
Piers Morgan
09/05/21 • 20 min
Morning television; It’s a medium built upon being the relaxing background music to your pre-breakfast routine. A light fusion of news, entertainment, and weather, wrapped up with soft furnishings and ambient intro music, with the melodious alto of a Scottish woman never far away. (Carol Kirkwood and Lorraine Kelly–holler). Hardly a bastion of excitement. But such tranquillity is fertile ground for a disruptor, and there is perhaps nobody more deserving of that adjective than one Piers Morgan.
This episode was written by Anton Ferrie.
This is a Broccoli Production.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Morning television; It’s a medium built upon being the relaxing background music to your pre-breakfast routine. A light fusion of news, entertainment, and weather, wrapped up with soft furnishings and ambient intro music, with the melodious alto of a Scottish woman never far away. (Carol Kirkwood and Lorraine Kelly–holler). Hardly a bastion of excitement. But such tranquillity is fertile ground for a disruptor, and there is perhaps nobody more deserving of that adjective than one Piers Morgan.
This episode was written by Anton Ferrie.
This is a Broccoli Production.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Alison Roman
May last year. Do you remember that time? A strange and eerie period where lockdown still felt new. Think shuttered shops and restaurants, and more people than ever working from home. Remember that context as you listen to this episode and ask yourself how much lockdown boredom -and the never-ending entertainment of celebrities fighting -may have played a part in the media storm surrounding food writer and chef Alison Roman whose career grounded in making good food accessible, was being questioned about elitism, and her role in what critic Roxana Hadidi called ‘colonialisation as cuisine’.
This episode was written by Coco Khan.
This is a Broccoli Production.
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