
Pick 27: Slick Flick Pick: Yautja vs. Yakuza--When Old-World Meets Otherworld (Predators, 2010)
Explicit content warning
03/29/23 • 82 min
Greetings, Cinematic Fanatics! Allow me the pleasure of ushering you through the dense jungle thicket of a quasi-terrestrial hunting parcel of dreadlocked, Berserker alien land where the air is, in fact, breathable, human skull trophies retrievable, poisonous flora and grotesque fauna conceivable, if you're hip to the garden variety predator, this Berserker breed remains believable, but surviving here seems far removed from achievable and the hunting pack of predator tusked-bloodhounds remains both imperceivable and unbelievable. These hunting grounds are designed for human apex predator sheep, you'll see a white light then free fall whilst asleep, this new breed of warriors creep as well as they leap, they'll shadow, stalk you, appear, linger and disperse all without one peep; they've amassed, of human and other species' skulls, an impressive heap atop this gruesome pyramid discovery of bones, blood and DNA unknown; I offer a crash cushion pad for this fallen Yakuza samurai to fall upon when he bequeaths his life to the greater good of dwindling comrades, enacting the code of death before dishonor, dismemberment and being divorced from your skull and spine in this otherworldly, planetary, tropical trophy treat of Slick Flick Pick, an entertaining, slick/flick-explaining series, a desirable diversion from the main vein of Chemohawk Sessions. You are my Cinematic Fanatic; I, your worthwhile f****** cinephile. For your 27th episode, Othello and I review one of our most prized entries in the Predator franchise, a sequel that still owns the screen, secures my attention, shocks my senses with its ability to mesmerize-- you'll laser focus, not blink your eyes, though all we can do-- discerning their origins-- is theorize, we will NOT believe the bad doctor, Edwin's lies, and while this film is familiar comfort flick fanfare, there's still surprise to be felt by this flick's power to, our attention snare and its unrelenting prowess to scare. One of the armored trifecta pilots a falcon drone, the other sports tusks picked from slain bloodhound bone, but their leader, the blacked-out Berserker, proves twice as vicious when left all alone.
I offer you, regarding this tried, but still quite true, Predator world building, culture expanding, littered with colorfully barbaric fatalities last true Predator sequel that offers firm finality to a loosely attached trilogy with Predators, circa July 2010. While the cast is overtly type cast, they all bring their own flair, sport their distinct weaponry and gear and ladle our senses with their distinct flavor, Hanzo does Royce a hell of a favor; I remain rather crestfallen that the Yakuza enforcer got sliced and iced for he was my favorite character whom, for a longer screen presence, I wished to savor. This flick never lingers, it moves with the efficiency of the initial entry in this saga...the very first, when Stans shouts "Hunt My Dick," he reminds us he's one of the worst, but Hanso is missing two digits due to the confessed fact that he talks too much; he remains my all-time favorite Predator world character--aside from Dutch.
Enter, with me, you cinematic fanatics, into the realm of film's fantasy while we unwind the grind of reality... I offer you: Pick 27: Slick Flick Pick: Yautja vs. Yakuza--When Old-World Meets Otherworld (Predators, 2010). Today, we discuss-- how to set a dead fall five times the weight of your target animal prey, those characters who prove most memorable with little to say, that Royce gets both battlefield glory and the hot sniper, but it was Hanzo who saved the predatorfuc**** day, no matter the role, Lawrence Fishburne's acting chops hold godd*** sway, and even if you play dead to bait this new breed of hunters, you, they'll poke, stab, spine rip and fillet.
Your worthwhile cinephile: praying for, not prey for, the Predators: Falsetto Prophet
P.S. (Procrastinated Statement) *Intro/outro song, Soulicious, courtesy of the artist, Dyalla.
Greetings, Cinematic Fanatics! Allow me the pleasure of ushering you through the dense jungle thicket of a quasi-terrestrial hunting parcel of dreadlocked, Berserker alien land where the air is, in fact, breathable, human skull trophies retrievable, poisonous flora and grotesque fauna conceivable, if you're hip to the garden variety predator, this Berserker breed remains believable, but surviving here seems far removed from achievable and the hunting pack of predator tusked-bloodhounds remains both imperceivable and unbelievable. These hunting grounds are designed for human apex predator sheep, you'll see a white light then free fall whilst asleep, this new breed of warriors creep as well as they leap, they'll shadow, stalk you, appear, linger and disperse all without one peep; they've amassed, of human and other species' skulls, an impressive heap atop this gruesome pyramid discovery of bones, blood and DNA unknown; I offer a crash cushion pad for this fallen Yakuza samurai to fall upon when he bequeaths his life to the greater good of dwindling comrades, enacting the code of death before dishonor, dismemberment and being divorced from your skull and spine in this otherworldly, planetary, tropical trophy treat of Slick Flick Pick, an entertaining, slick/flick-explaining series, a desirable diversion from the main vein of Chemohawk Sessions. You are my Cinematic Fanatic; I, your worthwhile f****** cinephile. For your 27th episode, Othello and I review one of our most prized entries in the Predator franchise, a sequel that still owns the screen, secures my attention, shocks my senses with its ability to mesmerize-- you'll laser focus, not blink your eyes, though all we can do-- discerning their origins-- is theorize, we will NOT believe the bad doctor, Edwin's lies, and while this film is familiar comfort flick fanfare, there's still surprise to be felt by this flick's power to, our attention snare and its unrelenting prowess to scare. One of the armored trifecta pilots a falcon drone, the other sports tusks picked from slain bloodhound bone, but their leader, the blacked-out Berserker, proves twice as vicious when left all alone.
