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Buffy and the Art of Story - Angel S1 E7

Angel S1 E7

12/02/19 • 52 min

Buffy and the Art of Story
This week on Buffy and the Art of Story: Angel, Season 1, Episode 7. This episode covers how season-long antagonist The Master is the protagonist in the main plot. Also how the episode intertwines that plot with 2 subplots - one with Buffy as protagonist, one with Angel. And the way the episode serves as a Season Midpoint. As always, the discussion is spoiler-free, except at the end (with plenty of warning). Story Elements in Angel In this podcast episode we'll look at: How the main plot and 2 subplots weave together perfectly A villain as protagonist 3 things a protagonist should do The Season 1 Midpoint As I note on the show, my understanding of the role of the protagonist was deepened by listening to story expert Lani Diane Rich of Chipperish Media. She explains protagonists and antagonists here and in many of her podcast episodes. Story Structure For help applying the 5-point story structure the podcast covers to your own work, a free story structure template is available on my patreon page. You don't need to be a patron to download it, though it's great if you'd like to be. Support The Show If you become a patron for as little as $1 a month, you'll not only help fund more episodes like Angel, you'll get access to bonus episodes. Those episodes will include Buffy-adjacent stories (such as key Angel episodes). Also films or TV episodes that are intriguing from a story, theme, or character perspective. Including Wonder Woman once I reach 50 patrons. Next Up: I, Robot...You, Jane (S1 E8) Angel Episode Transcript I am Lisa M. Lilly, author of The Awakening supernatural thriller series and founder of WritingAsASecondCareer.com. If you love creating stories or just taking them apart to see how they work, you're in the right place. This Week: Angel This week we'll be talking about Season One, Episode Seven: Angel. In particular, I'll talk about how the main plot and two subplots weave together and the use of a character who is normally our antagonist as a protagonist in the main plot. The discussion will be spoiler-free except at the very end. But I'll give you plenty of warning. Okay, let's dive into the Hellmouth. The Main Plot and Two Subplots As I sat down to analyze the plot points in this episode, I struggled to figure out exactly where they were. Which seems strange because I love this episode and I think it is very well structured. After a while I realized it's because we have a main plot and two subplots. The main plot is really the Master's plot to both kill Buffy and win Angel back. He is our protagonist, the Master that is, in this episode, though he acts through Darla, and though he normally is our antagonist during this season. Our other plot, which you could also see as the main plot since Buffy is our traditional protagonist and it's her show, is Buffy wanting to be with Angel, falling for Angel. Which is really part of the overall series struggle Buffy has with trying to have a normal life and personal life, along with being the Slayer.. We also have a subplot for Angel wanting to be with Buffy. Angel is the protagonist of this plot. I'll talk as I go along about why I don't see the Buffy/Angel subplots as one cohesive subplot, although all three of these plots are woven together so well that it did take me a while to see them separately. The Opening Conflict We start with our opening conflict. And remember that conflict is what draws the reader in and gets the reader intrigued, though it might or might not relate to the main plot. Here it does if we see the Master's plot to kill Buffy and win Angel back as the main plot. The Master starts out by saying “Zachary did not return from the hunt.” And there is a conversation between him and Colin -- him being the Master, not Zachary who's gone -- between the Master and Colin, the little boy vampire Chosen One from the last episode, and Darla. They are all blaming Buffy.
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This week on Buffy and the Art of Story: Angel, Season 1, Episode 7. This episode covers how season-long antagonist The Master is the protagonist in the main plot. Also how the episode intertwines that plot with 2 subplots - one with Buffy as protagonist, one with Angel. And the way the episode serves as a Season Midpoint. As always, the discussion is spoiler-free, except at the end (with plenty of warning). Story Elements in Angel In this podcast episode we'll look at: How the main plot and 2 subplots weave together perfectly A villain as protagonist 3 things a protagonist should do The Season 1 Midpoint As I note on the show, my understanding of the role of the protagonist was deepened by listening to story expert Lani Diane Rich of Chipperish Media. She explains protagonists and antagonists here and in many of her podcast episodes. Story Structure For help applying the 5-point story structure the podcast covers to your own work, a free story structure template is available on my patreon page. You don't need to be a patron to download it, though it's great if you'd like to be. Support The Show If you become a patron for as little as $1 a month, you'll not only help fund more episodes like Angel, you'll get access to bonus episodes. Those episodes will include Buffy-adjacent stories (such as key Angel episodes). Also films or TV episodes that are intriguing from a story, theme, or character perspective. Including Wonder Woman once I reach 50 patrons. Next Up: I, Robot...You, Jane (S1 E8) Angel Episode Transcript I am Lisa M. Lilly, author of The Awakening supernatural thriller series and founder of WritingAsASecondCareer.com. If you love creating stories or just taking them apart to see how they work, you're in the right place. This Week: Angel This week we'll be talking about Season One, Episode Seven: Angel. In particular, I'll talk about how the main plot and two subplots weave together and the use of a character who is normally our antagonist as a protagonist in the main plot. The discussion will be spoiler-free except at the very end. But I'll give you plenty of warning. Okay, let's dive into the Hellmouth. The Main Plot and Two Subplots As I sat down to analyze the plot points in this episode, I struggled to figure out exactly where they were. Which seems strange because I love this episode and I think it is very well structured. After a while I realized it's because we have a main plot and two subplots. The main plot is really the Master's plot to both kill Buffy and win Angel back. He is our protagonist, the Master that is, in this episode, though he acts through Darla, and though he normally is our antagonist during this season. Our other plot, which you could also see as the main plot since Buffy is our traditional protagonist and it's her show, is Buffy wanting to be with Angel, falling for Angel. Which is really part of the overall series struggle Buffy has with trying to have a normal life and personal life, along with being the Slayer.. We also have a subplot for Angel wanting to be with Buffy. Angel is the protagonist of this plot. I'll talk as I go along about why I don't see the Buffy/Angel subplots as one cohesive subplot, although all three of these plots are woven together so well that it did take me a while to see them separately. The Opening Conflict We start with our opening conflict. And remember that conflict is what draws the reader in and gets the reader intrigued, though it might or might not relate to the main plot. Here it does if we see the Master's plot to kill Buffy and win Angel back as the main plot. The Master starts out by saying “Zachary did not return from the hunt.” And there is a conversation between him and Colin -- him being the Master, not Zachary who's gone -- between the Master and Colin, the little boy vampire Chosen One from the last episode, and Darla. They are all blaming Buffy.

