
Catching Up On Cinema Presents: Tales From the Shelf - Amazing Artwork
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12/25/21 • 134 min
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It's once again time for Catching Up On Cinema's monthly, “Tales From the Shelf” episode!
In this installment, Trevor is once again joined by his good buddy Brad from the Cinema Speak podcast to explore some of the films from their respective collections that sport some “Amazing Artwork”!
Brad's Picks:
Urban Legend (1998)
The Vanishing (1988)
Homegrown Horrors Vol. 1 (Vinegar Syndrome – Beyond Dream's Door, Final Exam and Winter Beast)
The James Bond Collection (MGM, individual releases)
The Master (2012)
Trevor's Picks:
Versus (2000)
Ultraman Mebius & the Ultra Brothers (2006), Mega Monster Battle: Ultra Galaxy (2009) and Kamen Rider: The Next (2007)
In Search of Darkness (2019) and In Search of Darkness: Part II (2020)
Resurrection of Golden Wolf (1979)
Ichi the Killer (2001), MD Geist (1986), Mechanical Violator Hakaider (1995), Mirai Ninja (1988), Crying Fist (2005) and Shamo (2007)
And make sure to stick around as the 2 wrap things up with a customary “Speed Round” of runner up films that didn't quite make the cut.
Check out Brad's podcast, Cinema Speak on Libsyn at Cinema Speak, or on Twitter and Instagram.
Follow us on Instagram @catchinguponcinema
Follow us on Twitter @CatchingCinema
Like, share, subscribe, and we'll catch you next time!
It's once again time for Catching Up On Cinema's monthly, “Tales From the Shelf” episode!
In this installment, Trevor is once again joined by his good buddy Brad from the Cinema Speak podcast to explore some of the films from their respective collections that sport some “Amazing Artwork”!
Brad's Picks:
Urban Legend (1998)
The Vanishing (1988)
Homegrown Horrors Vol. 1 (Vinegar Syndrome – Beyond Dream's Door, Final Exam and Winter Beast)
The James Bond Collection (MGM, individual releases)
The Master (2012)
Trevor's Picks:
Versus (2000)
Ultraman Mebius & the Ultra Brothers (2006), Mega Monster Battle: Ultra Galaxy (2009) and Kamen Rider: The Next (2007)
In Search of Darkness (2019) and In Search of Darkness: Part II (2020)
Resurrection of Golden Wolf (1979)
Ichi the Killer (2001), MD Geist (1986), Mechanical Violator Hakaider (1995), Mirai Ninja (1988), Crying Fist (2005) and Shamo (2007)
And make sure to stick around as the 2 wrap things up with a customary “Speed Round” of runner up films that didn't quite make the cut.
Check out Brad's podcast, Cinema Speak on Libsyn at Cinema Speak, or on Twitter and Instagram.
Follow us on Instagram @catchinguponcinema
Follow us on Twitter @CatchingCinema
Like, share, subscribe, and we'll catch you next time!
Previous Episode

Force Majeure (2014)
“Kyle's Cold Christmas” event month continues at Catching Up On Cinema, sans Kyle, with Trevor and his brother Matt's review of Ruben Ostlund's, Force Majeure (2014)!
Titled “Turist” in it's native Sweden, the film is a thoughtful and wry examination of a struggling family of ski vacationers.
While any back of the box plot description of the film will likely greatly emphasize an avalanche as the catalyst for the plot, the deeply layered structure of the narrative, and the subtly of the characterizations therein make for a film that feels confident in allowing large pieces of the narrative to exist beyond the borders of the frame.
A film that benefits from subsequent viewings, the film is rich with thematic content, in particular concerning masculinity and gender roles.
A beautiful and often hilarious film, Force Majeure is a delightful watch, that opens the door for equally delightful discussion.
Be sure to check out Matt's podcasts:
Couch Co-Op:
https://open.spotify.com/show/3G7mrJd8DEVcSC2BH1VSMe
The Hollywood Brunettes:
https://open.spotify.com/show/75OxnIkQ6SMV5SQ39abwlY
Follow us on Instagram @catchinguponcinema
Follow us on Twitter @CatchingCinema
Like, share, subscribe, and we'll catch you next time!
Next Episode

Blood Glacier (2013)
“Kyle's Cold Christmas” event month concludes at Catching Up On Cinema with Trevor's solo review of Marvin Kren's, Blood Glacier (2013)!
With a plot concerning hybrid monsters spawned from microorganisms housed within a bloody red glacier in the Austrian alps, the film is a surprisingly sincere and deftly constructed creature feature.
Featuring lovely on location shots, and practical puppet creatures, the film is far from the most impressive of monster films, however it earns a whole host of brownie points for it's earnest tone and the low tech presentation of it's monsters.
Happy New Year from all of us here at Catching Up On Cinema!
Follow us on Instagram @catchinguponcinema
Follow us on Twitter @CatchingCinema
Like, share, subscribe, and we'll catch you next time!
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