
99CR 31: Streets of Fire
03/31/25 • 127 min
Grease up your pompadours and get your switchblades ready. This week we're taking a look at Walter Hill's 1984 rock and roll fable, Streets of Fire. Coming in hot off the back of the 1982 smash hit buddy cop picture, 48 Hours, Hill and co-writer Larry Gross could write their own checks and dictate their own destinies and sold Hill's dream project, a retro nostalgia vehicle about tough guys, femme fatales, bad guys, and pop music but when the movie landed in the screening rooms at Universal they knew they had a problem. Streets of Fire is weird as hell and out of step with what movie-going teens of the summer of 1984 were looking for. So dire was the outcome that Streets of Fire ended up getting killed in its opening weekend against one of the weakest Star Trek movies and then the following week Ghostbusters dropped and until Beverly Hills Cop came out it was the only thing anyone wanted to talk about.
In the years that followed Streets of Fire gained a cult following that appreciates what Hill was trying to do. It's an upgrade from The Warriors in many ways and the sound track, paired with powerhouse performances from Diane Lane and Willem Dafoe in early roles, delivers a wildly entertaining, deeply silly action movie with an enduring legacy. Let us tell you all about it.
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Grease up your pompadours and get your switchblades ready. This week we're taking a look at Walter Hill's 1984 rock and roll fable, Streets of Fire. Coming in hot off the back of the 1982 smash hit buddy cop picture, 48 Hours, Hill and co-writer Larry Gross could write their own checks and dictate their own destinies and sold Hill's dream project, a retro nostalgia vehicle about tough guys, femme fatales, bad guys, and pop music but when the movie landed in the screening rooms at Universal they knew they had a problem. Streets of Fire is weird as hell and out of step with what movie-going teens of the summer of 1984 were looking for. So dire was the outcome that Streets of Fire ended up getting killed in its opening weekend against one of the weakest Star Trek movies and then the following week Ghostbusters dropped and until Beverly Hills Cop came out it was the only thing anyone wanted to talk about.
In the years that followed Streets of Fire gained a cult following that appreciates what Hill was trying to do. It's an upgrade from The Warriors in many ways and the sound track, paired with powerhouse performances from Diane Lane and Willem Dafoe in early roles, delivers a wildly entertaining, deeply silly action movie with an enduring legacy. Let us tell you all about it.
Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJ
Support Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepod
Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
Previous Episode

70: Macabre
This week we take a look at Lamberto Bava's first official director's credit with the incredibly tasteless and disgusting piece of southern-fried necrophilia, Macabre from 1980. It's one of those movies that makes you really work for the goods since the worthwhile parts of the movie lie almost entirely in the final third after a lively and berserk setup. It'll make you wonder precisely how long you could preserve a severed head in your average consumer freezer.
Everyone's insane in this one, including the horrible little girl and you'll be hard pressed to find an actor more deeply committed to overacting than Bernice Stegers. Keep a barf bag handy.
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(Sample) Millennium Edition: Lake Mungo
To unlock the full episode go to Patreon and subscribe at the $5 level to unlock all of our Millennium Edition episodes as well as our X-Files rewatch and 90's history podcast, Do You Think I'm Spooky?, and Radio Free Haddonfield our bi-weekly DJ and music show.
This month's Millennium Edition takes a look at 2008's Lake Mungo, from Australian director Joel Anderson. This extremely affecting mockumentary sets up a promise that it can't possibly deliver on but the first hour that it sets up is a deeply moving and relatable document of loss and grief. The entire affair is a terribly frustrating affair that leaves you wondering: Why didn't Anderson direct anything after this? He's clearly a very talented filmmaker.
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