
60: Daughters of Darkness
11/25/24 • 126 min
1 Listener
Bryan and Dave go Belgian this week for a look at the extremely artsy vampire sleeper, Daughters of Darkness. Where Jess Franco and Jean Rollin both released signature lesbian vampire movies in 1971, Harry Kumel snuck in and delivered his own interpretation of sleazy euro-trash horror through the lens of The French New Wave. The film stars the absolutely radiant Delphine Seyrig and her many outrageous costumes.
We break down the film's attempt to make a statement about the gender dynamics between men and women in a patriarchy and Dave goes to great lengths to illustrate the ways in which gay women are treated differently than gay men. In the process you get a crash course in radical feminism and, more specifically, radical lesbianism and the two of us do a lot of lousy cartoonish French accents.
Support Bring Me The Axe on Patreon! https://www.patreon.com/c/bringmetheaxepod
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Bryan and Dave go Belgian this week for a look at the extremely artsy vampire sleeper, Daughters of Darkness. Where Jess Franco and Jean Rollin both released signature lesbian vampire movies in 1971, Harry Kumel snuck in and delivered his own interpretation of sleazy euro-trash horror through the lens of The French New Wave. The film stars the absolutely radiant Delphine Seyrig and her many outrageous costumes.
We break down the film's attempt to make a statement about the gender dynamics between men and women in a patriarchy and Dave goes to great lengths to illustrate the ways in which gay women are treated differently than gay men. In the process you get a crash course in radical feminism and, more specifically, radical lesbianism and the two of us do a lot of lousy cartoonish French accents.
Support Bring Me The Axe on Patreon! https://www.patreon.com/c/bringmetheaxepod
Buy Bring Me The Axe merch here: https://www.bonfire.com/store/bring-me-the-axe-podcast/
Previous Episode

99CR 22: The Beaver Trilogy
Bryan and Dave take a look at one of the deepest of cult movie deep cuts, The Beaver Trilogy by Trent Harris, a story about fame, guilt, and Olivia Newton John. It’s the story of a chance encounter with a strange young man one day in Beaver, Utah in 1979 that came to determine the entire trajectory of its director’s life. For reasons that we’ll dig into in the episode the movie is a document of the natural human inclination to seek fame, the natural human inclination to consider how our actions impact the lives of others, and maybe how we become our own worst enemies in the absence of answers. Harris, obsessed with the subject of his own work but unable to speak to him, works out his issues and tries to fill in the blanks as he remakes his own documentary twice with the help of Sean Penn and then again with Crispin Glover. It all culminates in a one-of-a-kind hybrid of documentary and scripted drama that you’re most likely going to become obsessed with.
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(Sample) Do You Think I'm Spooky? S1E4: Conduit
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This week we take a trip back to October 1, 1993 for the fourth episode of The X-Files. Mulder and Scully face off against the shadowy forces of the National Security Agency while searching for a missing teenager who may have been the victim of a UFO abduction. Meanwhile, a little boy is seemingly receiving binary data transmissions from his television. Is this kid a threat to national security? Was that girl taken by aliens? Could this small-town sheriff be any shittier about women?These questions and more will be answered on this week's episode.
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