey Road Studio3 -Save 10% off the plugins above with this affiliate link from Waves!- *most of these links are affiliate links Midroll Song: Road Trip by Joakim Karud Closing Song: I Feel the Heat by Joakim Karud http://www.joakimkarud.com For more info, or to ask any questions, check out my website and reach out to [email protected]
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When new podcasters or audio engineers are reaching out to their peers for help with their production, it's not uncommon to hear the super frustrating and unhelpful response of "just trust your ears". Unfortunately when you're so new to audio, that means nothing. It's a lazy cop out that relieves the person being asked for help from actually teaching anything. It would be like a new fighter pilot asking his superior how to fly a supersonic jet and getting the response "just trust your gut". Sure the stakes are much lower in audio production, but there still needs to be some foundational understanding in place in order for our ears to be trustworthy. This process of analyzing and critically listening to audio is called "ear training". It's very aptly named, as it's a very long term process that is constantly expanding upon previous trainings and exercises. Just like you would never finish a marathon with 0 training, you won't hear audio the way a professional does after a couple of days. With running, you need to run to the edge of the block first. When that feels too easy, go all the way around the block, then work your way up to 1 mile, 2 miles, 5 miles, 10, 15, then 26.2 miles. When we first start critically listening to audio, some changes may be so subtle you start to question if you're listening to 2 identical audio files, meanwhile someone else is waxing poetic about how wildly different the sounds are. This episode will teach you how to effectively develop your skills as an audio professional and podcaster so you can better hear subtle differences in audio, then use those skills to slowly but intentionally increase the quality of your audio week by week. JOIN THE FUN ON PATREON! Links: Equalizing by Octave: The Characteristics of Each Octave Band on the Human Voice A/B'ing Your Audio to Produce Better Sounding Podcasts Metric A/B by ADPTR (free 14 day trial) My Signal Chain Hardware: Audio Interface: Apogee Ensemble Microphone: Shure SM7b Headphones: Audio-Technia ATH-M50x Earbuds: Klipsch R6i II Studio Monitors: Yamaha HS7 Mic Stand: Rode PS1A Boom Arm Software: IzoTope RX6 Mouth De-Click IzoTope RX6 Voice De-Noise FabFilter ProQ3 Waves Vocal Rider Waves CLA-2A oeksound Soothe2 Waves L2 Limiter Waves WLM Meter Waves Durrough Meter Waves Abbey Road Studio3 -Save 10% off the plugins above with this affiliate link from Waves!- *most of these links are affiliate links Midroll Song: Road Trip by Joakim Karud Closing Song: I Feel the Heat by Joakim Karud http://www.joakimkarud.com For more info, or to ask any questions, check out my website and reach out to [email protected]

Previous Episode

undefined - 22. Local Recordings: The Only Way to Capture Great Podcast Audio

22. Local Recordings: The Only Way to Capture Great Podcast Audio

I vow to never stop talking about local recordings until every podcast on Earth at least KNOWS it's an option. Whether or not they choose to sound good is up to them. A local recording eliminates all the fail points and fidelity degrading processes by writing all your 0's and 1's directly to your computer without any consideration of WiFi strength, bandwidth availability, or whatever noises your cohost is making on the other end. If you're using a platform like Zoom or Skype to record your podcast, keep doing what you're doing, just consider adding a local recording via your DAW of choice, Quicktime, or an interface with onboard recoding options. You'll immediately see a dramatic improvement in your audio quality. JOIN THE FUN ON PATREON! Links: Local v. Zoom Audio Comparison Double Ender Video Using Quicktime in Addition to Zoom Demo Video Consider donating to these foundations: George Floyd Memorial Fund Campaign Zero Reclaim the Block The Bail Project Black Visions Collective My Signal Chain Hardware: Audio Interface: Apogee Ensemble Microphone: Shure SM7b Headphones: Audio-Technia ATH-M50x Earbuds: Klipsch R6i II Studio Monitors: Yamaha HS7 Mic Stand: Rode PS1A Boom Arm Software: IzoTope RX6 Mouth De-Click IzoTope RX6 Voice De-Noise FabFilter ProQ3 Waves Vocal Rider Waves CLA-76 Waves API 2500 oeksound Soothe2 Waves L2 Limiter Waves WLM Meter Waves Durrough Meter Waves Abbey Road Studio3 -Save 10% off the plugins above with this affiliate link from Waves!- *most of these links are affiliate links Midroll Song: Road Trip by Joakim Karud Closing Song: Love Mode by Joakim Karud http://www.joakimkarud.com For more info, or to ask any questions, check out my website and reach out to [email protected]

Next Episode

undefined - 24. Noise Reduction in the Recording and in Post Production

24. Noise Reduction in the Recording and in Post Production

Many folks think noise reduction is something that can only be done in post production, but I'm here to tell you that's a bald-faced lie. The best noise reduction is accomplished WHILE recording your podcast! "The best offense is a great defense" type of vibes. There are SO many things we can do to make sure that noise (see also: unwanted sound) is never captured in the first place! In this episode you'll learn a little bit about soundproofing and why it's unattainable for more people, microphone techniques that will almost eliminate noise (with listening examples of course!), some physical objects we can incorporate into our space to contain noise, and if all else fails, how to fix it in post. JOIN THE FUN ON PATREON! Links: Preamp Noise Comparison Episode Frequency and Wavelength 101 Episode Waves NS1 Waves X-Noise Waves Z-Noise IzoTope RX 7 GoBo My Signal Chain Hardware: Audio Interface: Apogee Ensemble Microphone: Shure SM7b Headphones: Audio-Technia ATH-M50x Earbuds: Klipsch R6i II Studio Monitors: Yamaha HS7 Mic Stand: Rode PS1A Boom Arm Software: Avid Pro Tools 2020.5.0 IzoTope RX6 Mouth De-Click IzoTope RX6 Voice De-Noise FabFilter ProQ3 Waves Vocal Rider Waves CLA-2A oeksound Soothe2 Waves LinMB Waves WLM Meter Waves Durrough Meter Waves Abbey Road Studio3 -Save 10% off the plugins above with this affiliate link from Waves!- *most of these links are affiliate links Midroll Song: Road Trip by Joakim Karud Closing Song: Holiday Blues by Joakim Karud http://www.joakimkarud.com For more info, or to ask any questions, check out my website and reach out to [email protected]

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