I offer you, regarding this tried, but still quite true, Predator world building, culture expanding, littered with colorfully barbaric fatalities last true Predator sequel that offers firm finality to a loosely attached trilogy with Predators, circa July 2010. While the cast is overtly type cast, they all bring their own flair, sport their distinct weaponry and gear and ladle our senses with their distinct flavor, Hanzo does Royce a hell of a favor; I remain rather crestfallen that the Yakuza enforcer got sliced and iced for he was my favorite character whom, for a longer screen presence, I wished to savor. This flick never lingers, it moves with the efficiency of the initial entry in this saga...the very first, when Stans shouts "Hunt My Dick," he reminds us he's one of the worst, but Hanso is missing two digits due to the confessed fact that he talks too much; he remains my all-time favorite Predator world character--aside from Dutch.
Enter, with me, you cinematic fanatics, into the realm of film's fantasy while we unwind the grind of reality... I offer you: Pick 27: Slick Flick Pick: Yautja vs. Yakuza--When Old-World Meets Otherworld (Predators, 2010). Today, we discuss-- how to set a dead fall five times the weight of your target animal prey, those characters who prove most memorable with little to say, that Royce gets both battlefield glory and the hot sniper, but it was Hanzo who saved the predatorfuc**** day, no matter the role, Lawrence Fishburne's acting chops hold godd*** sway, and even if you play dead to bait this new breed of hunters, you, they'll poke, stab, spine rip and fillet.
Your worthwhile cinephile: praying for, not prey for, the Predators: Falsetto Prophet
P.S. (Procrastinated Statement) *Intro/outro song, Soulicious, courtesy of the artist, Dyalla.
Previous Episode

Pick 26: Slick Flick Pick: Clint's Finger Gun and His Unforeseen Son (Gran Torino, 2008) *2nd Clint's Film Gamut Series* *With Brother Clint's Aural Appearance*
I would like to grow up to be like Clint Eastwood: the director, the actor, the invincible, the old man. What other figure in the history of the cinema has been an actor for 53 years, a director for 37, won two Oscars for direction, two more for best picture, plus the Thalberg Award, and at 78 can direct himself in his own film and look meaner than hell? None, that's how many. -Roger Ebert
Greetings, Cinematic Fanatics! Allow us the pleasure of ushering you through the colorful, seemingly uneventful, on the fringe and outskirts of his Detroit community; its daily happenings unfolding in front of Walt's porch--all for his weary, vigilant, imprecise peppers to see, in Korea he was a soldier on a killing spree, but his wife's since died, he's haunted inside, but not one lifeform said freedom was free. Aside from his lost love's funeral, Walt dodges the church, it seems that on truth, meaning or redemption, he's called off the search, his emasculated neighbor, on the precarious edge of gangster/domesticated life, remains in the lurch; before you brand Clint's (Walt) a crass, flippant, irredeemable racist fu** or his legacy besmirch, I strongly advise you to watch this film 10 times, even in reverse, and do your due research--for if you do, I promise you the fulfilling, everlasting, suburban western, of yore, treat via Slick Flick Pick, an entertaining, slick/flick-explaining series, a desirable diversion from the main vein of Chemohawk Sessions. You are our Cinematic Fanatics; we, your worthwhile cinephiles. For your 26th episode, my beloved Brother, broski, also retired, but cooler than Walt Kowalski, Clint and I review one of our most cherished, rewatched, captivatingly candid, true as it is touching, they do not direct them like this or make them like they used to, nostalgic, coming of age through the eyes of a war vet, foul-mouthed, old--but not out--rage filled gaze, Clint's performance does amaze, as he reminds us of these tech overloaded, belly button-ringed, adolescently apathetic strange days through offensive phrase and reminds us that just because you are rife, or otherwise riddled, with flaws does not distance you completely from praise. I am delighted to report, cinematic fanatics, that this slick poignant flick was financially applauded and almost unanimously lauded. We offer you, regarding this classic American muscle, surreptitiously subtle, calculatingly uncomplicated flick, in a sheen that's glossy, sleek and slick: Gran Torino, circa December 2008. This remains an unapologetically, heartwarming, gut-churning, tale, where aspersions are used to assail, a priest will persist to no avail, but both said priest and our recalcitrant retiree will prevail, and the proud friend of Walt will not sail, but drive off into the unknown but promising motor city vale.
