
Ep. 36: Boyz N the Hood
02/17/16 • -1 min
With the Academy failing to nominate a single non-white actor in any acting category for the second year in a row, Nate and Ryan watch John Singleton’s breakout 1991 film Boyz N the Hood. The film earned the first-time writer/director nominations for Best Original Screenplay and Best Director, making him not only the youngest person nominated for the award (24 years old), but also the first black person to receive the best directing nomination. It would be 19 years before another black person was nominated for Best Director, when Lee Daniels was nominated for Precious. This second straight year without a non-white acting nominee has prompted many to take a serious look at what is really happening in Hollywood.
Additionally, high-profile and controversial performances by Beyonce at the Super Bowl and Kendrick Lamar at the Grammys are causing (at best) conversation about the realities of systemic racism and life as an African American and (at worst) fear-filled reactions to the idea that these thoughts and feelings are finally being expressed on the world’s biggest stages.
Boyz N the Hood is a unique and personal story from a way of life that was, and is, severely misunderstood by most people in America. Released just one year prior to the Rodney King beating and the riots that followed the acquittal of the police officers responsible, Boyz N the Hood is not only considered a landmark film from a dynamic first-time director, but has proven to be an important primary historical source, telling the story of life in south central Los Angeles as it was happening.
With the Academy failing to nominate a single non-white actor in any acting category for the second year in a row, Nate and Ryan watch John Singleton’s breakout 1991 film Boyz N the Hood. The film earned the first-time writer/director nominations for Best Original Screenplay and Best Director, making him not only the youngest person nominated for the award (24 years old), but also the first black person to receive the best directing nomination. It would be 19 years before another black person was nominated for Best Director, when Lee Daniels was nominated for Precious. This second straight year without a non-white acting nominee has prompted many to take a serious look at what is really happening in Hollywood.
Additionally, high-profile and controversial performances by Beyonce at the Super Bowl and Kendrick Lamar at the Grammys are causing (at best) conversation about the realities of systemic racism and life as an African American and (at worst) fear-filled reactions to the idea that these thoughts and feelings are finally being expressed on the world’s biggest stages.
Boyz N the Hood is a unique and personal story from a way of life that was, and is, severely misunderstood by most people in America. Released just one year prior to the Rodney King beating and the riots that followed the acquittal of the police officers responsible, Boyz N the Hood is not only considered a landmark film from a dynamic first-time director, but has proven to be an important primary historical source, telling the story of life in south central Los Angeles as it was happening.
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Ep. 35: Birdman
This episode contains explicit language.
Following Birdman’s Best Picture win at the Oscars last year, director Alejandro G. Inarritu seems poised once again to be the front-runner this year with his new film The Revenant. Nate and Ryan have often debated the merits of Inarritu, and his 2005 movie Babel remains one of their most hotly contested arguments. Their divide continued on the release of Birdman, and with Inarritu still drawing praise and criticism from all corners, it was time to at least open the discussion on this polarizing director.
Let us know your thoughts on Alejandro G. Inarritu. Is he a genius? A fraud (ahem, Scott Tobias)? Visionary? Annoying? What do you think of Birdman? Will The Revenant take home another Oscar for Inarritu?
Next Episode

Ep. 37: Barton Fink
Inspired by the recent release of the latest Coen Brothers film Hail, Caesar!, Nate and Ryan revisit Barton Fink. Despite winning three major awards at Cannes in 1991, the film is usually one of the underseen, if not forgotten film in the Coen Brothers Canon. Though both Nate and Ryan had seen this movie before, neither could really remember what they thought of it. Like Hail, Caesar!, Barton Fink uses old Hollywood as a backdrop for an exploration of art and ambition. However, the comparisons to any other movie don’t go very far, as Barton Fink is unlike any movie in its genre twisting style.
What are your thoughts on the Coen Brothers? Have you seen Barton Fink? Have you forgotten it? Where does it rank among other Coen Brothers movies? Let us know!
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