
Introducing Peat Long
02/20/23 • 28 min
2 Listeners
When Chronscast was originally set up I wanted different co-host folks for different co-host strokes. I wanted my guest today, the blogger Peat Long, to contribute to the podcast particularly in the area of fantasy fiction, in all its guises and possibilities. For various reasons he couldn't commit at the start of the venture, but I'm pleased to say that Peat has agreed to be an occasional co-host with me in the future.
Today Peat and I are having a short conversation to introduce him, his thoughts on genre fiction, his prolific blog, and his own writing habits and capacities. Pete will be joining us later in the spring to discuss books such as Mervyn Peake's Titus Groan, and Stephen Donaldson's Lord Foul's Bane.
Links
Peat Long's Blog
Next Episode
Our next full episode will see Bean and I joined by the inimitable Bryan Wigmore, who'll be telling us how to make like Michael Jackson and heal the world with the sword pulled from the stone in John Boorman's 1981 Arthurian epic, Excalibur.
When Chronscast was originally set up I wanted different co-host folks for different co-host strokes. I wanted my guest today, the blogger Peat Long, to contribute to the podcast particularly in the area of fantasy fiction, in all its guises and possibilities. For various reasons he couldn't commit at the start of the venture, but I'm pleased to say that Peat has agreed to be an occasional co-host with me in the future.
Today Peat and I are having a short conversation to introduce him, his thoughts on genre fiction, his prolific blog, and his own writing habits and capacities. Pete will be joining us later in the spring to discuss books such as Mervyn Peake's Titus Groan, and Stephen Donaldson's Lord Foul's Bane.
Links
Peat Long's Blog
Next Episode
Our next full episode will see Bean and I joined by the inimitable Bryan Wigmore, who'll be telling us how to make like Michael Jackson and heal the world with the sword pulled from the stone in John Boorman's 1981 Arthurian epic, Excalibur.
Previous Episode

Sandman with Tade Thompson
We're joined today by Tade Thompson, the multi award-winning author of such books as Rosewater, Making Wolf, Far From the Light of Heaven, and the Molly Southbourne novellas. He is also a self-confessed comics junkie, which he proved when he joined us last year to delve into the great WATCHMEN. This year Tade talks with us about Sandman, arguably Neil Gaiman's greatest piece of work, and another example of the comic book medium bursting free from its pulpy roots and demonstrating that it can stand up as art and literature. Sandman's mantelpiece, groaning under the weight of a World Fantasy Award (the only comic to have achieved this), a Bram Stoker Award, and no fewer than 26 Eisner awards, attests to this. The recent and long-awaited Netflix adaptation of Sandman starring Tom Sturridge has also been a worldwide success.
Be warned! This show comes with huge spoilers not just for the first couple of volumes of Sandman, which have been adapted by Netflix, but for the whole comic book series, and we will be discussing the final ending. You have been advised!
We talk about the psychoanalytic and mythological structures that form the foundation of Sandman, and particularly the characters of Dream and his siblings. We discuss our capacity as humans to use our dreams to simulate strategies in the waking world, and why dreams rub up against desires. Tade walks us through the history of the Sandman IP, and we pontificate on whether a piece of work such as this can be fully formed in the mind of the author, or whether it was discovered as Gaiman progressed through the telling.
We also discuss horror more generally, reflecting some recent conversations on the Chrons boards, and how to best define that slippery genre. In particular we talk about Tade's most recent novella Jackdaw, a magnificent exploration into obsession, art, the creative act, and its relationship to science.
Elsewhere The Judge wraps up the topic of plagiarism, with some advice to authors on how we can protect ourselves against copyright infringement, or having your work stolen. Important stuff for all writers, so take note. Our winner from January's 75-word challenge is Ashleyne and, staying with our topic of dreams, we see what happens when Captain Halkmilkcarton from Mars Radio 14 attempts to stay awake for three weeks straight.
Listener Poll
Lastly, please fill out our very short poll, which is going to inform some future content we're bringing to the show.
Next Month
Next month we'll be joined by none other than Bryan Wigmore, author of the Fire Stealers series, including The Goddess Project and The Empyreus Proof, to talk about John Boorman's 1981 cinematic take on the Arthurian myth, Excalibur.
Index
[0:00:00 - 0:51:23] Tade Thompson talk part 1
[0:51:24 - 54:53] Skit 1
[0:54:54 - 1:08:18] - The Judge's Corner
[1:08:19 - 1:09:51] - 75-word challenge winner
[1:09:52 - 1:12:25] - Skit 2
[1:12:25 - 2:01:46] - Tade Thompson talk part 2
[2:01:46 - 2:03:43] - Credits and close
Next Episode

Episode 16 - Excalibur with Bryan Wigmore
Merlin's Beard! What better topic to talk about as we enter the springtime and the regeneration of the land than Excalibur and the legend of Arthur, King of the Britons, who is prophesied to restore the land to verdance and glory and who knows much about the average velocity of unladen swallows. But we'll not be focusing on that particular cinematic incarnation of the once and future king. We'll be talking about the operatic 1981 John Boorman film Excalibur, which boldly attempts to condense a significant amount of Thomas Malory's 15th century manuscript, Le Morte d'Arthur, into two and-a-half hours of dreamlike cinema.
Joining us to talk through this is the fantasy author Bryan Wigmore, best known for his ongoing fantasy series The Fire Stealers, comprising The Goddess Project (2017), The Empyreus Proof (2018), and the forthcoming third instalment, The Mandala Praxis. With Bryan we discuss Arthur's connection to the land, what the Holy Grail represents, why it appears in the story when it does, and the mysterious figure of the Fisher King. We discuss the explicitly Christian imagery, the use of opera music in the score, the preponderance of Irish accents in a story about the King of the Britons (clue: it was filmed in County Wicklow); the scalable aspect of the Arthurian story, Merlin's pratfalls, and Brian Blessed's head.
We also talk about Bryan's own work and its foundation upon such ancient myths as these; his use of the land and the environment, the question of timing a publication to retain its topicality, and the bones of myth. We also talk about his forthcoming YA fantasy series called Earthwyrms, which leans heavily upon the Arthurian mythos, and we pester him for an update on when The Mandala Praxis will be ready.
Elsewhere, The Judge throws down her own gauntlet and challenges us to trial by combat, and how that strange aspect of the ancient judiciary came to be, and how the trial by combat we see in such films as Excalibur might work in reality.
We also hear Paranoid Marvin's victorious 75-word challenge entry from February, and The Judge's winning entry to the January 300-word writing challenge. Finally, a certain King Of The Britons is perturbed and discombobulated when he is approached by the Lieutenant Bungalow of the Martian space force for a rare interview.
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