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undefined - The Pack S1 E6

The Pack S1 E6

This week on Buffy and the Art of Story: The Pack, Season 1, Episode 6 of Buffy the Vampire Slayer. This episode includes how to build the character of the victim to make the loss greater while misdirecting the audience regarding who the victim will be. As always, the discussion is spoiler-free, except at the end (with plenty of warning). Story Elements in The Pack In this podcast episode we'll look at how The Pack handles: All major plot points Creating a victim the audience likes Misdirection regarding the victim Characters' responsibility for what they do while possessed Highlights from the Buffy Season 1 DVD commentaries by Joss Whedon are also discussed. Story Structure For more on the 5-point story structure the podcast covers, check out Super Simple Story Structure: A Quick Guide To Plotting And Writing Your Novel. Or become a patron for as little as $1/month and download a free story structure template to use with your own writing. Support The Show If you become a patron, you'll not only help fund more episodes like The Pack, you'll get access to bonus episodes. Those episodes will include Buffy-adjacent stories (such as key Angel episodes). Also films or TV episodes that are intriguing from a story, theme, or character perspective. Including Wonder Woman once we reach 50 patrons. Next Up: Angel S1 E7 Last Week: Never Kill A Boy On The First Date S1 E5 The Pack Episode Transcript Hello and welcome to Buffy and The Art of Story. If you love Buffy the Vampire Slayer and you love creating stories or just taking them apart to see how they work, you're in the right place. I am Lisa M. Lilly, author of suspense, mysteries, and supernatural thrillers, and founder of WritingAsASecondCareer.com. This Week: The Pack This week we'll cover Season One, Episode Six: The Pack. It's a standalone episode, so we'll talk about all the major plot points, as well as interweaving storylines, and building the character of the victim to make the loss greater, or more serious, for the audience. We'll also talk about the use of misdirection as to the victim. Okay, let's dive into the Hellmouth. Prologue We start with Buffy at the zoo alone. A group of four mean kids teases her. And one of them says, “Were you this popular at your old school before you got kicked out?” This particular line feels to me like a backfill for the audience. Not the, ‘were you this popular at your old school?’ because I feel like that works, but the ‘before you got kicked out,’ seems like something thrown in there, to remind the audience or inform a new audience member, that Buffy was kicked out of her old school. I say that because these four kids don't seem like ones who would mock Buffy for being kicked out because they appear to always be on the edge of being kicked out themselves. It seems more like they might think she was cool for that. I could be wrong, but that's just my feeling from it. It's one of the rare times, or I guess first time so far, that I felt like the opening dialogue back and forth was a little bit obvious in being there to fill in the blanks. However, I do really like that these kids are teasing Buffy because we see that she feels bad that she doesn't have the social network or the friends or the standing that she had in her old school. Opening Conflict in The Pack We then see the main kids picking on Lance, who I noticed as I watched this time is in a red shirt. Which I think is kind of fun and might or might not be a reference to the red shirts in Star Trek who always end up getting killed. This scene is part of what initially makes us think that Lance is going to be the real victim here. And certainly these students do victimize him, but he survives the episode, which I did not expect. The first time I watched it, and even this time, um, my initial thought was, ‘Oh yeah, this is the kid. They're gonna throw into the hyenas and kill him,’ which doesn't happen.