Enter, with us, you cinematic fanatics, into the realm of film's fantasy as we unwind the grind of reality...We offer you: Pick 26: Slick Flick Pick: Clint's Finger Gun and his Unforeseen Son (Gran Torino, 2008) *2nd in Clint's Film Gamut Series* Today, we'll discuss-- the colossally chasmic difference between being retired and expired, how one cantankerous, yet capable man drinks his beer out of a can, but bottles up his discontentment, why a finger pistol can be as deceptively dangerous and effective as a real one and, despite Walt's unrelenting stream of vocalized slurs, his 1972 fast back polished grand Gran Torino still godd*** purrs.
Your worthwhile cinephile: Falsetto Prophet and Brother Clint
P.S. (Procrastinated Statement) *Intro/outro song, Soulicious, courtesy of the artist, Dyalla.
Next Episode

Pick 28: Slick Flick Pick: Launch Key Largo--Jet Packs, Diving Masks and Shark Attacks (Thunderball, 1965) **Premiere of the UnBONDed Series** *With Red Devil's Aural Appearance*
Greetings, Cinematic Fanatics! Allow us the pleasure of ushering you through the dense, diverse, and deadly Caribbean cities and their peripheral deep sea extremities on the outskirts of this Bahamian utopia, from the palatial war rooms Bond walks through when joining a royal committee, J.B. meets disposable female pleasures aplenty, and they are undeniably pretty; though some of his work proves violent and gritty, this masculine mammal who kills for Queen, King, God and country, you never pity. It remains unclear if it's the Golden Grotto Shark or this handsome Scottish double O, both tall and dark, who is more savage, for both attack their prey and, devoid of mercy or decorum, they ravage, but it is through these bold and bombastic scenes, and this film's thunderous underwater score, a crystal-clear ocean water serene that persuades us to crave, want and seek more as we've explored the Bond collection and discovered this slick with saltwater, seaweed and squids sunken deep sea treasure of Slick Flick Pick, an entertaining, slick/flick-explaining series, a desirable diversion from the main vein of Chemohawk Sessions. You are our Cinematic Fanatics; we, your worthwhile cinephiles. For your 28th episode, Golden Grotto shark shot blood Red Devil and I review one of our most treasured, prized and jeweled Caribbean cove treasure trove flick findings from the original Sean Conn Bond collection of Ian Fleming's fantastic, cinematic classics.
We offer you, regarding this classically sexy, diver's knife edge straightforward, and unnecessarily, uncomplicated spy flick, in an underwater sheen that's glossy, sleek and slick, a worthy follow up to the prior Bond film, Goldfinger, where expertly constructed deep sea set pieces, exotic location shots and a medley of characters mangled, shot, speared, fed to the GG sharks, drowned, suffocated, poisoned and exploded in Thunderball, circa December 1965. This film's villain is one of cinema's greatest hosts: he offers his home, booze, grub, gun and girl to the mammalian card shark who beat him at cards, surveilled his boat and home, killed his minions and danced with his dame after humiliating him at the poker table, he may be the archetypal foe with an eye patch, but the sinister, suave dude with the Disco Volante you befriend, perhaps exploit--but not dispatch.
Thunderball is the flick, so very slick, hence our fstars pick!
Enter, with us, you cinematic fanatics, into the realm of film's fantasy as we unwind the grind of reality...We offer you: Pick 28: Slick Flick Pick: Launch Key Largo--Jet Packs, Diving Masks and Shark Attacks (Thunderball, 1965) **Premiere of the UnBONDed Series** Today, we'll discuss-- the imitation worthy qualities of a GQ killer who beats the shi* out of men dressed like women at faux funerals, blackmails hard working nurses via scoring tail by threatening to tattletale, who feigns heartfelt sorrow at the death of the dark-eyed brother doppelganger who's twin is the brother of his present quarries' mistress to manipulate, she, who always dresses like a domino for she is Bond's new DomiHO. He has a license to thrill, blood spill and Dom Perignon champagne chill; with a Sean Conn Bond, you'll get your license to kill fill.
Your worthwhile cinephile: Falsetto Prophet and Deep Sea Shark Shot Blood RED DEVIL
P.S. (Procrastinated Statement) *Intro/outro song, Soulicious, courtesy of the artist, Dyalla.
F.C.F.U. (Fact-Check Follow Up) Value of $100,000 from 1965 to 2023 $100,000 in 1965 is equivalent in purchasing power to about $955,047.62 today.
F.C.F.U. (Fact-Check Follow Up) Hottest Bond Babe Ever: Bérénice Lim Marlohe is a French actress; she played the femme-fatale Sévérine in Skyfall.)
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