
Science Fiction and International Relations with Stephen Dyson
Explicit content warning
07/27/23 • 97 min
Creators of science fiction movies and television shows often build worlds with at least some attention to governance systems and international (or interplanetary) political interactions. Sometimes, they develop central plot points out of national security matters, even if they play out in entirely different galaxies or dimensions. So it's not surprising that political scientist and author Stephen Dyson has spent years looking closely at how the genre influences--and, in turn, is influenced by--international relations theory and practice.
David Priess hosted Stephen for a conversation about the definitions of science fiction, fantasy, and speculative fiction; teaching international politics in China; how science fiction helps us to understand international relations and how IR inform our viewing of science fiction; politics in the Star Trek, Battlestar Galactica and Star Wars universes; and much more.
Among the works mentioned in this episode:
- The book Otherworldly Politics by Stephen Benedict Dyson
- The books Imagining Politics, The Blair Identity and Leaders in Conflict by Stephen Benedict Dyson
- The book Metamorphoses of Science Fiction by Darko Suvin
- The YouTube channel UConnPopCast
- The TV shows Star Trek (The Original Series), Star Trek: The Next Generation, Battlestar Galactica (2004-2009), Battlestar Galactica (1978-1979), and Game of Thrones
- The movies Star Wars: Episode IV - A New Hope and Rogue One
- The article "Images of International Politics in Chinese Science Fiction: Liu Cixin's Three-Body Problem," in New Political Science (2019), by Stephen Benedict Dyson
- The book Children of Time by Adrian Tchaikovsky
- The book Blood Meridian by Cormac McCarthy
Chatter is a production of Lawfare and Goat Rodeo. This episode was produced and edited by Isabelle Kerby-McGowan and Cara Shillenn of Goat Rodeo. Podcast theme by David Priess, featuring music created using Groovepad.
Hosted on Acast. See acast.com/privacy for more information.
Creators of science fiction movies and television shows often build worlds with at least some attention to governance systems and international (or interplanetary) political interactions. Sometimes, they develop central plot points out of national security matters, even if they play out in entirely different galaxies or dimensions. So it's not surprising that political scientist and author Stephen Dyson has spent years looking closely at how the genre influences--and, in turn, is influenced by--international relations theory and practice.
David Priess hosted Stephen for a conversation about the definitions of science fiction, fantasy, and speculative fiction; teaching international politics in China; how science fiction helps us to understand international relations and how IR inform our viewing of science fiction; politics in the Star Trek, Battlestar Galactica and Star Wars universes; and much more.
Among the works mentioned in this episode:
- The book Otherworldly Politics by Stephen Benedict Dyson
- The books Imagining Politics, The Blair Identity and Leaders in Conflict by Stephen Benedict Dyson
- The book Metamorphoses of Science Fiction by Darko Suvin
- The YouTube channel UConnPopCast
- The TV shows Star Trek (The Original Series), Star Trek: The Next Generation, Battlestar Galactica (2004-2009), Battlestar Galactica (1978-1979), and Game of Thrones
- The movies Star Wars: Episode IV - A New Hope and Rogue One
- The article "Images of International Politics in Chinese Science Fiction: Liu Cixin's Three-Body Problem," in New Political Science (2019), by Stephen Benedict Dyson
- The book Children of Time by Adrian Tchaikovsky
- The book Blood Meridian by Cormac McCarthy
Chatter is a production of Lawfare and Goat Rodeo. This episode was produced and edited by Isabelle Kerby-McGowan and Cara Shillenn of Goat Rodeo. Podcast theme by David Priess, featuring music created using Groovepad.
Hosted on Acast. See acast.com/privacy for more information.
Previous Episode

National Security Insights from Board Games with Volko Ruhnke
Gaming might seem far removed from national security, but Volko Ruhnke's experience proves otherwise. During his career as an intelligence analyst and manager, he designed and published many commercially successful historical board games that, in turn, informed his work. Additionally, he applied his skills in gaming to training intelligence officers.
David Priess hosted Volko for a deep dive about board games that included discussion of various game types, the value of in-person vs. virtual gaming, Volko's intelligence career, his many published games, the use of cards in gameplay, the importance of honoring historicity while avoiding forced recreation of exact historical timelines, similarities between game design and intelligence questions, the collaborative nature of historical boardgaming, why military wargaming matters, complexity in intelligence analysis, games ranging from political coalition management to Polynesian exploration and from the suffrage movement in the early 1900s to the manipulation of public perceptions about the functionality of Machu Picchu, and much more.
Among the works mentioned in this episode:
Volko Ruhnke's page at GMT Games
The Kevin McPartland-designed game Conquest of Paradise
The Alison Collins-designed game Wiñay Kawsay
Chatter is a production of Lawfare and Goat Rodeo. This episode was produced and edited by Noam Osband and Cara Shillenn of Goat Rodeo. Podcast theme by David Priess, featuring music created using Groovepad.
Hosted on Acast. See acast.com/privacy for more information.
Next Episode

The Story of Reality Winner with Tina Satter
In June 2017, FBI agents arrived at the home of Reality Winner, a translator working for the NSA, to question her about an unauthorized leak of classified information concerning Russian interference in U.S. elections. Six years later, Tina Satter’s new film, “Reality,” tells the story of that fateful day, which led to Winner’s imprisonment.
Satter’s screenplay relies almost entirely on a verbatim transcript of Winner’s conversations with the FBI agents. The dialogue is by turns quotidian and suspenseful. "Reality" is partly a psychological thriller as well as an exploration of the mind and motivations of Winner herself. She received the longest prison sentence ever given by a federal court for the unauthorized release of government information to the media.
Shane Harris talked with Satter about her film, which is based on her stage play, “Is This a Room.” Satter says she became fascinated with Winner after reading about her arrest in the press. She thought the transcript had dramatic potential. To Satter, it read like the script for a play, with a list of characters and dialogue. “Is This a Room” received critical praise and won important theatre awards. The movie, “Reality,” is streaming on Max.
Satter began her theatrical career in Portland, Oregon, and has worked with some of the biggest names in experimental theatre. She now lives and works in New York.
Among the works mentioned in this episode:
“Reality” on Max: https://www.hbo.com/movies/reality
“Is This a Room” review: https://www.nytimes.com/2021/10/11/theater/is-this-a-room-review.html
The New York magazine article that first got Satter interested in Winner's story: https://nymag.com/intelligencer/2017/12/who-is-reality-winner.html
Satter’s production company, Half Straddle: http://www.halfstraddle.com/
Reality Winner’s interview with Rolling Stone: https://www.rollingstone.com/politics/politics-features/reality-winner-interview-prison-nsa-1261844/
Chatter is a production of Lawfare and Goat Rodeo. This episode was produced and edited by Noam Osband and Cara Shillenn of Goat Rodeo. Podcast theme by David Priess, featuring music created using Groovepad.
Hosted on Acast. See acast.com/privacy for more information.
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