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undefined - I, Robot…You, Jane S1 E8

I, Robot…You, Jane S1 E8

This week on Buffy and the Art of Story: I, Robot...You, Jane. (Season 1, Episode 8 of Buffy the Vampire Slayer.) This podcast episode covers using prologues to raise the stakes, whether the demon here is a compelling antagonist, and how I, Robot weaves in action in quick bursts. As always, the discussion is spoiler-free, except at the end (with plenty of warning). Story Elements in I, Robot In this podcast episode we’ll look at: Raising the stakes through a prologue Learning about strong chapter endings from Buffy Weaving in action you don’t have time to show What makes an antagonist less than interesting Sorry, no Season 1 DVD commentary this time! (But there will be for The Puppet Show.) Next Up: The Puppet Show S1 E9 (on December 30, 2019 after a short holiday break) Last Week: Angel S1 E7 Plotting Your Story Working through plot issues for your own novel, screenplay, or story? Try this Story Structure Template, available free to all on my Patreon page. If you become a patron, you’ll also get access to bonus episodes and content. Episodes will include Buffy-adjacent stories (such as key Angel episodes). Also films or TV episodes that are intriguing from a story, theme, or character perspective. Episode Transcript of I, Robot...You, Jane Hi, and welcome to Buffy and the Art of Story. I am Lisa M. Lilly, author of The Awakening supernatural thriller series and the Q.C. Davis mysteries, and the founder of WritingAsASecondCareer.com. If you love Buffy the Vampire Slayer and you love creating stories, or just taking them apart to see how they work, you're in the right place. This Week: I, Robot, You, Jane This week we’re talking about I, Robot, You, Jane, Season One, Episode Eight. Written by Ashley Gable and Thomas Ace Wyden and directed by Steven L. Posey. In addition to the major plot points, we’ll talk about: using a prologue to raise the stakes or at least let your audience know how high the stakes are; chapter endings and what you can learn about them from Buffy; weaving-in quickly action that you don't have the time to show, but that the audience needs to know about; and what makes an antagonist less than perhaps as interesting as we would like There will be no spoilers, except at the end, to talk about some foreshadowing. But I will give you plenty of warning. Listener Comments First, though we do have a couple listener comments. Both relate to the spoiler section on The Harvest. But I can talk about this point now. Because last week we found out in the episode Angel, that Angel is a vampire and that he, over 100 years ago, was extremely dangerous. Angel, in The Harvest, meets Buffy in the crypt. She is about to go down and face the Master. He says that he's afraid when she asks why he won't go down there. I questioned that, given what we later find out about Angel and how strong he is and how feared he was. Steve commented that he thought perhaps Angel just wasn't ready to reveal yet that he was a vampire, and he knew that was going to come out during the fight and also that he was confident Buffy would be fine. So he didn't feel that he needed to go with her. Similarly, Kerry thought Angel's facial expression and his tone showed he was clearly lying about being afraid. And she says, “I think he just says it to get her to go on her own and realize her own strength.” I love that reading of it. I love both readings of it because they suggest Angel has a lot of confidence in Buffy. I like that my listeners had more confidence in the writers than I did at that particular moment. If you have thoughts on the show, you can email me [email protected] or you can tweet me on Twitter @LisaMLilly. Okay, let's dive into the Hellmouth. I, Robot I was a little bit surprised when I re-watched this episode for the podcast. I always remember it as one that I'm not that excited about. The whole Internet-demon-who-turns-into-a-robo...

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